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In Lonely on the Mountain, Louis L’Amour’s solitary wandering Sackett brothers make a stand together—to save one of their own. The rare letters Tell Sackett received always had trouble inside. And the terse note from his cousin Logan is no exception. Logan faces starvation or a hanging if Tell can’t drive a herd of cattle from Kansas to British Columbia before winter. To get to Logan, he must brave prairie fires, buffalo stampedes, and Sioux war parties. But worse trouble waits, for a mysterious enemy shadows Sackett’s every move across the Dakotas and the Canadian Rockies. Tell Sackett has never abandoned another Sackett in need. He will bring aid to Logan—or die trying.
William Tell Sackett had followed a different path from his younger brothers, but his name, like theirs, was spoken with respect and just a little fear. Where Orrin had brought law and order from New Mexico to the plains of Montana, backed up by the gunfighting talents of his brother Tye, Tell Sackett’s destiny drew him to Texas after he had to kill a man. There, in the high, lonesome country, he came upon a vein of pure gold. All he’d wanted was enough to buy a ranch, but he soon learned that gold had ways of its own with men.
"Should appeal to all rugged individualists who dream of escape to the forest."—The New York Times Book Review Sam Gribley is terribly unhappy living in New York City with his family, so he runs away to the Catskill Mountains to live in the woods—all by himself. With only a penknife, a ball of cord, forty dollars, and some flint and steel, he intends to survive on his own. Sam learns about courage, danger, and independence during his year in the wilderness, a year that changes his life forever. “An extraordinary book . . . It will be read year after year.” —The Horn Book
Story, told in beautiful poetic prose, of the training of a present-day Navajo Indian boy who feels a vocation to become a medicine man.
In The Lonely Men, Louis L’Amour spins the tale of a man who must elude an Apache trap—only to discover that his greatest enemy might be very close to home. Tell Sackett had fought his share of Indians and managed to take something of value from his battles: a deep and abiding respect. But that respect is lost when Apache braves kidnap his nephew, forcing Tell to cross the border into the Sierra Madres to bring the boy back. What troubles Tell more, though, is the boy’s mother: Could she possibly be inventing a rescue mission to deliver her husband’s brother into an ambush? Tell knows that the only things he can depend on are his wits and cold steel. But against such adversaries, even these formidable weapons may not be enough.
In To the Far Blue Mountains, Louis L’Amour weaves the unforgettable tale of a man who, after returning to his homeland, discovers that finding his way back to America may be impossible. As part of the Louis L’Amour’s Lost Treasures series, this edition contains exclusive bonus materials! Barnabas Sackett was leaving England to make his fortune in the New World. But as he settled his affairs, he learned that a royal warrant had been sworn out against him and that men were searching for him in every port. At issue were some rare gold coins Sackett had sold to finance his first trip to the Americas—coins believed to be part of a great treasure lost by King John years before. Believing that Sackett possesses the rest of the treasure, Queen Bess will stop at nothing to find him. If he’s caught, not only will his dream of a life in America be lost, but he will be brutally tortured and put to death on the gallows. Louis L’Amour’s Lost Treasures is a project created to release some of the author’s more unconventional manuscripts from the family archives. In Louis L’Amour’s Lost Treasures: Volumes 1 and 2, Beau L’Amour takes the reader on a guided tour through many of the finished and unfinished short stories, novels, and treatments that his father was never able to publish during his lifetime. L’Amour’s never-before-seen first novel, No Traveller Returns, faithfully completed for this program, is a voyage into danger and violence on the high seas. Additionally, many beloved classics are being rereleased with an exclusive Lost Treasures postscript featuring previously unpublished material, including outlines, plot notes, and alternate drafts. These postscripts tell the story behind the stories that millions of readers have come to know and cherish.
In Ride the Dark Trail, Louis L’Amour tells the story of Logan Sackett, a cynical drifter who changes his ways to help a widow keep her land. Logan Sackett is wild and rootless, riding west in search of easy living. Then he meets Emily Talon, a fiery old widow who is even wilder than he is. Tall and lean, Em is determined to defend herself against the jealous locals who are trying to take her home. Logan doesn’t want to get involved—until he finds out that Em was born a Sackett. Em is bucking overwhelming odds, but Logan won’t let her stand alone. For even the rebellious drifter knows that part of being a Sackett is backing up your family when they need you.
"All the wild and lonely places, the mountain springs are called now. They were not lonely or wild places in the past days. They were the homes of my people." --Chief Francisco Patencio, the Cahuilla of Palm Springs The Anza-Borrego Desert on California's southern border is a remote and harsh landscape, what author Lawrence Hogue calls "a land of dreams and nightmares, where the waking world meets the fantastic shapes and bent forms of imagination." In a country so sere and rugged, it's easy to imagine that no one has ever set foot there -- a wilderness waiting to be explored. Yet for thousands of years, the land was home to the Cahuilla and Kumeyaay Indians, who, far from being the "noble savages" of European imagination, served as active caretakers of the land that sustained them, changing it in countless ways and adapting it to their own needs as they adapted to it.In All the Wild and Lonely Places, Lawrence Hogue offers a thoughtful and evocative portrait of Anza-Borrego and of the people who have lived there, both original inhabitants and Spanish and American newcomers -- soldiers, Forty-Niners, cowboys, canal-builders, naturalists, recreationists, and restorationists. We follow along with the author on a series of excursions into the desert, each time learning more about the region's history and why it calls into question deeply held beliefs about "untouched" nature. And we join him in considering the implications of those revelations for how we think about the land that surrounds us, and how we use and care for that land."We could persist in seeing the desert as an emptiness, a place hostile to humans, a pristine wilderness," Hogue writes. "But it's better to see this as a place where ancient peoples tried to make their homes, and succeeded. We can learn from what they did here, and use that knowledge to reinvigorate our concept of wildness. Humans are part of nature; it's still nature, even when we change it."
In Shangyang Fang’s debut Burying the Mountain, longing and loss rush through a portal of difficult beauty. Absence is translated into fire ants and snow, a boy’s desire is transfigured into the indifference of mountains and rivers, and loneliness finds its place in the wounded openness of language. From the surface of a Song Dynasty ink-wash painting to a makeshift bedroom in Chengdu, these poems thread intimacy, eros, and grief. Evoking the music of ancient Chinese poetry, Fang alloys political erasure, exile, remembrance, and death into a single brushstroke on the silk scroll, where names are forgotten as paper boats on water.
Untrue things are rumored of May Rose, but it's true she's too pretty for her own good. Her husband has disappeared, and now she's on her own in a rough town ruled by one of the lumber companies logging the last of West Virginia's virgin forest. The year is 1899, and a woman alone has few options. With no resources but a litter of pigs and the attachment of an untamed girl, May Rose must find a way to survive with respect. She must also save the girl who sleeps with a doll clutched tight and a knife under her pillow.