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A sequel to The Unknown Arthur, with 12 more Arthurian legends, including: The Story of Caradoc; The Story of Perceval; Knight with the Sword; Crop-eared Dog; The Boy and the Mantle; Gawain and the Carl of Carlisle; Tyolet; The Rise of Gawain; and Lanzalet.
With a foreword by Iain Sinclair. London is an ancient city, whose foundation dates back literally thousands of years into the legendary prehistory of these islands. Not surprisingly it has accumulated a large number of stories, both historic and mythical, during this period, many of which, though faithfully recorded at the time, have lain almost forgotten in dusty libraries throughout the city. The Secret Lore of London is a guide to the legends, including a discussion of their importance as part of the oral tradition of Britain, combining Prehistoric, Celtic, Arthurian, Roman, Saxon and Norman levels - each of which has contributed to the many-layered life of the city. The first part contains a unique selection of essays (some printed here for the first time) by experts in their fields, each of whom possesses a unique interest in the legends of these islands, and who have written widely on associated themes. The second part of the book will consist of a Gazetteer of the sites mentioned which are still in existence, together with various other sites of associated interest, compiled by the Editor, the contributors, and members of the London Earth Mysteries Group. This part will be fully updated and extended to include many more sites. The result is a wide ranging and wholly fascinating book, with wide sales application possible. A series of appendixes will include William Stukley's extraordinary document The Brill, which relates to the ancient prehistoric sites around the area of present day St. Pancras, and excerpts from some of the best known 19th and early 20th century works on Legendary London by Lewis Spence and Harold Bayley Contributors to the book are: Nigel Pennick John Matthews Caroline Wise Caitlín Matthews Carol Clancy R.J. Stewart Bernard Nesfield-Cookson Gareth Knight Robert Stephenson Geraldine Beskin Chesca Potter William Stukeley Lewis Spence Harold Bayley Alan V. Insole Ross Nichols
In 'Camelot and Holy Grail Revealed' the position of Camelot Palace is located, and the Holy Grail exposed to the world after centuries of wrongful speculation. There are photographs of both to prove beyond doubt these claims are genuine. Thereafter, the author continues to verify them by additional methods.When the first documented versions of the Grail romances were written by Chretien de Troyes and Wolfram von Eschenbach they state a magical presence is attached to Camelot; a claim modern readers ignore. Surprisingly, there is a supernatural element to this location. This element and additional facets are utilized in tracing the exact spot the building once stood.The Holy Grail created centuries of intrigue regarding its substance where modern authors wrongfully have said it is blood or a bloodline. However, it is a physical object so mysterious in nature it has led to these misconceptions being applied. For it was a nuclear engineer thirty years ago upon witnessing it firsthand said what it really was. Thereafter it took the author of this book another two years to fathom out a means of verification that would be beyond reproach. A series of photographs are evidence of all this.The early Christian sect of Cathars fascinate many. Upon the quest to find the Holy Grail a chapel where they were once said to manipulate light is investigated where, by accident, an apparition of the Holy Ghost is photographed. This may have been the same apparition they witnessed 800 years ago?! Battlefields of King Arthur are identified. A burial mound of the Knights of the Round Table up-river from where Arthur's castle stood is found. The status of Morgan le Fay (the fairy) put in question. The castle of Anfortas the Fisher King of France surveyed. See the exact spot Perceval sat when he witnessed the Grail Precession. All codes and symbols the Knights Templar gave to the Grail when it was in their safekeeping revealed, plus a church of sanctuary for it. How the Freemasons attach a supernatural presence to King Robert de Bruce. Study an historic frieze that gives indication where the Grail came from and when; and so many other topics in a thoroughly researched book written from credible inside sources, thereby starting with the conclusions and working backwards so not to be misled on any issue, that is so entertaining to read.
This volume boldly proposes that the core of the Arthurian and Holy Grail traditions derived not from Celtic mythology, but rather from the folklore of the peoples of ancient Scythia (what are now the South Russian and Ukrainian steppes). Also includes 19 maps.
Spirits surround us every day, but we do not notice them. To make them present, we have to follow the signs they give us on our way. This book deals with my real life story about me growing up, being clairvoyant and medium, and having the fairy folk around me. My book has great inspiration to those who belief in fairies, spirits, and karma. Many beautiful pictures are contained in this book: pictures of spirits and fairies living in my daily life. Many incidents happening throughout my life prove that they really do exist. Meditations and little prayers for today help people to communicate with them (a dazzling account of fairies and spirits who work around me all the time). I have many photographs featuring real life fairies and spirits. Illustrations from the book The Ultimate Fairies Handbook by Susannah Marriot can be compared with my pictures.
Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada
This book examines the traditions attached to the Holy Grail from its first appearance in medieval romance through its transformation into an object of mystical significance in modern literature and film.
The Holy Grail is an image familiar to us all as an almost unattainable, infinitely desirable goal. The idea has passed into everyday speech and the legends behind it are as current in today's culture as they have ever been. And yet the Grail has no real religious meaning and is nowhere mentioned in the Bible. What is the truth behind this elusive symbol? Here, Barber traces the history of the stories surrounding the Holy Grail. He describes how through a long series of imaginative transformations, the grail has moved from the sphere of romance to religion, and in twentieth century popular culture has become an emblem of mysticism and man's highest aspirations, intimately linked with the central ritual of the Christian faith. The search for the grail has always been described as a quest; in this book, Barber goes on his own quest, brilliantly exploring the richness of the Holy Grail's cultural impact. Barber traces the history of legends surrounding the Holy Grail, from Chretien de Troyes' great romances to the popular bestsellers of the late twentieth century.
Paperback re-print of Earthstars The Visionary Landscape. London's Sacred sites are not scattered about the capital at random.Many form a recognisable pattern of sacred geometry, a vast temple groundplan identical to the design used to lay out Stonehenge's megaliths over 3,500 years ago. Astonishingly, it also relates to the measures and proportions of the New Jerusalem, The City of Revelation. If the conclusions drawn by the author are correct, this pattern is a circuit diagram of the forces of creation and a new evolutionary impulse is coming through our sacred sites, a transformatory influence which will change the way we perceive the world