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Gangsters such as Al Capone and Lucky Luciano were considered by many people to be the most exciting personalities of the 1920s and 1930s. The public was hungry for press coverage about these mysterious and dangerous men. Most reports about them were sketchy, as the reporters did not want to get on the bad side of the racket bosses. Hollywood's response to the public's fascination was to portray the lives of gangsters on the movie screen, using actors such as Humphrey Bogart, James Cagney, and Edward G. Robinson. Perhaps surprisingly, these men received not-so-favorable reviews from the Academy Award voters, and as their popularity grew with the public, censorship dictated other actors be brought in to play the roles. That's what this book is about--the personal and professional lives of William Bendix, Charles Bickford, Ward Bond, Broderick Crawford, Brian Donlevy, Paul Douglas, William Gargan, Barton MacLane, and Lloyd Nolan, second-string actors who replaced the big names and did a memorable job. A filmography is supplied for each actor.
Lloyd Nolan could play any character in any genre and was believable to every role. He was not acting; he was just real. He was Inspector Briggs in The House on 92nd Street and The Street With No Name. He was Dr. Swain in Peyton Place and, even as a bad guy, he was Lt. De Garmot in Lady in the Lake. Nolan's off-screen life was just as remarkable. He was devoted to his autistic son Jay and, when young Jay died in an accident 2500 miles away, Lloyd channeled his grief into action. For the rest of his life, he did everything he could to better the lives of disabled people and their families, and such people are still benefitting from the resulting legislation today. This is the story of the two lives of Lloyd Nolan--his prolific on-screen life that is so familiar to movieoers and television fans alike, and his off-screen life that has positively affected many throughout the country. His was a true Hollywood success story of a role model extraordinnaire!
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
(Limelight). Includes Lillian Gish, Gregory Peck, Jose Ferrer, Sterling Hayden, Danny Kaye, Paul Winfield, Stacy Keach, Jessica Tandy, among others. "Mr. Brown's volume is one of the finest interview collections ever published." Playbill .
An unexpected phone call from a frantic, estranged friend sentscientist Kate Murphy to a rural town in Georgia. But neither womanmade the meeting. Kate's friend died mysteriously. And Kate herselfwas trapped in a horrific accident until rescued by Nolan Price, herfriend's handsome boss. And the widowed single father might knowmore about secrets and lies than he was telling. Offered refuge in his house—which happened to be in the darkwoods that so scared her friend—Kate sought the truth. But whatshe found would shock her—and her faith—to the core.
(Applause Books). For decades, Screen World has been the film professional's, as well as the film buff's, favorite and indispensable annual screen resource, full of all the necessary statistics and facts. Now Screen World editor Barry Monush has compiled another comprehensive work for every film lover's library. In the first of two volumes, this book chronicles the careers of every significant film actor, from the earliest silent screen stars Chaplin, Pickford, Fairbanks to the mid-1960s, when the old studio and star systems came crashing down. Each listing includes: a brief biography, photos from the famed Screen World archives, with many rare shots; vital statistics; a comprehensive filmography; and an informed, entertaining assessment of each actor's contributions good or bad! In addition to every major player, Monush includes the legions of unjustly neglected troupers of yesteryear. The result is a rarity: an invaluable reference tool that's as much fun to read as a scandal sheet. It pulsates with all the scandal, glamour, oddity and glory that was the lifeblood of its subjects. Contains over 1,000 photos!
The free-standing radios of the middle decades of the 20th century were invitingly rotund and proudly displayed--nothing like today's skinny televisions hidden inside "entertainment centers." Radios were the hub of the family's after-dinner activities, and children and adults gorged themselves on western-adventure series like "The Lone Ranger," police dramas such as "Calling All Cars," and the varied offerings of "The Cavalcade of America." Shows often aired two or three times a week, and many programs were broadcast for more than a decade, comprising hundreds of episodes. This book includes more than 300 program logs (many appearing in print for the first time) drawn from newspapers, script files in broadcast museums, records from NBC, ABC and CBS, and the personal records of series directors. Each entry contains a short broadcast history that includes directors, writers, and actors, and the broadcast dates and airtimes. A comprehensive index rounds out the work.
Here's Looking at You: Hollywood, Film & Politics examines the tangled relationship between politics and Hollywood, which manifests itself in celebrity involvement in political campaigns and elections, and in the overt and covert political messages conveyed by Hollywood films. The book's findings contradict the film industry's assertion that it is simply in the entertainment business, and examines how, while the majority of Hollywood films are strictly commercial ventures, hundreds of movies - ranging from Birth of a Nation to Fahrenheit 9/11 - do indeed contain political messages. Here's Looking at You serves as a basic text for political film courses and as a supplement in American government and film studies courses, and will also appeal to film buffs and people in the film industry.