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London is a powerful and mysterious city – its spirit stands outside of time, certain places have influenced the behaviour of its citizens. Philipp Röttgers leads you to these places. Follow him into the heart of darkness, into the area of Jack the Ripper, to the churches of Nicholas Hawksmoor, along the routes of "From Hell". Meet William Blake and walk along "Ripper Street". Discover London's ›genius loci‹, its ›spirit of place‹. This alternative travel guide has two sides: A scientific trip through the depiction of London's ›genius loci‹ in literature by authors such as Iain Sinclair, Alan Moore, Ben Aaronovitch, Neil Gaiman and Peter Ackroyd. And the tour stories, that lead you to the historical ›genius loci‹. Connect places, become the flaneur, the walker, the wanderer. This book approaches London the only two ways, according to Röttgers, that it can be experienced properly: through literature and through walking.
Attempts to develop a theory of understanding architecture in concrete, existential terms, following the guidelines of Heidegger
Modernism and the Spirit of the City offers a new reading of the architectural modernism that emerged and flourished in Europe in the first half of the twentieth century. Rejecting the fashionable postmodernist arguments of the 1980s and '90s which damned modernist architecture as banal and monotonous, this collection of essays by eminent scholars investigates the complex cultural, social, and religious imperatives that lay below the smooth, white surfaces of new architecture.
One day she will bring down empires and decide the fate of the universe. One day she will be revered wherever people have had a little too much to drink. But all that is yet to come. Right now Bernice Summerfield is 21 years old and living hand to mouth and drink to drink. Offered a job beyond her qualifications she is lured out to the backwater planet of Jaiwan where nothing has ever happened. There she joins a team of archaeologists who have just discovered that Jaiwan may have been more interesting than people thought. This could be Benny's big break and her ticket to a proper career in archaeology. That's if archaeology doesn't kill her first.
This Pivot book examines literary elements of urban topography that have animated Alan Moore, Peter Ackroyd, and Iain Sinclair’s respective representations of London-ness. Ann Tso argues these authors write London “psychogeographically” to deconstruct popular visions of London with colonial and neoliberal undertones. Moore’s psychogeography consists of bird’s-eye views that reveal the brute force threatening to unravel Londonscape from within; Ackroyd’s aims to detect London sensuously, since every new awareness recalls an otherworldly London; Sinclair’s conjures up a narrative consciousness made erratic by London’s disunified landscape. Drawing together the dystopian, the phenomenological, and the postcolonial, Tso explores how these texts characterize “London-ness” as estranging.
"In an era of globalization, where the progressive deterioration of local values is a dominating characteristic, identity is seen as a fundamental need that encompasses all aspects of human life. One of these identities relates to place and the physical en"
Revising traditional 'rise of the nation-state' narratives, this collection explores the development of and interactions among various forms of local, national, and transnational identities and affiliations during the long eighteenth century. By treating place as historically contingent and socially constructed, this volume examines how Britons experienced and related to a landscape altered by agricultural and industrial modernization, political and religious reform, migration, and the building of nascent overseas empires. In mapping the literary and cultural geographies of the long eighteenth century, the volume poses three challenges to common critical assumptions about the relationships among genre, place, and periodization. First, it questions the novel’s exclusive hold on the imagining of national communities by examining how poetry, drama, travel-writing, and various forms of prose fiction each negotiated the relationships between the local, national, and global in distinct ways. Second, it demonstrates how viewing the literature and culture of the long eighteenth century through a broadly conceived lens of place brings to the foreground authors typically considered 'minor' when seen through more traditional aesthetic, cultural, or theoretical optics. Finally, it contextualizes Romanticism’s long-standing associations with the local and the particular, suggesting that literary localism did not originate in the Romantic era, but instead emerged from previous literary and cultural explorations of space and place. Taken together, the essays work to displace the nation-state as a central category of literary and cultural analysis in eighteenth-century studies.
Adaptive reuse – the process of repairing and restoring existing buildings for new or continued use – is becoming an essential part of architectural practice. As mounting demographic, economic, and ecological challenges limit opportunities for new construction, architects increasingly focus on transforming and adapting existing buildings. This book introduces adaptive reuse as a new discipline. It provides students and professionals with the understanding and the tools they need to develop innovative and creative approaches, helping them to rethink and redesign existing buildings – a skill which is becoming more and more important. Part I outlines the history of adaptive reuse and explains the concepts and methods that lie behind new design processes and contemporary practice. Part II consists of a wide range of case studies, representing different time periods and strategies for intervention. Iconic adaptive reuse projects such as the Caixa Forum in Madrid and the Rijksmuseum in Amsterdam are discussed alongside less famous and spontaneous transformations such as the Kunsthaus Tacheles in Berlin, in addition to projects from Italy, Spain, Croatia, Belgium, Poland, and the USA. Featuring over 100 high-quality color illustrations, Adaptive Reuse of the Built Heritage is essential reading for students and professionals in architecture, interior design, heritage conservation, and urban planning.