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First published in 1971, these Guides provide invaluable information on thousands of commercial ports and terminals across the globe. They are compiled and published annually by LR OneOcean, whose years of global maritime experience allows them to provide expert and innovative solutions that enhance efficiency, sustainability, and overall industry success. The Guides cover a significant geographical breadth, and the most recent volume includes information on over 12,500 ports, harbours and terminals worldwide. These are fully indexed and contain detailed port plans and mooring diagrams.
First published in 1971, these Guides provide invaluable information of thousands of maritime ports across the globe. They are compiled and published annually by LR One Ocean, whose years of global maritime experience allows them to provide expert and innovative solutions to the sector’s problems. The Guides cover a significant geographical breadth, and the most recent volume includes information on over 12,500 ports, harbours and terminals worldwide. These are fully indexed and contain detailed port plans and mooring diagrams.
Elizabeth DeLoughrey invokes the cyclical model of the continual movement and rhythm of the ocean (‘tidalectics’) to destabilize the national, ethnic, and even regional frameworks that have been the mainstays of literary study. The result is a privileging of alter/native epistemologies whereby island cultures are positioned where they should have been all along—at the forefront of the world historical process of transoceanic migration and landfall. The research, determination, and intellectual dexterity that infuse this nuanced and meticulous reading of Pacific and Caribbean literature invigorate and deepen our interest in and appreciation of island literature. —Vilsoni Hereniko, University of Hawai‘i "Elizabeth DeLoughrey brings contemporary hybridity, diaspora, and globalization theory to bear on ideas of indigeneity to show the complexities of ‘native’ identities and rights and their grounded opposition as ‘indigenous regionalism’ to free-floating globalized cosmopolitanism. Her models are instructive for all postcolonial readers in an age of transnational migrations." —Paul Sharrad, University of Wollongong, Australia Routes and Roots is the first comparative study of Caribbean and Pacific Island literatures and the first work to bring indigenous and diaspora literary studies together in a sustained dialogue. Taking the "tidalectic" between land and sea as a dynamic starting point, Elizabeth DeLoughrey foregrounds geography and history in her exploration of how island writers inscribe the complex relation between routes and roots. The first section looks at the sea as history in literatures of the Atlantic middle passage and Pacific Island voyaging, theorizing the transoceanic imaginary. The second section turns to the land to examine indigenous epistemologies in nation-building literatures. Both sections are particularly attentive to the ways in which the metaphors of routes and roots are gendered, exploring how masculine travelers are naturalized through their voyages across feminized lands and seas. This methodology of charting transoceanic migration and landfall helps elucidate how theories and people travel, positioning island cultures in the world historical process. In fact, DeLoughrey demonstrates how these tropical island cultures helped constitute the very metropoles that deemed them peripheral to modernity. Fresh in its ideas, original in its approach, Routes and Roots engages broadly with history, anthropology, and feminist, postcolonial, Caribbean, and Pacific literary and cultural studies. It productively traverses diaspora and indigenous studies in a way that will facilitate broader discussion between these often segregated disciplines.
"'Game of Spies' tells the story of a lethal spy triangle between 1942 and 1944 in Bordeaux - and of France's greatest betrayal by aristocratic and right-wing Resistance leader Andre Grandclement. The story centres on three men: one British, one French and one German and the duel they fought out in an atmosphere of collaboration, betrayal and assassination, in which comrades sold fellow comrades, Allied agents and downed pilots to the Germans, as casually as they would a bottle of wine. It is a story of SOE, treachery, bed-hopping and executions in the city labelled 'la plus collaboratrice' in the whole of France."--Publisher description.
Should he confess all and face the consequences or should he keep his secret forever? 'A Slip Under the Microscope' is one of H.G. Wells' best-loved short stories, detailing the dilemma faced by the central character, Hill. During a botany exam, Hill inadvertently ‘cheats’ when he moves a microscope slide and is forced to choose between coming clean or staying quiet. This tale is a fascinating dissection of the themes of honesty and ethical behaviour. With certain autobiographical elements to the story, ‘A Slip Under the Microscope’ gives us a brief insight into the mind of one of the greatest authors of all time. H.G. Wells (1866 – 1946) was a prolific writer and the author of more than 50 novels. In addition, we wrote more than 60 short stories, alongside various scientific papers. Many of his most famous works have been adapted for film and television, including ‘The Time Machine,’ starring Guy Pearce, ‘War of the Worlds,’ starring Tom Cruise, and ‘The Invisible Man,’ starring Elizabeth Moss. Because of his various works exploring futuristic themes, Wells is regarded as one of the ‘Fathers of Science Fiction.’
Essays, research, and art projects that formulate a Tidalectic worldview, addressing our most threatened ecosystem: the oceans. The oceans cover two-thirds of the planet, shaping human history and culture, home to countless species. Yet we, as mostly land-dwelling humans, often fail to grasp the importance of these vast bodies of water. Climate change destabilizes notions of land-based embeddedness, collapses tropes of time and space, and turns our future more oceanic. Tidalectics imagines an oceanic worldview, with essays, research, and artists' projects that present a different way of engaging with our hydrosphere. Unbound by land-based modes of thinking and living, the essays and research in Tidalectics reflect the rhythmic fluidity of water. Tidalectics emerges from the Thyssen-Bornemisza Art Contemporary (TBA21)–Academy, the only Western arts organization entirely dedicated to work on climate change and the oceans. In 2016, TBA21–Academy became the first cultural organization to gain UN observer status at the International Seabed Authority Assembly. The book presents newly commissioned work from a range of disciplines and often-neglected perspectives, alongside classic “anchor texts” by such writers as Rachel Carson. The contributors include an anthropologist from Fiji, a Norwegian scholar who specializes in maritime legal history, the author of the first comparative history of Caribbean and Pacific Island literatures, and a poet from Barbados who coined the term “tidalectics” as a play on “dialectics.” The art projects documented in the book form part of an exhibition curated by the volume's editor, and include a video of the infinite whites, blues, and grays of Antarctica; a collection of oceanic smells from the Caribbean and Pacific coasts of Costa Rica; and a quartz submersible capsule designed to communicate with cetaceans. Tidalectics provides a unique collection of the strongest voices in oceanic thinking, bridging arts, oceanography, history, law, and environmental studies. With contributions by Nabil Ahmed, Tamatoa Bambridge, Kamau Brathwaite, Guigone Camus, Rachel Carson, Cynthia Chou, Paul D'Arcy, Tony deBrum, Elizabeth DeLoughrey, Keller Easterling, Bill Graham, Francesca von Habsburg, Stefan Helmreich, Stefanie Hessler, Cresantia Frances Koya Vaka'uta, Rosiana Lagi, Stéphanie Leyronas, Chus Martínez, Astrida Neimanis, Elizabeth A. Povinelli, Markus Reymann, Philip E. Steinberg, Khal Torabully, Lingikoni Vaka'uta, Davor Vidas, Susanne M. Winterling Artists surveyed in the book Atif Akin, Darren Almond, Julian Charrière, Em'kal Eyongakpa, Tue Greenfort, Ariel Guzik, Newell Harry, Alexander Lee, Eduardo Navarro, Sissel Tolaas, Janaina Tschäpe & David Gruber, Jana Winderen, Susanne M. Winterling Copublished with TBA21-Academy, London