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An interdisciplinary study of the practice and purpose of early Christian baptism as it is depicted in pictorial art and as it was practiced in-built structures, this book integrates physical remains with literary evidence for the early Christian initiation rite.
The present volumes is the result of an international collaboration of researchers who are excellent within their respective fields: interpretation of texts, studies of rites, archaeology, architecture, history of art, and cultural anthropology. They met for two conferences to discuss the significance of rites of ablution, initiation, and baptism and their interpretation in Late Antiquity, Early Judaism, and Early Christianity. The volume establishes a new international standard of research within these fields of scholarship.
In the web of cultural processes of late antiquity ablution rites and initiation rites were performed in different forms and in different contexts. Such rites existed in Early Judaism and Greco-Roman cults and were also applied in early Christianity under the label “baptism”, however, not as one fixed rite uniformly performed and interpreted. Baptismal rites developed diversely corresponding to the diversity among Christian groups of which some later came to be perceived as heretical. Remains of art, architecture and texts from these contexts were discussed in two conferences gathering scholars who are excellent within their respective fields: text studies, studies of rites, archaeology, architecture, history of art, and cultural anthropology. These different fields of research have in recent years generated new knowledge that is relevant for the discussion of ablution and initiation rites and their function in late antiquity. At the same time interests of research have altered in favour of a growing cooperation across discipline borders. The present volumes are the outcome of two conferences in Rome 2008 and at Metochi (Lesbos) 2009.
This addition to A Catholic Biblical Theology of the Sacraments series provides readers with a deeper appreciation of God's gifts and call in the Sacraments through a renewed encounter with God's Word. New Testament scholar Isaac Morales, OP, offers a biblical theology of the initiatory rite of baptism that will be interesting and informative to the church catholic. Morales provides a synthetic biblical account of the sacrament of baptism, rooted in the rich water symbolism of the Old Testament and finding its full flourishing in baptismal participation in the saving events of Christ's passion, death, and resurrection as described in the New Testament. This book provides lay teachers with background and depth on topics taught frequently in the parish, making it suitable for classroom use and parish ministry. The series editors are Timothy C. Gray and John Sehorn. Gray is president of the Augustine Institute, which has one million subscribers to its online content channel, Formed.org. Gray and Sehorn both teach at the Augustine Institute Graduate School of Theology, which prepares students for Christian mission through on-campus and distance education programs.
Cognitive linguists and biblical and patristic scholars have recently given more attention to the presence of conceptual blends in early Christian texts, yet there has been so far no comprehensive study of the general role of conceptual blending as a generator of novel meanings in early Christianity as a religious system with its own identity. This monograph points in that direction and is a cognitive linguistic exploration of pastoral metaphors in a wide range of patristic texts, presenting them as variants of THE CHURCH IS A FLOCK network. Such metaphors or blends, rooted in the Bible, were used by Patristic writers to conceptualize a great number of particular notions that were constitutive for the early church, including the responsibilities of the clergy and the laity, morality and penance, church unity, baptism and soteriology. This study shows how these blends became indispensable building blocks of a new religious system and explains the role of conceptual blending in this process. The book is addressed to biblical and patristic scholars interested in a new, unifying perspective for various strands of early Christian thought and to cognitive linguists interested in the role of conceptual integration in religious language. Produced with the support of the Faculty of Philology, Jagiellonian University in Kraków, Poland.
In Tradition and Innovation, Nathan Witkamp convincingly argues that Narsai of Nisibis’ (d. ca. 503) baptismal rite and mystagogy, as portrayed in his Liturgical Homilies 21-22, are much less dependent on Theodore of Mopsuestia (ca. 350-ca. 428) than scholars have previously supposed. Narsai’s baptismal rite turns out to represent a particular East Syrian liturgical tradition, independent of Theodore. In his mystagogy, Narsai uses Theodore’s Baptismal Homilies 1-3 as just one source among others to create the artwork he desires. This detailed comparative study contributes to our understanding of rite and mystagogy in Theodore and Narsai within the broader early Syrian context, as well as to the reception of Theodore by Narsai and the East Syrian Church.
Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.
The Routledge Handbook of Early Christian Art surveys a broad spectrum of Christian art produced from the late second to the sixth centuries. The first part of the book opens with a general survey of the subject and then presents fifteen essays that discuss specific media of visual art—catacomb paintings, sculpture, mosaics, gold glass, gems, reliquaries, ceramics, icons, ivories, textiles, silver, and illuminated manuscripts. Each is written by a noted expert in the field. The second part of the book takes up themes relevant to the study of early Christian art. These seven chapters consider the ritual practices in decorated spaces, the emergence of images of Christ’s Passion and miracles, the functions of Christian secular portraits, the exemplary mosaics of Ravenna, the early modern history of Christian art and archaeology studies, and further reflection on this field called “early Christian art.” Each of the volume’s chapters includes photographs of many of the objects discussed, plus bibliographic notes and recommendations for further reading. The result is an invaluable introduction to and appraisal of the art that developed out of the spread of Christianity through the late antique world. Undergraduate and graduate students of late classical, early Christian, and Byzantine culture, religion, or art will find it an accessible and insightful orientation to the field. Additionally, professional academics, archivists, and curators working in these areas will also find it valuable as a resource for their own research, as well as a textbook or reference work for their students.
Studies of the historical Jesus typically reduce John the Baptist to a subordinate role in the story of Christian origins. This meticulous historical study focuses on John himself, revealing his extensive and enduring influence. In the popular imagination, John the Baptist plays the supporting role of Jesus’s unkempt forerunner. But meticulous historical study reveals his wide-reaching and enduring influence on the history of religion. The first study of its kind, John of History, Baptist of Faith sheds light on the historical John the Baptist and his world. James F. McGrath applies historical-critical methodology not only to the New Testament but also to the Mandaean Book of John, a holy text of the last extant gnostic sect. McGrath uses the teachings of John’s pupil, Jesus, as a window into his mentor’s beliefs. Along the way, he brings new clarity to questions of contention among scholars, such as John’s use of immersion as a substitute for temple sacrifice. Bold in its claims yet careful in its method, John of History, Baptist of Faith lends fresh insight into John, Jesus, and their world. McGrath’s pioneering monograph will challenge and intrigue students and scholars of the New Testament and Second Temple Judaism.
This volume offers an accessible investigation of the Naassene discourse embedded in the anonymous Refutation of All Heresies (completed about 222 CE), in order to understand the theology and ritual life of the Naassene Christian movement in the late second and early third centuries CE. The work provides basic data on the date, genre, and provenance of the Naassene discourse as summarized by the author of the Refutation (or Refutator). It also offers an analysis of the Refutator’s sources and working methods, an analysis which allows for a full reconstruction of the original Naassene discourse. The book then turns to major aspects of Naassene Christianity: its intense engagement with Hellenic myth and “mysteries,” its biblical sources, its cosmopolitan hermeneutics, its snake symbology, as well as its distinctive approach to baptism, hymns, and celibacy. A concluding chapter outlines all we can securely reconstruct about the Naassene Christian movement in terms of its social identity and place in the larger field of early Christianity and ancient Mediterranean religions more broadly. The Naassenes: Exploring an Early Christian Identity is suitable for students, scholars, and general readers interested in Early Christianity, Gnostic and Nag Hammadi Studies, Classics, and Ancient Philosophy, as well as hermeneutical issues like allegory and intertextuality.