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Loba is a visionary epic quest for the reintegration of the femimine, hailed by many as the great female counterpart to Allen Ginsberg's Howl when the first half appeared in 1978. Now published for the first time in its completed form with new material, Loba, "she-wolf" in Spanish explores the wilderness at the heart of experience, through the archetype of the wolf goddess, elemental symbol of complete self-acceptance.
Mi vida cambio tan bruscamente de un dia para otro que mi cerebro no era capaz de asimilar... no solo me habia cambiado la vida, con ella tambien habia cambiado enteramente yo misma, mosntrandome una faceta de mi completamente desconocida. Todo en mi vida cambiaba repentinamente en cuestion de minutos...cada vez que transcurria el tiempo algo nuevo y desconocido ocurria ante mis ojos, dejandome perpleja y petrificada al instante. Todo aquello estaba pasando de verdad ante mi? Era real o solo un fruto de mi imaginacion? Realmente estaba yo metida en aquella historia o simplemente era un sueno? Todo, absolutamente todo me parecia sacado de un cuento sumamente irreal...pero no me quedaba mas remedio que seguir adelante.
In the past 20 years, Christians around the world have launched initiatives to reach Muslims, Communists, Hindus and other major unreached people groups but the Buddhist world has largely been overlooked. Hundreds of millions of Buddhists continue to live and die without any exposure to the Gospel. In Peoples of the Buddhist World, researcher and author Paul Hattaway graphically presents prayer profiles of more than 200 Buddhist people groups around the world, beautifully illustrated with color pictures throughout. In addition, experts have contributed articles on various aspects of Buddhism, helping the reader to learn, pray and work until that day when "the kingdom of the world has become the kingdom of our Lord and of his Christ and he will reign for ever and ever" (Rev. 11:15).--From publisher's description.
This is the first book-length study to read women of the Beat Generation as feminist writers. The book focuses on one author from each of the three generations that comprise the groups of female writers associated with the Beats – Diane di Prima, ruth weiss and Anne Waldman – as well as on experimental and multimedia artists, such as Laurie Anderson and Kathy Acker, who have not been read through the prism of Beat feminism before. This book argues that these writers’ feminism evolved over time but persistently focussed on intertextuality, transformation, revisionism, gender, interventionist poetics and activism. It demonstrates how these Beat feminisms counteract the ways in which women have been undermined, possessed or silenced.
Provides a transnational account of women's involvement in conservative political activism during the nineteenth and twentieth centuries in Britain and Canada
‘The Alphorn through the Eyes of the Classical Composer’ is the first and definitive book to be written about the alphorn in English. It has been written with English-speaking readers in mind, as it examines the extensive interest of primarily non-Swiss composers, writers and artists in the alphorn as a symbol of the Alps, the influence and significance of the alphorn in culture, literature and the arts across the globe, and the ways in which the instrument has been specifically utilised by the Swiss as the iconic representation of their country. This book also explores the use of the musical language of the alphorn call, to ascertain why and how such references as those of Berlioz or Beethoven can convey so much meaning. Dr Jones seeks out what it is that a composer brings into the concert hall, the theatre, the opera house, the church, or the drawing room by such a quotation, to what heritage they are referring, and upon what basis there are grounds for an assumption that such a reference will be understood by an audience. The book, which will be of interest to researchers in Swiss cultural studies and ethnomusicology, builds on Dr Jones’s research and PhD thesis. The six chapters deal with a variety of topics, including a basic introduction to the alphorn and an exploration of the promotion of the instrument as the symbol of Switzerland, as well as the reasons behind symbolic references to alphorn motifs by European and British composers in concert repertoire, jazz and film.