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This publication is engaged in issues, trends, and themes depicted on mosaic pavements discovered in Israel, the Gaza Strip and Petra (the provinces of ancient Palaestina Prima, Secunda and Tertia) with comparable floors in Jordan (Arabia). The majority of the mosaic pavements discussed in this study are dated to the 4th-8th centuries CE. Mosaic pavements were the normal medium for decorating the floors of synagogues, churches, monasteries, and chapels, as well as public and private buildings. Inscriptions found on many of the pavements commemorate the donors, refer to the artists, and sometimes date the mosaics. The ornamentation of the mosaics in this region is remarkable, rich, and varied in its themes and provides many insights into the contemporary artistic and social cultures.
A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.
The mosaics in the collection of the J. Paul Getty Museum span the second through the sixth centuries AD and reveal the diversity of compositions found throughout the Roman Empire during this period. Elaborate floors of stone and glass tesserae transformed private dwellings and public buildings alike into spectacular settings of vibrant color, figural imagery, and geometric design. Scenes from mythology, nature, daily life, and spectacles in the arena enlivened interior spaces and reflected the cultural ambitions of wealthy patrons. This online catalogue documents all of the mosaics in the Getty Museum’s collection, presenting their artistry in new color photography as well as the contexts of their discovery and excavation across Rome's expanding empire—from its center in Italy to provinces in southern Gaul, North Africa, and ancient Syria. The free online edition of this open-access catalogue, available at www.getty.edu/publications/romanmosaics/, includes zoomable high-resolution photography, embedded glossary terms and additional comparative images, and interactive maps drawn from the Digital Atlas of the Roman Empire. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, CSV and JSON downloads of the object data from the catalogue, and JPG and PPT downloads of the main catalogue images.
With the help of over 100 illustrations, many of them little known, Martin Henig shows that the art produced in Britannia rivals that of other provinces and deserves comparison with the art of metropolitan Rome.
In 1961, when Lee Israel Levine graduated from both Columbia College in New York, majoring in philosophy, and Jewish Theological Seminary, majoring in Talmud, this accomplishment was only a precursor to the brilliant career that would follow. While researching his Columbia University dissertation in Jerusalem, Levine established close ties with members of the Institute of Archaeology at Hebrew University and Prof. Yigael Yadin, who recognized the need for an interdisciplinary approach that would give graduate archaeology students a solid base in Jewish history and rabbinic sources to supplement their archaeological training. Levine accepted Yadin’s invitation to return to Israel after graduation to teach at the Institute of Archaeology and later was granted a joint appointment in the Institute of Archaeology and the Department of Jewish History. In 1985, he was promoted to the rank of Full Professor, and since 2003, he has held the Rev. Moses Bernard Lauterman Family Chair in Classical Archaeology at the Hebrew University. Levine was instrumental in founding and developing the TALI (an acronym for Tigbur Limudei Yahadut, Enriched Jewish Studies) track of Israel’s state school system. He was also a founding member of the Seminary of Judaic Studies in Jerusalem (now known as the Schechter Institute for Jewish Studies), which opened its doors in 1984. In addition to teaching, Lee headed the Schechter Institute (first as dean and then as president) from 1987 to 1994. Lee was an active member of the Masorti Movement in Israel and represented it abroad as Director of the Foundation for Masorti Judaism (1986–87) and Vice-Chancellor of Israel Affairs at the Jewish Theological Seminary (1987–94). The honoree has published 12 monographs, 11 edited or coedited volumes, and 180 articles. His scholarship encompasses a broad range of topics relating to ancient Judaism, especially archaeology, rabbinic studies, and Jewish history. Within these disciplines he has dealt with a variety of subfields, including ancient synagogues and liturgy, ancient Jewish art, Galilee, Jerusalem, Hellenism and Judaism, and the historical geography of ancient Palestine. He is one of the first major scholars to draw on and integrate data from all of these fields in order to afford a better understanding of ancient Judaism. The 32 contributions to this volume by 35 authors are a tribute to his influence on this field of study and reflect the broad spectrum of his own interests. The 26 English and 6 Hebrew essays are divided into sections on Hellenism, Christianity, and Judaism; art and archaeology—Jerusalem and Galilee; rabbis; the ancient synagogue; sages and patriarchs; and archaeology, art, and historical geography.
This volume comprises the proceedings of two conferences organised by the Delta Survey Project held in Alexandria in 2017 and Mansoura in 2019. The papers contain the results of the latest fieldwork from the Nile Delta and Sinai.
Annotation The synagogue was one of the most central and revolutionary institutions of ancient Judaism leaving an indelible mark on Christianity and Islam as well. This commanding book provides an in-depth and comprehensive history of the synagogue from the Hellenistic period to the end of late antiquity. Drawing exhaustively on archeological evidence and on such literary sources as rabbinic material, the New Testament, Jewish writings of the Second Temple period, and Christian and pagan works, Lee Levine traces the development of the synagogue from what was essentially a communal institution to one which came to embody a distinctively religious profile. Exploring its history in the Greco-Roman and Byzantine periods in both Palestine and the Diaspora, he describes the synagogue's basic features: its physical remains; its role in the community; its leadership; the roles of rabbis, Patriarchs, women, and priests in its operation; its liturgy; and its art. What emerges is a fascinating mosaic of a dynamic institution that succeeded in integrating patterns of social and religious behavior from the contemporary non-Jewish society while maintaining a distinctively Jewish character.
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.