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Approaching the 500th anniversary of Leonardo’s death, the world- renowned da Vinci expert recounts his fifty- year journey with the work of the world’s most famous artist A personal memoir interwoven with original research, Living with Leonardo takes us deep inside Leonardo da Vinci scholar Martin Kemp’s lifelong passion for the genius who has helped define our culture. Each chapter considers a specific work as Kemp offers insight into his encounters with academics, collectors, curators, devious dealers, auctioneers, and authors— as well as how he has grappled with legions of “Leonardo loonies,” treaded vested interests in academia and museums, and fended off fusillades of non- Leonardos. Kemp explains his thinking on the Last Supper and the Mona Lisa, retells his part in the identification of the stolen Buccleuch Madonna, and explains his involvement on the two major Leonardo discoveries of the last 100 years: La Bella Principessa and Salvator Mundi. His engaging narrative elucidates the issues surrounding attribution,the scientific analyses that support experts’ interpretations, and the continuing importance of connoisseurship. Illustrated with the works being discussed, Living with Leonardo explores the artist’s genius from every angle, including technical analysis and the pop culture works he inspired, such as The Da Vinci Code, and his enduring influence 500 years after his death.
What are the seven key concepts that drove Da Vinci's inventive thinking and how can we still use them to improve our own creativity, 500 years after his death? In pursuit of the unified learning principles that sit at the heart of his work, Ian Warwick and Ray Speakman brilliantly explore the approaches that we need to take to make our own learning more original and thoughtful.
Leonardo da Vinci was obsessed with water. The famed Italian Renaissance artist meticulously drew every aspect of rivers, from the nature of water drops to the ways currents create and destroy the earth’s surface. His obsession led him to become a professional hydraulic engineer and an expert on the physics of water. He disproved Aristotle’s 1,800-year-old theory of the water cycle and developed the one we use today. He discovered the nature of erosion and heretically disproved the biblical flood. He created beautiful maps and drawings of river currents and of his audacious plans to reroute the Arno River for war and peace. It is obvious to David Ladensohn, who has been fly-fishing for forty years, that Leonardo would have made the perfect fishing guide. The artist’s keen sense of humor and winning personality would have made him a wonderful companion. He knew more about how rivers work than any person before him and would have been outstanding at reading the water to figure out where the fish are. Beginning with Leonardo’s remarkable biography—from underprivileged child to celebrity whose company was sought by competing rulers in Italy and France—and taking readers through the inspirations that led him to fall in love with waterways, Ladensohn makes the connection between the artist’s life and his own deep knowledge of the art of fly-fishing. His adventures have led him to seek out the most unique, storied, and traveled fly-fishing locales in the world, including Argentina, Mexico, Cuba, Bhutan, Italy, Slovenia, Australia, Canada, New Zealand, Brazil, Costa Rica, Bahamas, Ireland, England, and Mongolia. Ladensohn's research on Leonardo led him to native rivers in Italy to scholars at Oxford and the inside of Windsor Castle, where he studied the finest of Leonardo’s original water drawings. The illustrations, which remain little known even today, are reproduced here in color, many for the first time. Fly-Fishing with Leonardo da Vinci is meant to inform and entertain anyone interested in the artist or fly-fishing and their unlikely intersection.
"An examination of the modern cultural mythology of Leonardo da Vinci that sheds light on the intersections of the academy, the commercial art world, and ideas about attribution and authorship"--
How an initially valueless object becomes worth hundreds of millions. And vice versa. The art world is a multi-billion-dollar industry which captures world headlines on a regular basis, for both good and bad reasons. This book deals with one of the most-discussed areas of controversy: high-profile objects that have experts arguing about their veracity. Some may have been looted, others may be fakes, some may be heavily restored or misattributed. Often, in these cases, analytical science is called on to settle a dispute. The authors of this book have decades of experience in this field, working on a range of objects dating from prehistory to the twentieth century. They present seven of the most famous cases from the Getty Kouros to the Turin Shroud – some of which are still contested, and examine how a few words from a connoisseur or scientist can make a virtually valueless object worth hundreds of millions. And vice versa.
