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In compiling this landmark sourcebook, Finnish guitarists Hannu Annala and Heiki Matlik consulted more than 70 music texts as well as dozens of composer resumes acquired from the musical information centers of several countries. During the writing process, which lasted for more than three years, they received additional information from many modern composers, including Leo Brouwer and Reginald Smith Brindle among others. In addition, several internationally renowned performing guitarists provided valuable information; these include Magnus Andersson (Sweden), Remi Boucher (Canada), Margarita Escarpa (Spain), Aleksander Frauchi (Russia) and David Tanenbaum (USA) among others.The authors' aim was to write a well-structured book with separate chapters for each instrument, such as the Renaissance and Baroque guitar, the Renaissance and Baroque lute, the vihuela, etc. This unique structure enables the reader to easily discover which composers wrote for a certain instrument during any given period.In addition to the composers one would expect to find in such a comprehensive listing, the book documents several historical and modern composers for whom little previous information has been available. the book's list of more than 400 guitar and lute concertos dating from the Baroque era to the present day is a totally unprecedented.Short introductions regarding guitar and lute-like instruments as well as their basic histories are provided at the beginning of the book. the authors hope that the Handbook of Guitar and Lute Composers will serve as a practical guide for both amateurs and professionals, encouraging further study of the history of these instruments and expanding the repertoire heard on today's concert stage.
Because Mozart was a profoundly versatile composer, his music suits the guitar as well as it does a chamber orchestra. Includes outstanding transcriptions of movements from several well-known compositions: Concerto No. 21; "Romance" and "Menuetto" from A Little Night Music; Allegro (K525); "Allegro Molto" from Symphony No 40; and more. the text is written in English, Spanish, French, and Japanese and includes both standard notation and tablature.
This book offers an in-depth analysis of the many components of guitar tone. How does an ash body differ from alder? Which bridge hardware maximizes body resonance? How do Gibson P-90 pickups differ from Fender Jazzmaster pickups? Designed for veterans and beginners alike, "Electric Guitar Sound" helps any player understand the myriad kinds of wood, hardware, and electronics available and pick a guitar with a tone and feel that is just right for them.
(Guitar). Certainly no name resonates across the spruce and maple boundaries of the classic American guitar like that of John D'Angelico, master guitar builder. Here in personal and cooperative histories, anecdotes, and first-hand accounts, Frank Green has infused the name of the master with life and vitality. Includes a 24-page color section and hundreds of rare photographs.
The most comprehensive and up-to-date electric guitar pricing book has been dramatically improved! The new 10th Edition Blue Book of Electric Guitars is now over 1,000 pages, and features an all-new, digital color Photo Grading System (a Blue Book Publications, Inc. exclusive!). The Photo Grading System is the consumers best tool to correctly ascertain the various grades of both new and vintage electric instruments. These digital high resolution color photos enable even a novice to lock into each guitars unique condition factor easily and accurately, showing a variety of real world condition factors over a wide range of models and configurations. Remember, if the condition factor isnt right, the price is wrong. Why guess when you can be sure? Written by Zachary Fjestad and edited by S.P. Fjestad, the 10th Edition Blue Book of Electric Guitars keeps the reader up-to-date on new and vintage pricing, technical information on electric instruments, and serialization on most major trademarks showing the year of manufacture.This new 10th Edition lists the current and discontinued electric companies and luthiers, contains a thoroughly revised Trademark Index, including contact information, and features hundreds of B&W photos depicting popular makes and models. Reliable guitar information has never been easier!
More than twenty years ago James Tyler wrote a modest introduction to the history, repertory, and playing techniques of the four- and five-course guitar. Entitled The Early Guitar: A History and Handbook (OUP 1980), this work proved valuable and enlightening not only to performers and scholarsof Renaissance and Baroque guitar and lute music but also to classical guitarists. This new book, written in collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its musicfrom the Renaissance to the dawn of the Classical era.Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of theperiod. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers andscholars alike.Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history--notably c.1759-c.1800--which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central tomusic-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-stringinstrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
(Guitar Method). The Hal Leonard Guitar Method is designed for anyone just learning to play acoustic or electric guitar. It is based on years of teaching guitar students of all ages, and it also reflects some of the best guitar teaching ideas from around the world. Book 1 includes tuning; playing position; musical symbols; notes in first position; C, G, G7, D, D7, A7, and Em chords; rhythms through eighth notes; strumming and picking; over 80 great songs, riffs, and examples.
The importance of Francisco Tarrega in the history of the classic guitar is immeasurable. With his original compositions and transcriptions, Tarrega broughtthe classical guitar to new heights by giving it a repertoire of its own and consequently influencing virtually every modern day classical guitarist. In thisvolume, Ben Boldt presents 29 pieces by Tarrega in standard notation and tablature. Titles include: Lagrima; Preludes in G, A, and D major; Danza Mora; Marieta! (Mazurca); Mazurca en sol; Maria; Minuetto; Adelita (Mazurca); Pavana; La Alborada; Capricho Arabe; and many others. Text in English, Spanish, French, and Japanese