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"""Shrines to Living Men in the Ming Political Cosmos"", the first book focusing on premortem shrines in any era of Chinese history, places the institution at the intersection of politics and religion. When a local official left his post, grateful subjects housed an image of him in a temple, requiting his grace: that was the ideal model. By Ming times, the “living shrine” was legal, old, and justified by readings of the classics.Sarah Schneewind argues that the institution could invite and pressure officials to serve local interests; the policies that had earned a man commemoration were carved into stone beside the shrine. Since everyone recognized that elite men might honor living officials just to further their own careers, premortem shrine rhetoric stressed the role of commoners, who embraced the opportunity by initiating many living shrines. This legitimate, institutionalized political voice for commoners expands a scholarly understanding of “public opinion” in late imperial China, aligning it with the efficacy of deities to create a nascent political conception Schneewind calls the “minor Mandate of Heaven.” Her exploration of premortem shrine theory and practice illuminates Ming thought and politics, including the Donglin Party’s battle with eunuch dictator Wei Zhongxian and Gu Yanwu’s theories."
From the author of 365 Tao and a leading authority on Taoist practice and philosophy comes a completely innovative translation of the classic text of Eastern wisdom, the I Ching. The I Ching, or Book of Changes, is an ancient manual for divining the future. Its basic text is traditionally attributed to the Chinese King Wen, the Duke of Zhou, and the philosopher Confucius. By tossing coins, rolling dice, using a computer, or, more traditionally, counting yarrow stalks, one can create a seemingly random combination of heads or tails, odd or even, yin or yang, to construct six lines (for example, solid for odd numbers or broken for even numbers). These six lines make up a hexagram that provides advice, predictions, and answers to questions on topics from love and career to family and finance. While known mostly as a tool of divination, the I Ching is also a repository of centuries of wisdom. Most of the existing translations offer either dense, scholarly commentary or little more than fortune-cookie platitudes, but in The Living I Ching Deng Ming-Dao takes a more holistic approach. His new translation recovers the true wisdom and philosophy of this ancient classic, so that the I Ching becomes more than just a book of fortune-telling -- it becomes a manual for living.
This fascinating history uncovers the hidden political world of Ming China, exploring how the most powerful man in mid-sixteenth-century China steered the empire through the worst crises it had ever faced. Distinguished scholar John W. Dardess traces the life of Chief Grand Secretary Xu Jie (1503–1583), the leading politician-statesman in the China of his time. Drawing on years of research, Dardess uses Xu Jie’s extensive letters to officials in the field and reports of conversations with the emperors he served to show just how difficult it was to defend the empire. His correspondence vividly shows how he organized its defenses and shepherded it through the twin crises of raids along the thousands of miles of continental and maritime frontiers in the 1550s and 1560s. The book traces his origins, his rise to power, and his engagement with the leading Confucian school of his time, that of Wang Yangming and his electrifying ethical teachings. Dardess describes how Xu used those teachings to build a following and leverage his way up the Ming bureaucracy. He shows how Xu was able both to suppress corruption and liberalize bureaucratic procedures. At the same time, the book highlights the psychological strain Xu suffered as a result and the vindictive and nearly lethal attacks directed at him after his retirement. Arguing that Xu was instrumental to the survival of the Ming dynasty through a long period of severe stress, Dardess tells his long-neglected story in rich and engrossing detail.
NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • Three generations of Taiwanese American women are haunted by the myths of their homeland in this spellbinding, visceral debut about one family’s queer desires, violent impulses, and buried secrets. “Gorgeous and gorgeously grotesque . . . Every line of this sensuous, magical-realist marvel is utterly alive.”—O: The Oprah Magazine FINALIST FOR THE LAMBDA LITERARY AWARD • LONGLISTED FOR THE VCU CABELL FIRST NOVELIST AWARD • LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY O: The Oprah Magazine • NPR • The New York Public Library • Kirkus Reviews One evening, Mother tells Daughter a story about a tiger spirit who lived in a woman’s body. She was called Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterward, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt arrives with snakes in her belly; a brother tests the possibility of flight. All the while, Daughter is falling for Ben, a neighborhood girl with strange powers of her own. As the two young lovers translate the grandmother’s letters, Daughter begins to understand that each woman in her family embodies a myth—and that she will have to bring her family’s secrets to light in order to change their destiny. With a poetic voice of crackling electricity, K-Ming Chang is an explosive young writer who combines the wit and fabulism of Helen Oyeyemi with the subversive storytelling of Maxine Hong Kingston. Tracing one family’s history from Taiwan to America, from Arkansas to California, Bestiary is a novel of migration, queer lineages, and girlhood. Praise for Bestiary “[A] vivid, fabulist debut . . . the prose is full of imagery. Chang’s wild story of a family’s tenuous grasp on belonging in the U.S. stands out with a deep commitment to exploring discomfort with the body and its transformations.”—Publishers Weekly
A celebration of the dean of American set designers (The New York Times).
