Download Free Living With Form Book in PDF and EPUB Free Download. You can read online Living With Form and write the review.

'Living as Form' grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a 30-person curatorial advisory team; each project is documented by a selection of colour images.
Ceramics had a far-reaching impact in the second half of the twentieth century, as its artists worked through the same ideas regarding abstraction and form as those for other creative mediums. Live Form shines new light on the relation of ceramics to the artistic avant-garde by looking at the central role of women in the field: potters who popularized ceramics as they worked with or taught male counterparts like John Cage, Peter Voulkos, and Ken Price. Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. Far from being an isolated field, ceramics offered a sense of community and social engagement, which, Sorkin argues, crucially set the stage for later participatory forms of art and feminist collectivism.
No man can exist without a maker. In the physical world, we attribute that title to our mother and father. They are the ones we call our parentsour makers. During our early years, it is these people whom we consciously recognize as our first treasures. Then, there comes a time when we begin to grow up and start to look deeper into the subject. As you follow the trail in this book that has been prepared for the reader, I hope that you can find some treasures along the way. This book is my concept of an invisible, formless substance that has become my constant companion. The Tingling is my storythe story of a woman who is in tune with an invisible, formless substance whose idyllic visions are its form of communication. The unique concepts in this book are novel and unexplored areas of healing, which have been in my practice for many years. I wanted to share my visions with you in hope that they would show you a different point of view. I will share with you several meaningful life experiences to best illustrate the methods of communication I maintained with an invisible force I call the Tingling. I hope the framework and patterns of this book enhance your perspective view of the life you are leading. Visit: www.thetingling.com
In this groundbreaking book, Nigel Hoffmann shows that understanding the dynamic, living qualities of nature requires artistic capacities. He distinguishes four stages of scientific inquiry that correspond to the four classical elements of Earth, Water, Air, and Fire. Modern analytical science with its causal thinking can be characterized as an Earth mode of cognition. A dynamic approach that follows transformation over time requires a sculptural sense of form and corresponds to the element of Water. The stages of Air and Fire engage yet more vital aspects of nature through musical and poetic capacities. Combining scholarly-scientific acuity with artistic insight, Hoffmann first characterizes these four different ways of knowing. He then applies them, leading us ever more deeply into the dynamic qualities of specific plants, animals, and the landscape they live in. In doing so, he demonstrates how this four-step methodology provides a comprehensive framework for the life sciences. This beautifully illustrated book will appeal to all who are interested in gaining deeper insights into nature. "I put my hopes for the future in such practice because it plants seeds of a life-attuned thinking into the world that can help us to act in more life-engendering ways." --Craig Holdrege (in his foreword) Contents: Art and the Emergence of an Authentic Organic Science Goethe and the Phenomenological Method Toward an Authentic Method in the Life Sciences A Goethean Methodology through the Elemental Modes Earth Cognition--Physical Thinking--the Mechanical Water Cognition -- Imagination -- the Sculptural Air Cognition -- Inspiration -- the Musical Fire Cognition -- Intuition -- the Poetical Evolution as Creative Process The Landscape and its Organs The Human Being and the Evolution of Landscape The Yabby Ponds: A Goethean Study of Place
Humans pose an unprecedented threat to life in all its great diversity of forms. The human-induced extinction rate has been compared to “mass extinctions” of the past. But this language masks the fact that the crisis is due to voluntary, and thus, avoidable choices and actions. “Speaking of Forms of Life” shows that at the root of this crisis is the tragic inadequacy of the language predominantly used to represent and address what we are doing, including the language of “sustainable development,” “rights” for animals and the rest of nature, their “intrinsic value,” and conservation of species as “populations.” This talk alienates us from the other living things, from what they actually are, have and do, and it perpetuates the harm and loss. Campagna and Guevara compellingly argue, on rigorous but accessible grounds, that there is an alternative language to guide conservation, in confronting the radically urgent, ethical issues it faces. This is a language with which we are all familiar, mastered by naturalists, from Aristotle to Audubon. It articulates the primary value in life and the standard that must guide how human beings should live, as one form of life, among countless others. This book is a homecoming for those who practice conservation to, above all else, secure a creature’s ability to satisfy the necessities of its form of life.
The Christian mystery, celebrated in the Roman Catholic liturgy, is a sensible mystery, and calls out for artistic expression. Living Beauty explores the Christian mystery and points to the need for a liturgical aesthetic as a means to encounter the divine mystery. A liturgical aesthetic gives an account of Christian worship in terms of a new set of categories that includes divine beauty, a theology of sensibility, and the new notion of a unitive revelatory experience.
Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others.
Living Aikido contains excellent tips that would help sharpen the novice technique through the advanced practitioner. In the process of reading it, one undergoes an enlightening experience.
Examines the different types of simple organisms, from bacteria to sea sponges.
"Living with Form expresses the concept that artwork can become part of your home and enrich your life. This collection of contemporary crafts is focused on shape, volume, and the tactile nature of wood, clay, fiber, glass and metal."--Page 4 of cover.