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Shane Whitfield has only one regret—letting Margarita slip through his fingers. When Margarita shows up on his doorstep with an offer to buy his ranch, Shane makes one thing clear: He’s keeping his ranch and his woman. After a passionate, unforgettable night, Margarita Ramirez left New Mexico—and Shane—to focus on her career. Now she’s back at Whitfield Ranch and Shane is the only thing standing in her way of a big promotion. She thought it would be easy to convince Shane to sell. But he’s as stubborn as the bulls on his ranch. When Shane turns up the heat, she’s tempted to run—again. But her rugged cowboy has a few tricks up his sleeve and he’s not giving up until Margarita is his.
A mail-order bride and...her kid brother? The ad said rancher Rand Harding--a real, live cowboy!--wanted a wife. So orphaned city kid Mack Paxton began planning. He'd pen a gushy letter. Enclose a pin-up picture. Forge his big sister's signature. And presto! Mack would have it nailed: a mail-order marriage for Suzanne and a happily-ever-after home on the range. Trouble was, Mack's mischief caused surprising friction between rugged Rand and stubborn Suzanne. So Mack aimed to fan those flames and start the home fires burning!
Tenacious and talented Kyle Kelly holds on to his dream of becoming a famous country-western singer and songwriter. He and his father, Cowboy Red, keep pushing through disappointments and small-time gigs until suddenly, they land the opening of Wonderland Park. Their Nashville careers skyrocket, and the future looks bright until Kyle meets and falls in love with Miranda, a waitress in a Mexican restaurant. Kyle is offered a lucrative movie contract, and he plans to marry Miranda and live happily ever after…until a tragic accident sends Miranda and her family back to Mexico. But Kyle knows what it means to pursue a dream, and he goes after her. He could never have imagined the dangerous and tangled web surrounding the love of his life—she’s not who she appears to be, and Kyle will find himself the target of merciless forces in Mexico who are determined to keep them apart. Kyle enlists all the help he can get, no matter how eccentric, to find and marry the woman he loves. Thrilling, heartfelt, and entertaining, Lonesome Cowboy is a story you’ll never forget!
Revisit this classic western romance, book 1 in the Heart of Texas series by No.1 New York Times bestselling author Debbie Macomber. Everyone in Promise thinks Savannah Weston is an old-fashioned kind of woman, quietly content to stay on the family ranch with her brother, Grady. But Savannah has her passions — for the old roses she loves to grow, for the children she hopes to have. And for a man named Laredo Smith. He’s a stranger to the small town, a disenchanted drifting cowboy who may just change Savannah’s life — in the best possible way.
In Lone Cowboy, Will James revives the scenes, people, and customs of the turn-of-the-century American West. Today regarded as a fictionalized autobiography, Lone Cowboy follows the character of James the cowboy from a boy to an accomplished artist.
Will James (1892-1942), artist and writer of the American West, was born Joseph Ernest Nephtali Dufault. It was during his creative years everyone grew to know him as Will James. During the next several years, he drifted, worked at several jobs, was briefly jailed for cattle rustling, served in the army, and began selling his sketches and in 1922 sold his first writing, Bucking Horse Riders. The sale of several books followed. In 1926 his most famous book, Smoky the Cowhorse, was published, which won the Newbery Medal in 1927. His fictionalized autobiography, Lone Cowboy, was written in 1930. He also wrote Home Ranch (1935) and he wrote his last book, The American Cowboy, in 1942. In all, he wrote and illustrated 23 books.
Will James' cowboy autobiography Lone Cowboy tells how a little boy, hardly more than a baby, becomes an orphan in the West; how an old French trapper, whom the boy calls Bopy, adopts him and takes him on his long, long hunts; how when he is hardly more than a little boy Bopy is lost in an icy river and the child, heartbroken, rides down into the prairie region alone-on his own. James gives a complete and varied idea of how a cowboy lives. This first appeared in 1930 as James' life story, following the author's evolution from boy to cowboy to artist and writer. This will offer new audiences a spirited blend of fiction and autobiography as James traces the early influences which marked his life... --Midwest Book Review
What are the connections between cattle branding and Christian salvation, between livestock castration and square dancing, between rustling and the making of spurs and horsehair bridles in prison, between children's coloring books and cowboy poetry as it is practiced today? The Cowboy usesliterary, historical, folkloric, and pop cultural sources to document ways in which cowboys address religion, gender, economics, and literature. Arguing that cowboys are defined by the work they do, Allmendinger sets out in each chapter to investigate one form of labor (such as branding, castration,or rustling) that cowboys perform in their "work culture." He then looks at early oral poems that cowboys recited around campfires, on trail drives, at roundups, and at home in their bunkhouses, and at later poems, histories and autobiographies written by cowboys--most of which have never beforebeen studied by scholars. He discovers that these texts not only deal with work but with larger concerns, including art, morality, spirituality, and male sexuality. In addition to spotlighting little-known texts, art, and archival sources, The Cowboy examines the works of Twain, Steinbeck, Cather,Norris, Dana, McMurtry, and others, and features more than 60 historic photographs, many of which have not been published until now.
More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.
As the sun set on the 20th century, a new age dawned in Japan. This new era, symbolized by the postmodern city of Tokyo, has ushered in not only technological innovation and economic prowess, but changing attitudes and values among Japanese young people. This transformation is not an uncommon or even new phenomenon, but simply the result of modern life. And one of the symptoms of modernity is the prevalence of an "ethics of materialism," the ever-increasing concern for the acquisition of wealth and commodity goods, sometimes at the expense of the concern for human life itself. Walter Benjamin (1892-1940) was a German-Jewish philosopher whose writings examined topics including, but not limited to, art, history, and politics. His life's work, published posthumously as The Arcades Project, is a "literary montage" combining excerpts from written works related to life in 19th-century Paris and Benjamin's own commentaries and reflections. Benjamin's project on Paris of the 19th century foreshadows what is now occurring in 21st-century Tokyo, and Japan in general. Like the Paris of yesteryear, life in modern Tokyo is essentially a "dream image" that warps people's perception of the world in which they live. The public thus finds itself trapped in what Benjamin refers to as the "phantasmagoria," an illusory reality of a relatively flawless society. But this phantasmagoria shrouds the "grotesqueness" of underlying truths such as the failure of advances in science and philosophy to eradicate poverty, discrimination and other social inequities. Drawing from a selection of Benjamin's writings including The Arcades Project, this thesis explores the social consequences as well as the political implications of the rise of commodity capitalism in modern Japan, concluding with a discussion on how political action can re-humanize a citizenry that has been "commodified" by their materialistic desires. Walter Benjamin wrote about a past generation while appealing to his own, and as this discourse on the Tokyo Phantasmagoria will reveal, Benjamin appeals to our generation as well.