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Cheska Harlow-Wright was born into a life of luxury and privilege. She has never wanted for anything. A comfortable future as a married London socialite awaits her. But since the age of thirteen, Cheska has harbored a secret—an unshakeable fixation on a boy who could never offer her anything close to comfort. A boy steeped in sin and draped in depravity. A boy born into the possessive embrace of darkness. When Cheska’s seemingly perfect world is ripped apart by an unknown but deadly enemy, there’s only one person she can run to. One person in the world who has the power to keep her safe. The one person her weak and shattered heart craves. Arthur Adley. The new head of the most feared crime family in London. Forced too young to take the helm of the Adley firm, Arthur has become even more ruthless, formidable, and cold than ever before. His enemies are circling, and he must fight—and kill—to maintain his family’s place at the top of the London crime underworld. There is no room for weakness, emotion, or loss of control. But then Cheska smashes back into his life with the force of a wrecking ball. She has no place in this dark, vicious, and bloodthirsty world. And worse, she is the solitary chink in his impenetrable armor. He’s already pushed her away once, but this time she desperately needs him. She’s broken, lost, and in danger, and he is the only one who can help. Arthur must protect her. He must destroy those who dare to threaten her, hunt down those who would take what is his. He would raze all of London to the ground to keep her safe... but can he also protect himself? The infamous Dark Lord of London Town faces his most brutal battle yet—the crippling weight of the past, the unrelenting enemies lurking in the shadows... and the havoc that Cheska’s presence is wreaking on the granite fortress that was once his heart.
For every great country house of the Georgian period, there was usually also a town house. Chatsworth, for example, the home of the Devonshires, has officially been recognised as one of the country's favourite national treasures - but most of its visitors know little of Devonshire House, which the family once owned in the capital. In part, this is because town houses were often leased, rather than being passed down through generations as country estates were. But, most crucially, many London town houses, including Devonshire House, no longer exist, having been demolished in the early twentieth century. This book seeks to place centre-stage the hugely important yet hitherto overlooked town houses of the eighteenth and early nineteenth centuries, exploring the prime position they once occupied in the lives of families and the nation as a whole. It explores the owners, how they furnished and used these properties, and how their houses were judged by the various types of visitor who gained access.
This title takes a fresh look at a familiar building type - the town house in 18th century London - and investigates the circumstances in which individuals made decisions about living in London, and particularly about their West End house.
Little boy, little boy, what is the matter? Madam, the sea has been turned into batter! Eleanor Farjeon’s delightful London nursery rhymes are known and loved all over the world, and told with characteristic humour and playfulness. Reimagine London with these charming and timeless rhymes for all ages. A charming, surprisingly funny collection that will be loved by adults and children alike.
Recognizing the contribution of domestic gardens to the texture of 18th and early 19th century London, the author explores the small gardens, their owners and their significance to the development of the metropolis.
For every great country house of the Georgian period, there was usually also a town house. Chatsworth, for example, the home of the Devonshires, has officially been recognised as one of the country's favourite national treasures - but most of its visitors know little of Devonshire House, which the family once owned in the capital. In part, this is because town houses were often leased, rather than being passed down through generations as country estates were. But, most crucially, many London town houses, including Devonshire House, no longer exist, having been demolished in the early twentieth century. This book seeks to place centre-stage the hugely important yet hitherto overlooked town houses of the eighteenth and early nineteenth centuries, exploring the prime position they once occupied in the lives of families and the nation as a whole. It explores the owners, how they furnished and used these properties, and how their houses were judged by the various types of visitor who gained access.
London’s Urban Landscape is the first major study of a global city to adopt a materialist perspective and stress the significance of place and the built environment to the urban landscape. Edited by Christopher Tilley, the volume is inspired by phenomenological thinking and presents fine-grained ethnographies of the practices of everyday life in London. In doing so, it charts a unique perspective on the city that integrates ethnographies of daily life with an analysis of material culture. The first part of the volume considers the residential sphere of urban life, discussing in detailed case studies ordinary residential streets, housing estates, suburbia and London’s mobile ‘linear village’ of houseboats. The second part analyses the public sphere, including ethnographies of markets, a park, the social rhythms of a taxi rank, and graffiti and street art. London’s Urban Landscape returns us to the everyday lives of people and the manner in which they understand their lives. The deeply sensuous character of the embodied experience of the city is invoked in the thick descriptions of entangled relationships between people and places, and the paths of movement between them. What stories do door bells and house facades tell us about contemporary life in a Victorian terrace? How do antiques acquire value and significance in a market? How does living in a concrete megastructure relate to the lives of the people who dwell there? These and a host of other questions are addressed in this fascinating book that will appeal widely to all readers interested in London or contemporary urban life.
Lancaster House stands comparison with the greatest of the Italian city palazzi and is one of the last surviving town houses on the grand scale left in London. It boasts a wealth of fine architectural detail and an important art collection.