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'Endlessly fascinating. . . White is such a brilliant historian' Mail on Sunday Lasting for six long years, the Blitz transformed life in the capital beyond recognition, marking a time of almost constant anxiety, disruption, deprivation and sacrifice for Londoners. With the capital the nation's frontline during the Second World War, by its end, 30,000 inhabitants had lost their lives. While much has been written about 'the Myth of the Blitz', its riveting social history has often been overlooked. Unearthing what it was actually like for those living through those tempestuous years, Jerry White paints a fascinating portrait of the daily lives of ordinary Londoners, telling the story through their own voices. 'As a history of the capital in wartime, it is probably unsurpassable' Sunday Telegraph 'An impressive history of the capital at war. . . White, an accomplished chronicler of London's history, tells it with brio and a confident mastery of the sources' Literary Review
Reading London in Wartime: Blitz, the People and Propaganda in 1940s Literature presents an expansive variety of writers and genres, including non-fiction and film approaches, to build a comprehensive social picture of the atmosphere during wartime London. From blitz and austerity to the nagging insistency of propaganda, this volume examines the representation of London in wartime and early post-war literature through each writer’s unique perspective on the pressures of 1940s city life. Exploring the use of London imagery, this book considers how literature redirects attention to individual, subjective experience at a time of enforced co-operation, uniformity and community. Unlike government information films and news broadcasts, which often used London to prop up prevailing clichés and stereotypes, and encouraged patriotic support for the war, literature had the freedom to express more recalcitrant truths. London writing of the 1940s was not a literature of opposition or dissent, but in offering more nuanced depictions of the period, it was a counterweight to propaganda and the general war temperament. In writing, the city becomes a more complex place, no longer the easy symbol of defiance and stoicism, of the shared sacrifice of ration book and war work.
World War II marked the beginning of the end of literary modernism in Britain. However, this late period of modernism and its response to the war have not yet received the scholarly attention they deserve. In this full-length study of modernism and World War II, Marina MacKay offers historical readings of Virginia Woolf, Rebecca West, T. S. Eliot, Henry Green and Evelyn Waugh set against the dramatic background of national struggle and transformation. In recovering how these major authors engaged with other texts of their time - political discourses, mass and middlebrow culture - this study reveals how World War II brought to the surface the underlying politics of modernism's aesthetic practices. Through close analyses of the revisions made to modernist thinking after 1939, MacKay establishes the significance of this persistently neglected phase of modern literature as a watershed moment in twentieth-century literary history.
The author of Men Explain Things to Me explores the moments of altruism and generosity that arise in the aftermath of disaster Why is it that in the aftermath of a disaster? whether manmade or natural?people suddenly become altruistic, resourceful, and brave? What makes the newfound communities and purpose many find in the ruins and crises after disaster so joyous? And what does this joy reveal about ordinarily unmet social desires and possibilities? In A Paradise Built in Hell, award-winning author Rebecca Solnit explores these phenomena, looking at major calamities from the 1906 earthquake in San Francisco through the 1917 explosion that tore up Halifax, Nova Scotia, the 1985 Mexico City earthquake, 9/11, and Hurricane Katrina in New Orleans. She examines how disaster throws people into a temporary utopia of changed states of mind and social possibilities, as well as looking at the cost of the widespread myths and rarer real cases of social deterioration during crisis. This is a timely and important book from an acclaimed author whose work consistently locates unseen patterns and meanings in broad cultural histories.
This is the first full-length study of the behavior of British civilians and their reactions to air raids during the Second World War. It unravels the day-to-day influence on people at these times of great danger, risk and uncertainty, and challenges the traditional image of civilians as passive shelterers under attack. It uncovers Churchill and his government's desperate attempts to persuade key workers to continue with their work once the air raid siren had sounded, and reveals the complex reasons why so many workers were willing to run such risks.
In standard histories of the Second World War, the last six months in the western European arena invariably make a short epilogue. After the German failure in the Battle of the Bulge, Hitler's bold counter attack across the Ardennes, the war is often assumed to have been all over bar sporadic shooting. This was far from the truth; it was certainly not how those soldiers and civilians at the front saw it. Drawing on American, British, Canadian, German, Dutch and Scandinavian sources, most of them previously unpublished, and starting with the Battle of the Bulge, COUNTDOWN TO VICTORY tells the little known story of those final months through the eyes of ordinary people who had to live the trauma.
In this groundbreaking book, Richard Farmer provides a social and cultural history of cinemas and cinemagoing in Britain between 1939 and 1945, and explores the impact that the war had on the places in which British people watched films.
Peter Caddick-Adams's account of the Allied invasion of France in June 1944 matches the monumental achievement of his book on the Battle of the Bulge, Snow and Steel, which Richard Overy has called the "standard history of this climactic confrontation in the West." Sand and Steel gives us D-Day, arguably the greatest and most consequential military operation of modern times, beginning with the years of painstaking and costly preparation, through to the pitched battles fought along France's northern coast, from Omaha Beach to the Falaise and the push east to Strasbourg. In addition to covering the build-up to the invasion, including the elaborate and lavish campaigns to deceive Germans as to where and when the invasion would take place, Caddick-Adams gives a full and detailed account of the German preparations: the formidable Atlantikwall and Field Marshal Erwin Rommel's plans to make Europe impregnable-plans not completed by June 6. Sand and Steel reveals precisely what lay in wait for the Allies. But the heart of the book is Caddick-Adams' narratives of the five beaches where the terrible drama played out--Utah, Omaha, Gold, Juno, and Sword, and the attempt by American, British, and Canadian soldiers to gain a foothold in Europe. The Allied invasion of Europe involved mind-boggling logistics, including orchestrating the largest flotilla of ships ever assembled. Its strategic and psychological demands stretched the Allies to their limits, testing the strengths of the bonds of Anglo-American leadership. Drawing on first-hand battlefield research, personal testimony and interviews, and a commanding grasp of all the archives and literature, Caddick-Adams's gripping book, published on the 75th anniversary of the events, does Operations Overlord and Neptune full justice.
Deirdre David traces the successful writing life of Pamela Hansford Johnson (1912-1981) from the time of her childhood growing up in a theatrical household in South London to her death as the widow of the novelist and popular intellectual C. P. Snow. Forced to leave school at sixteen, she trained as a shorthand typist, worked for four years in the mid 1930 for a West End Bank, and conducted a tumultuous romance with the then 19-year old poet Dylan Thomas. Thomas having persuaded her she would become a better novelist than a poet she published a scandalous first novel in 1935 and went on to publish close to thirty more in her career. A passionate defender of the narrative traditions of the British novel, she contributed many essays and reviews on contemporary fiction to periodicals and newspapers; in her own fiction, in the nineteenth-century traditions of Jane Austen, George Eliot, and Charles Dickens, she focused on the domestic everyday, the moral questions facing a rapidly-changing society, and the challenges and pleasures of urban life. She was very much a novelist of the city, particularly London. She also gained praise and criticism for her writings about violence and pornography, especially in her well-known analysis of the notorious Moors murder trial. With C. P. Snow, she travelled many times to the United States and the Soviet Union and at the time of her death in 1981, she was still at work on her last novel. Hers was a rich, courageous, and politically committed writing life, and this biography restores Johnson's work to the critical distinction it received when it was published.