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This book takes an unflinching look at the human rights violations of U.S. drug policy, based on the award-winning photo exhibit, Human Rights and the Drug War. In the name of the U.S. Drug War, families are being torn apart, children orphaned, and homes and property seized as thousands of first-time, non-violent drug offenders are thrown into prisons, serving harsh sentences of 10, 20 years and longer. Learn how we got here, the costs and the statistics, and what can still be done to bring a just end to what has become America's longest war.
Studies on the First World War are plentiful but most tend to focus on the combatants. This volume offers a new and highly original perspective that shows the reader the civilian side of this protracted and destructive war through a succession of "snapshots": 130 excerpts from leading American and Canadian newspapers provide a collective portrait of life behind the battle lines, what is often called the "second" front. Written principally by Paris-based journalists, and intended for popular reading audiences, these articles depict ordinary people in a way that still touches the reader of today. They record eye-witness testimony of Paris under aerial bombardment, the gutted cathedrals at Reims and Arras, the cemeteries around Compiègne, the subterranean living quarters at Cambrai, and the heart-breaking orphanages at Chambly. Introduced and concluded by the editor, the volume also offers biographical notes on some of the leadingjournalist contributors, maps to familiarize readers with the geography of northern France, and detailed subject and geographical indices. The volume ends with a select bibliography of works on the subject of French civilian life during the Great War.
Hosam Katan's awarded photo series shows us people who refuse to have their lives and dignity stripped away by war.
Contains primary source material.
"One doesn't have to be a panjandrum of Communications to realize that television does something to us," Michael Arlen (former TV critic of The New Yorker) writes in the Introduction to Living-Room War. He continues, "Television has a transforming effect on events. It has a transforming effect on the people who watch the transformed events-it's just hard to know what that is." Living-Room War is Arlen's valiant-and entertaining-attempt to figure out exactly what exactly television does to us. This timeless collection of essays provides a poetic look at 1960s television culture, ranging from the Vietnam war to Captain Kangaroo, from the 1968 Democratic convention to televised sports.
Bestselling author David Shields analyzed over a decade's worth of front-page war photographs fromTheNew York Timesand came to a shocking conclusion: the photo-editing process ofthe "paper of record,"by way of pretty, heroic, and lavishly aesthetic image selection, pullsthe woolover the eyes of its readers; Shields forces us to face not only the the media's complicity in dubious and catastrophic military campaigns but our own as well.This powerful media mouthpiece, the mightyTimes, far from being a check on governmental power, is in reality a massive amplifier for its dark forces by virtue of the way it aestheticizeswarfare. Anyone baffled by the willful American involvement in Iraq and Afghanistan can't help but see in this book how eagerly and invariably theTimesled the way in making the case for these wars through the manipulation of its visuals. Shields forces the reader to weigh the consequences of our own passivity in the face of these images' opiatic numbing. The photographs gathered inWar Is Beautiful, often beautiful and always artful, are filters of reality rather than the documentary journalism they purport to be.
My Brother's War tells the story of a soldier, Gary Hines, and his younger sister's search to understand the circumstances surrounding his life with Post Traumatic Stress - and his untimely death by his own hand ten years after returning home from war.
USA Today Bestseller "This is a truly original novel that has earned its place among my favorite works of historical fiction."--Jennifer Robson, USA Today bestselling author of The Gown An exciting, dual-timeline historical novel about the creation of one of Leonardo da Vinci's most famous paintings, Portrait of a Lady with an Ermine, and the woman who fought to save it from Nazi destruction during World War II. Milan, 1492: When a 16-year old beauty becomes the mistress of the Duke of Milan, she must fight for her place in the palace—and against those who want her out. Soon, she finds herself sitting before Leonardo da Vinci, who wants to ensure his own place in the ducal palace by painting his most ambitious portrait to date. Munich, World War II: After a modest conservator unwittingly places a priceless Italian Renaissance portrait into the hands of a high-ranking Nazi leader, she risks her life to recover it, working with an American soldier, part of the famed Monuments Men team, to get it back. Two women, separated by 500 years, are swept up in the tide of history as one painting stands at the center of their quests for their own destinies.
Pictures created by scores of Life photographers and artists document the victories and losses of the Second World War and capture the many moods of wartime America