Yo-Yo Ma’s ear for music emerged not long after he learned to walk. By the age of seven, he was performing for President Kennedy; by fifteen he debuted at Carnegie Hall. Maya Angelou, by contrast, didn't write her iconic memoir, I Know Why the Cage Bird Sings, until she was 40. What propels some individuals to reach extraordinary creative heights in the earliest years of life while others discover their passions decades later? Are prodigies imbued with innate talent? How often are midlife inspirations triggered by propitious events, like Julia Child's first French meal at the age of 36? Do late bloomers reveal their talents because their skills require life experience and contemplation? Through engaging storytelling and intriguing historical and cutting-edge scientific research, best-selling author and acclaimed journalist Claudia Kalb explores these questions to uncover what makes a prodigy and what drives a late bloomer. In this series of linked biographies, Kalb follows the journeys of thirteen remarkable individuals--from Shirley Temple to Alexander Fleming to Eleanor Roosevelt to Bill Gates--to discover the secrets behind their talents. Each possessed a unique arc of inspiration. Each--through science, art, music, theater, and politics--reached extraordinary success at different stages of life. And each offers us a chance to explore the genesis--and experience--of genius.
The Salvator Mundi is the first Leonardo painting to be discovered for over a century. Following its re-emergence, it played a leading role in the landmark Leonardo exhibition at the National Gallery in London in 2011, after which it was purchased by a Russian oligarch. In 2017 it was auctioned by Christie's in New York, fetching the world record price of $450m, and now forms part of the collection of Louvre Abu Dhabi. The Salvator Mundi may be seen as the devotional counterpart to the Mona Lisa, having an extraordinary, communicative presence. The artist has reformed the very traditional subject matter in a number of ways. The elusiveness of Christ's expression suggests his spiritual origins beyond the world of the senses. The traditional sphere of the earth has been transformed into a rock-crystal orb and signifies a crystalline sphere of the heavens. In addition to its spiritual dimension, the image exploits Leonardo's optical knowledge and his growing sense of the illusiveness of seeing. Only the blessing hand is in reasonably sharp focus, with his features softly veiled. The scintillating curls of his hair are characterised in line with his theory that the physics of the curling of hair is analogous to vortex motion in water. This book looks at evidence of Leonardo's Salvator Mundi in the collections of Charles I and Charles II. It explores the appraisal of works by Leonardo at the Stuart courts, and proposes that how works attributed to Leonardo were first encountered and understood in seventeenth-century Britain would shape the wider evolution of Leonardo as a cultural icon. This volume gives a dramatic first-hand account of the modern-day discovery of the painting, from its purchase in a minor New Orleans auction house, to the cleaning of the picture that would disclose it as Leonardo's startling original, and the research processes that would uncover illustrious and obscure former owners. The book presents the definitive study of the new masterpiece.
A brief survey of what Leonardo anti-theory is, why it exists, who writes it, and what purpose it can play in the future of Leonardo research..
“Sheds fascinating light . . . [a] compact highlight reel of the most important images of the thousands the artist produced.” —The New York Times Leonardo da Vinci was born in the small Tuscan town of Vinci in April 1452. Over the centuries, he has become one of the most famous people in the history of visual culture. This lavishly illustrated volume by Martin Kemp—one of the world’s leading authorities on da Vinci—offers a fresh way of looking at the master’s work in art, science, engineering, architecture, anatomy, and more. Kemp focuses on 100 key, broadly chronological milestones that cover an extraordinary range of topics across Leonardo’s many fields of discipline: painting, where he brought new levels of formal and emotional grandeur to his works, including The Last Supper and Portrait of Lisa del Giocondo (the “Mona Lisa”) anatomical studies, which are extraordinary for their sense of form and function (Studies of the Optics of the Human Eye and Ventricles of the Brain) engineering marvels, noted for their range and extraordinary visual quality (Gearing for a Clockwork Mechanism and Wheels without Axles and Designs for a Flying Machine) his progressive engagement with a range of sciences—anatomy, optics, dynamics, statics, geology, and mathematics
This new biographical look at Leonardo da Vinci explores the Renaissance master's groundbreaking portrayal of women which forever changed the way the female form is depicted. Leonardo da Vinci was a revolutionary thinker, artist, and inventor who has been written about and celebrated for centuries. Lesser known, however, is his revolutionary and empowering portrayal of the modern female centuries before the first women's liberation movements. Before da Vinci, portraits of women in Italy were still, impersonal, and mostly shown in profile. Leonardo pushed the boundaries of female depiction having several of his female subjects, including his Mona Lisa, gaze at the viewer, giving them an authority which was withheld from women at the time. Art historian and journalist Kia Vahland recounts Leonardo's entire life from April 15, 1452, as a child born out of wedlock in Vinci up through his death on May 2, 1519, in the French castle of von Cloux. Included throughout are 80 sketches and paintings showcasing Leonardo's approach to the female form (including anatomical sketches of birth) and other artwork as well as examples from other artists from the 15th and 16th centuries. Vahland explains how artists like Raphael, Giorgione, and the young Titan were influenced by da Vinci's women while Michelangelo, da Vinci's main rival, created masculine images of woman that counters Leonardo's depictions.