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Charles Loloma (Hopi, 1921-1991) was arguably the most influential Native American artist of the twentieth century. An artist of astonishing creative energy, he found fame as a jeweler, ceramist, painter, and poet. This book includes substantial information about Loloma never before published, as well as illustrations of the most comprehensive grouping of his work ever assembled, comprising jewelry, ceramics, and other items made between 1939 and 1989.
Contemporary Southwestern Jewelry reveals the captivating history of the art of American Indian jewelry making, uncovering the ancient techniques, tools, and materials that have made contemporary southwestern jewelry what it is today. Revolutionists such as Hopi artist Charles Loloma, Navajo silversmith Kenneth Begay, Mexican/Mission jeweler Preston Monongye, and other jewelers began using varied materials and techniques traditionally unknown to the southwest. Pardue has researched the history and contemporary forms of metalworking, gems, stone patterning, and more, plus has dedicated a portion of the book to emerging artists whose work is capturing attention today. As you explore Contemporary Southwestern Jewelry's stunning photography, let the art speak to you of how it came to be and what it represents, echoing a similar message still told by traditional Native American jewelry
This exciting new WMU book series' volume features the first attempt to include detailed experiences of women in the maritime sector at a global level. It highlights the achievement of women in the maritime sector, in particular, women’s leadership and service to the sustainable development of the maritime industry. The volume contains contemporary studies on maritime women and follows an inter-disciplinary approach. It offers an overview of women's integration into the maritime sector since the late 1980s as well as benchmarking its impact on various levels, such as policy, employment, education, leadership and sustainability. Even 20 years after the Beijing Declaration, gender-related challenges at work still remain in the maritime sector, for example, lack of gender policy, difficulty in work-life balance, access to education, and leadership opportunities. The book addresses a series of recommendations that may further help the integration of women into the maritime sector.
This book addresses the environmental, legal, social, and economic aspects of corporate social responsibility in the maritime industry. It discusses the voluntary aspects of the CSR concept and how the lines between informal and formal rules are merging and becoming fuzzy. Further, it shows how regulation is enhancing responsibility and sustainability in the maritime industry.The book gathers the experiences of the WMU, IMO, UN and public and private actors in developing and developed countries in the maritime industry.
Meke, a traditional rhythmic dance accompanied by singing, signifies an important piece of identity for Fijians. Despite its complicated history of colonialism, racism, censorship, and religious conflict, meke remained a vital part of artistic expression and culture. Evadne Kelly performs close readings of the dance in relation to an evolving landscape, following the postcolonial reclamation that provided dancers with political agency and a strong sense of community that connected and fractured Fijians worldwide. Through extensive archival and ethnographic fieldwork in both Fiji and Canada, Kelly offers key insights into an underrepresented dance form, region, and culture. Her perceptive analysis of meke will be of interest in dance studies, postcolonial and Indigenous studies, anthropology and performance ethnography, and Pacific Island studies.