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Reproduction of the original: London and the Kingdom - Volume I by Reginald R. Sharpe
I have to express my indebtedness first of all to the executors of Henrietta MacOubrey, George Borrow's stepdaughter, who kindly placed Borrow's letters and manuscripts at my disposal. To the survivor of these executors, a lady who resides in an English provincial town, I would particularly wish to render fullest acknowledgment did she not desire to escape all publicity and forbid me to give her name in print. I am indebted to Sir William Robertson Nicoll without whose kindly and active intervention I should never have taken active steps to obtain the material to which this biography owes its principal value.
The Tower of London is a novel by William Harrison Ainsworth serially published in 1840. It is a historical romance that describes the history of Lady Jane Grey from her short-lived time as Queen of England to her execution. During 1840, Ainsworth was busy writing the serial The Tower of London while writing a serial for Guy Fawkes and while planning to start his own magazine. Both novels began their publication in January 1840, with The Tower of London being published on its own until December 1840. Ainsworth celebrated the conclusions of The Tower of London with a large dinner party near the printers of his works, Bradbury and Evans, at the Sussex Hotel. The work was illustrated by George Cruikshank.
Reproduction of the original: London and the Kingdom - Volume II by Reginald R. Sharpe
Excerpt from London and the Kingdom, Vol. 2 of 3: A History Derived Mainly From the Archives at Guildhall in the Custody of the Corporation of the City of London In 1726 the New River Company petitioned the The New Common Council for a direct conveyance to be made to the company of all the statutory rights and privileges '0' About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.