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The child: The actor's childhood in England.
Covering his time as a drama student at RADA, the author writes about his student days in London in the 1950s, a time which coincided with significant moments in British theatre. Among the recollections are seeing Richard Burton in "King John" at the Old Vic, remembers Dame Sybil Thorndyke giving him elocution lessons and describing ballet lessons shared with fellow actor, Albert Finney.
Richard Burton, Richard Harris, Peter O'Toole, and Oliver Reed: On screen they were stars, off screen they were legends. This is the story of drunken binges of near biblical proportions, parties and orgies, broken marriages, riots, and wanton sexual conquests--indeed, acts so outrageous that if ordinary mortals had perpetrated them they would have ended up in jail. They got away with the kind of behavior that today's film stars could scarcely dream of, because of their mercurial acting talent and because the press and public loved them. They were truly the last of a breed. This is a celebratory catalogue of their miscreant deeds, a greatest-hits package of their most breathtakingly outrageous behavior, told with humor and affection. You can't help but enjoy it--after all, they certainly did.--From publisher description.
Gambler, journalist, fervent alcoholic and four-times married Jeffrey Bernard writes the "Low Life" column for the Spectator magazine chronicling Soho life as well as offering a very personal philosophy on vodka, women and race-courses. From this, Keith Waterhouse has brilliantly constructed a play (the title being the euphemism used by the Spectator when Bernard is incapable of writing his column) which is set in the saloon bar of Bernard's favourite Soho pub, the Coach and Horses. Having passed out in the lavatory, Bernard awakes in the early hours of the morning to find himself alone and in the dark. Unable to contact the landlord, he is resigned to spending the rest of the night with a bottle of vodka and an endless chain of cigarettes, narrating a story of hilarious anecdotes and witty reminiscences which are enacted by two actors and two actresses who bring to life the various characters who populate Jeff 's world. Starring Peter O'Toole, later succeeded by Tom Conti then James Bolam, the play enjoyed a hugely successful run at the Apollo Theatre, London.
Heartlight is the story of Bradley's greatest champion of good, Colin MacLaren, as he carries the banner of Light through the second half of the twentieth century. Ghostbuster, exorcist, student and teacher of the mystic arts, Colin meets Claire Moffat, who becomes his dearest friend, when he rescues her from a cult bent on human sacrifice. The leader of that cult, Toller Hasloch, becomes one of Colin's greatest enemies. Working behind the scenes for the next thirty years, Hasloch subtly manipulates politics and the economy to turn America away from the Light. Colin, busy saving lives and teaching the next generation of psychic warriors, realizes almost too late how Hasloch has warped America's promise. Now, Colin MacLaren is the only one who can face Hasloch and the hellhounds the younger man has unleashed. He must fight on, while the fate of America, and perhaps all mankind, hangs in the balance. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Peter O'Toole was supremely talented, a unique leading man and one of the most charismatic and unpredictable actors of his generation. Described by Richard Burton as 'the most original actor to come out of Britain since the war', O'Toole regularly seemed to veer towards self-destruction. With the help of exclusive interviews with colleagues and close friends, Robert Sellers paints the first complete picture of this much loved man and reveals what drove him to extremes, why he drank to excess and hated authority. But it also describes a man who was fiercely intelligent, with a great sense of humour and huge energy. Always insightful, at times funny, at times deeply moving, this is a fitting tribute to an iconic actor who made a monumental contribution to theatre and cinema.
A Shakespearean actor whose sex life was known and discussed in Britain, America and France, Edmund Kean has inspired numerous writings, many biographies among them. But until now, no work has tackled the complicated and fascinating story of his literary appropriation. Dealing with the way a variety of canonical authors-including Byron, Coleridge, Keats, Dumas, Twain and Sartre-appropriated Kean through the centuries, this study traces a remarkable literary and performative legacy.
A Fine Balance, Rohinton Mistry’s stunning internationally acclaimed bestseller, is set in mid-1970s India. It tells the story of four unlikely people whose lives come together during a time of political turmoil soon after the government declares a “State of Internal Emergency.” Through days of bleakness and hope, their circumstances – and their fates – become inextricably linked in ways no one could have foreseen. Mistry’s prose is alive with enduring images and a cast of unforgettable characters. Written with compassion, humour, and insight, A Fine Balance is a vivid, richly textured, and powerful novel written by one of the most gifted writers of our time.