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London: Crime, Death & Debauchery is an alternative history of the darker side of Britain's capital city. No other book on London covers this topic in such a complete fashion, with cases ranging from the Restoration to the early nineteenth century. It weaves macabre accounts into an entertaining criminal history accessible to all. Featuring countless stories of infamous misdeeds and scandalous behaviour, the book includes duelling, murder, gaol breaks, rioting, body snatchers, robbery, suicide, drinking, infanticide, gambling, highwaymen, fraud and executions. Illustrated with a series of engravings, drawings and photographs that help to paint a picture of historic London's seedier side, Neil R. Storey brings together a selection of tales to shock, scare and entertain.
Neil R. Storey has drawn on a vast array of original sources - among them witness statements, coroners' reports and court records - to produce a revealing insight into the East End's darkest moments. As well as the murders of Jack the Ripper, perhaps the most infamous in history, he looks at nine other cases in detail: the still mysterious Ratcliffe Highway Murders of 1811; Henry Wainwright, who dismembered his mistress and rolled up her remains in a carpet in 1874; Israel Lipski, whose name became a term of derision and abuse against Jews in East London for years following his conviction for the murder of a young woman in 1887; the unsolved murder of Frances Coles in 1891; the Whitechapel High Street Newspaper Shop Murder in 1904; the Houndsditch Murders and the Siege of Sidney Street in 1910, in which a robbery potted by Russian anarchists went badly wrong; the throat-cutting William Cronin in 1925; the Bow Road Cinema Murder in 1934; and finally the shooting of George Cornell by Ronnie Kray at the Blind Begger pub in 1966. East End Murders is a unique re-examination of the darker side of the capital's past.
The Georgian era was perhaps one of the most shocking, gory, vice-ridden and downright surprising in the capital's history. From an anaconda attack at the Tower of London to a ghost in Regent's Park, a murder at the House of Commons, a body-snatching case which horrified all of London, a murderer who advertised for a new wife in The Times and a decapitated head in the churchyard of St Margaret's in Westminster, it will terrify, disgust and delight residents and visitors alike. With 100 incredible illustrations from the rarest and most sensational true-crime publications of the age, no London bookshelf is complete without it!
An investigation of the evidence for links between Dracula and Jack the Ripper, containing original research and previously unpublished and rare materials/illustrations—as well as an evocative exploration of the theater and esoteric scene in 1880s LondonSince its publication in 1897, there have been suggestions that the fictional exploits of Dracula were more closely associated with Jack the Ripper than a Transylvanian Count. Historian Neil Storey provides the first British-based investigation of the sources used by Stoker and paints an evocative portrait of Stoker, his influences, friends, and the London he knew in the late 19th century. Among Stoker's group of friends, however, were dark shadows. Storey explores how Stoker created Dracula out of the climate of fear that surrounded the Jack the Ripper murders in 1888. Add to this potent combination the notion that Stoker may have known Jack the Ripper personally and hidden the clues to this terrible knowledge in his book. The premise is seductive and connects some of the giants of stage and literature of late Victorian Britain. Having gained unprecedented access to the unique archive of one of Stoker's most respected friends and the dedicatee of Dracula, Storey sheds new light on both Stoker and Dracula, and reveals startling new insights into the links between Stoker's creation and the most infamous murderer of all time.
The killing of new-born children is an intensely emotional and emotive subject. The hidden nature of this crime has made it an area incredibly difficult subject area for historians to approach up until now. This work provides the first detailed history of infanticide in mainland Britain from 1600 to the modern era.
Prisons and Prisoners in Victorian Britain' provides an illustrated insight into the Victorian prison system and the experiences of those within it - on both sides of the bars. Featuring stories of crime and misdeeds, this fascinating book includes chapters on a typical day inside a Victorian prison - food, divine service, exercise and medical provision; the punishments inflicted on convicts - such as hard labour, flogging, the treadwheel and shot drill; and, an overview of the ultimate penalty paid by prisoners - execution. Richly illustrated with a series of photographs, engravings, documents and letters, this volume is sure to appeal to all those interested in crime and social history in Victorian Britain.
What did it mean to be a spectator during the lifetime of Shakespeare or of Aphra Behn? In Early Modern Spectatorship contributors use the idea of spectatorship to reinterpret canonical early modern texts and bring visibility to relatively unknown works. While many early modern spectacles were designed to influence those who watched, the very presence of spectators and their behaviour could alter the conduct and the meaning of the event itself. In the case of public executions, for example, audiences could both observe and be observed by the executioner and the condemned. Drawing on work in the digital humanities and theories of cultural spectacle, these essays discuss subjects as various as the death of Desdemona in Othello, John Donne's religious orientation, Ned Ward's descriptions of London, and Louis Laguerre's murals painted for the residences of English aristocrats. A lucid exploration of subtle questions, Early Modern Spectatorship identifies, imagines, and describes the spectator's experience in early modern culture.
Previously unpublished research sheds new light on how Bram Stoker researched and wrote Dracula and the people who inspired his characters. Bram Stoker: Author of Dracula is an affectionate and revealing biography of the man who created the vampire novel that would define the genre and lead to a new age in Gothic horror literature. Based on decades of painstaking research in libraries, museums, and university archives and privileged access to private collections on both sides of the Atlantic, the private letters of Bram and the reminiscences of those who knew him not only shed new light on Stoker's ancestry, his life, loves and friendships they also reveal more about the places and people who inspired him and how he researched and wrote his books. Bram wrote numerous articles, short stories and poetry for newspapers and magazines, he had a total of eleven novels and two collections of short stories published in his lifetime, but he would only become known for one of them – Dracula. Tragically, he did not live long enough to see it as a huge success. In his heyday as Acting Manager for Sir Henry Irving at the Lyceum Theatre in the West End of London, Bram was a well-known figure in a golden age of British theater. He was a big-framed, ebullient, genial, gentleman, with red hair and beard, who never lost his soft Irish brogue, was blessed with wit, and a host of entertaining stories fit for every occasion. Described as having the paw of Hercules and the smile of Machiavelli, above all he knew what it meant to be a loyal friend.
This unique volume explores the relationship between music and crime in its various forms and expressions, bringing together two areas rarely discussed in the same contexts and combining them through the tools offered by cultural criminology. Contributors discuss a range of topics, from how songs and artists draw on criminality as inspiration to how musical expression fulfills unexpected functions such as building deviant subcultures, encouraging social movements, or carrying messages of protest. Comprised of contributions from an international cohort of scholars, the book is categorized into five parts: The Criminalization of Music; Music and Violence; Organised Crime and Music; Music, Genocide, and Crimes Against Humanity and Music as Resistance. Spanning a range of cultures and time periods, Crime and Music will be of interest to researchers in critical and cultural criminology, the history of music, anthropology, ethnology, and sociology.
Oxfordshire Murders brings together twenty-five murderous tales, some which were little known outside the county, and others which made national headlines. Contained within the pages of this book are the stories behind some of the most heinous crimes ever committed in Oxfordshire. They include the deaths of two gamekeepers, brutally murdered in 1824 and 1835; Henrietta Walker, killed by her husband at Chipping Norton in 1887; Mary Allen, shot by Harry Rowles at Cassington in the same year; and Anne Kempson, murdered by Henry Seymour, a door-to-door salesman, in Oxford in 1931. Nicola Sly's carefully researched and enthralling text will appeal to anyone interested in the shady side of Oxfordshire's history.