Written 400 years ago by a scholar in the Ming Dynasty, one hundred years after Columbus and around the time Shakespeare completed Henry VI, accomplished scholar and philosopher Hong Zicheng retired from public life and settled down to write an informal compilation of his thoughts on the essence of life, human nature, and heaven and earth. Though he wrote other books as well, only this one has survived—thanks largely to its continuous popularity, first in China and later in Japan and Korea. Entitled Caigentan (Vegetable Roots Discourse), this book has been studied and cherished for four hundred years. Terse, humorous, witty, and. above all, timely, this book offers a provocative and personal mix of Daoist, Buddhist, and Confucian understanding. It contains 360 observations that lead us through paths as complex, absurd, and grotesque as life itself. While it has been translated into many languages, this comprehensive version will immediately become the standard edition for generations of English readers to come.
Sometime before 1579, Zhou Lujing, a professional writer living in a bustling commercial town in southeastern China, published a series of lavishly illustrated books, which constituted the first multigenre painting manuals in Chinese history. Their popularity was immediate and their contents and format were widely reprinted and disseminated in a number of contemporary publications. Focusing on Zhou's work, Art by the Book describes how such publications accommodated the cultural taste and demands of the general public, and shows how painting manuals functioned as a form in which everything from icons of popular culture to graphic or literary cliche was presented to both gratify and shape the sensibilities of a growing reading public. As a special commodity of early modern China, when cultural standing was measured by a person's command of literati taste and lore, painting manuals provided nonelite readers with a device for enhancing social capital.
When a tsunami sends a massive island made entirely of trash crashing into the Taiwanese coast, two very different people—an outcast from a mythical island and a woman on the verge of suicide—are united in ways they never could have imagined. Here is the English-language debut of a new and exciting award-winning voice from Taiwan, who has written an “astonishing” novel (The Independent) that is at once fantasy, reality, and dystopian environmental saga. Fifteen-year-old Atile’i—a native of Wayo Wayo, an island somewhere in the Pacific—has come of age. Following the custom of his people, he is set adrift as a sacrifice to the Sea God but, unlike those who have gone before him, Atile’i is determined to defy precedent and survive. His chances seem slim, but just as it appears that hope is lost, Atile’i comes across a sprawling trash vortex floating in the ocean and climbs onto it. Meanwhile, on the east coast of Taiwan, Alice, a college professor, is overcome with grief. Her husband and son are missing, having disappeared while hiking in the mountains near their home. Alice is so distraught that she decides to end her own life. But her plans are interrupted by a violent storm that causes the trash vortex to collide with the Taiwanese coast, bringing Atile’i along with it. Alice and Atile’i subsequently form an unlikely friendship that helps each of them come to terms with what they have lost. Together they set out to uncover the mystery of Alice’s lost family, following their footsteps into the mountains. Intertwined with Alice and Atile’i’s story are the lives of others affected by the tsunami, from environmentalists to Taiwan’s indigenous peoples—and, of course, the mysterious man with the compound eyes. A work of lyrical beauty that combines magical realism and environmental fable, The Man with the Compound Eyes is an incredible story about the bonds of family, the meaning of love, and the lasting effects of human destruction.
"Orphaned young, Ming Tsu, the son of Chinese immigrants, is raised by the notorious leader of a California crime syndicate, who trains him to be his deadly enforcer. But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon's henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to rescue his wife and to exact revenge on the men who destroyed Ming, aided by a troupe of magic-show performers, some with supernatural powers, whom they meet on the journey. Ming blazes his way across the West, settling old scores with a single-minded devotion that culminates in an explosive and unexpected finale. Written with the violent ardor of Cormac McCarthy and the otherworldly inventiveness of Ted Chiang, The Thousand Crimes of Ming Tsu is at once a thriller, a romance, and a story of one man's quest for redemption in the face of a distinctly American brutality"--
A forgotten century marks the years between the Ming dynasty?s (1368?1644) turbulent founding and its sixteenth-century age of exploration and economic transformation. In this period of social stability, retired scholar-official Lu Rong chronicled his observations of Chinese society in Miscellaneous Records from the Bean Garden (Shuyuan zaji). Openly expressing his admirations and frustrations, Lu provides a window into the quotidian that sets Bean Garden apart from other works of the biji genre of ?informal notes.? Mark Halperin organizes a translated selection of Lu?s accounts from Miscellaneous Records from the Bean Garden to create a panorama of Ming life. A man of unusual curiosity, Lu describes multiple social classes, ethnicities, and locales in his accounts of political intrigues, farming techniques, religious practices, etiquette, crime, and family life. Centuries after their composition, Lu?s words continue to provide a richly textured portrait of China on the cusp of the early modern era.