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A Worcestershire canal childhood is described in this new edition.
From The New York Times bestselling author of The Girl Who Came Home comes a historical novel inspired by true events, and the extraordinary female lighthouse keepers of the past two hundred years. “They call me a heroine, but I am not deserving of such accolades. I am just an ordinary young woman who did her duty.” 1838: Northumberland, England. Longstone Lighthouse on the Farne Islands has been Grace Darling’s home for all of her twenty-two years. When she and her father rescue shipwreck survivors in a furious storm, Grace becomes celebrated throughout England, the subject of poems, ballads, and plays. But far more precious than her unsought fame is the friendship that develops between Grace and a visiting artist. Just as George Emmerson captures Grace with his brushes, she in turn captures his heart. 1938: Newport, Rhode Island. Nineteen-years-old and pregnant, Matilda Emmerson has been sent away from Ireland in disgrace. She is to stay with Harriet, a reclusive relative and assistant lighthouse keeper, until her baby is born. A discarded, half-finished portrait opens a window into Matilda’s family history. As a deadly hurricane approaches, two women, living a century apart, will be linked forever by their instinctive acts of courage and love.
INSTANT NEW YORK TIMES BESTSELLER From the author of the New York Times bestseller Homecoming—“An ambitious, compelling historical mystery with a fabulous cast of characters…Kate Morton at her very best.” —Kristin Hannah “An elaborate tapestry…Morton doesn’t disappoint.” —The Washington Post "Classic English country-house Goth at its finest." —New York Post In the depths of a 19th-century winter, a little girl is abandoned on the streets of Victorian London. She grows up to become in turn a thief, an artist’s muse, and a lover. In the summer of 1862, shortly after her eighteenth birthday, she travels with a group of artists to a beautiful house on a bend of the Upper Thames. Tensions simmer and one hot afternoon a gunshot rings out. A woman is killed, another disappears, and the truth of what happened slips through the cracks of time. It is not until over a century later, when another young woman is drawn to Birchwood Manor, that its secrets are finally revealed. Told by multiple voices across time, this is an intricately layered, richly atmospheric novel about art and passion, forgiveness and loss, that shows us that sometimes the way forward is through the past.
The Hudson River Valley, 1769: A man mysteriously disappears without a trace, abandoning his wife and children on their farm at the foot of the Catskill Mountains. At first many believe that his wife, who has the reputation of being a scold, has driven her husband away, but as the strange circumstances of his disappearance circulate, a darker story unfolds. And as the lines between myth and reality fade in the wilderness, and an American nation struggles to emerge, the lost man’s wife embarks on a desperate journey to find the means to ensure her family’s survival . . .
The final novel of “a social satire of epic proportions and one that does not suffer by comparison with Thackeray’s Vanity Fair” (The New York Times). From the winner of the Nobel Prize in Literature in 1932 Set against the backdrop of a post–World War I Britain, now rocked by a general strike, Swan Song captures the staunch resilience—and ridiculousness—of the British upper middle class, who view this new national crisis as just a minor inconvenience. As the ever-so-steadfast Winifred Dartie says, “If they could get this little fuss over, the coming season would be most enjoyable.” Especially since Jon Forsyte and his American wife have visited from France. Though eager to pitch in to help his homeland, Jon never expects his return will have such an effect on his former love, Fleur Mont, now married to a member of Parliament and a mother. Even when the strike abates, their reunion sends ripples through their friends and family, including Fleur’s father. He knows his daughter wants nothing more than what she doesn’t have—and to save her from herself—he sets out to stay one step ahead of her duplicitous heart . . . “It is such a joy to read a book which is unquestionably a good piece of work, that tells you on the first page that it is going to tell its story gracefully, with technical skill, and with that rare quality of fineness. Swan Song has quite literally greatness—to say more about it would be to spill gilt paint over a calla.” —Chicago Tribune
A cloth bag containing ten copies of the title.