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A record of literary properties sold at auction in the United States.
Presented at a symposium held in 1990 to celebrate the Getty Museum's acquisition of the only known illuminated copy of The Visions of Tondal, twenty essays address the celebrated bibliophilic activity of Margaret of York; the career of Simon Marmion, a favorite artist of the Burgundian court; and The Visions of Tondal in relation to illustrated visions of the Middle Ages. Contributors include Maryan Ainsworth, Wim Blockmans, Walter Cahn, Albert Derolez, Peter Dinzelbacher, Rainald Grosshans, Sandra Hindman, Martin Lowry, Nigel Morgan, and Nigel Palmer.
"This book provides an in-depth guide to the Maynooth medieval manuscripts (some sixteen of them, plus fragments) with illustrations. The descriptions of the manuscripts include complete palaeographical and codicological details and full information on the contents of the manuscripts and their history as far as it is known. Some of the manuscripts are of particular importance, either for their texts or for their illustrations, which are of good quality, or in one case because of the particular circumstances in which it was made. This material has lain mostly unknown for up to two hundred years, and in most cases the works contained in the manuscripts have not hitherto been identified. For the first time, consideration is also given to the collection as a whole, and how its make-up may reflect the history and character of the institution where it was built up. In the absence of any one major donor whose interests might have dominated, the collection grew over decades mainly in the nineteenth century. It therefore reflects the tastes of a succession of senior members of the college plus a few donors"--Publisher description.
The leading historians who are the authors of this work offer a highly original account of one of the most important transformations in Western culture: the change brought about by the discovery and development of printing in Europe. Focusing primarily on printed matter other than books, The Culture of Print emphasizes the specific and local contexts in which printed materials, such as broadsheets, flysheets, and posters, were used in modern Europe. The authors show that festive, ritual, cultic, civic, and pedagogic uses of print were social activities that involved deciphering texts in a collective way, with those who knew how to read leading those who did not. Only gradually did these collective forms of appropriation give way to a practice of reading--privately, silently, using the eyes alone--that has become common today. This wide-ranging work opens up new historical and methodological perspectives and will become a focal point of debate for historians and sociologists interested in the cultural transformations that accompanied the rise of modern societies. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.