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The Oldest Living Things in the World is an epic journey through time and space. Over the past decade, artist Rachel Sussman has researched, worked with biologists, and traveled the world to photograph continuously living organisms that are 2,000 years old and older. Spanning from Antarctica to Greenland, the Mojave Desert to the Australian Outback, the result is a stunning and unique visual collection of ancient organisms unlike anything that has been created in the arts or sciences before, insightfully and accessibly narrated by Sussman along the way. Her work is both timeless and timely, and spans disciplines, continents, and millennia. It is underscored by an innate environmentalism and driven by Sussman’s relentless curiosity. She begins at “year zero,” and looks back from there, photographing the past in the present. These ancient individuals live on every continent and range from Greenlandic lichens that grow only one centimeter a century, to unique desert shrubs in Africa and South America, a predatory fungus in Oregon, Caribbean brain coral, to an 80,000-year-old colony of aspen in Utah. Sussman journeyed to Antarctica to photograph 5,500-year-old moss; Australia for stromatolites, primeval organisms tied to the oxygenation of the planet and the beginnings of life on Earth; and to Tasmania to capture a 43,600-year-old self-propagating shrub that’s the last individual of its kind. Her portraits reveal the living history of our planet—and what we stand to lose in the future. These ancient survivors have weathered millennia in some of the world’s most extreme environments, yet climate change and human encroachment have put many of them in danger. Two of her subjects have already met with untimely deaths by human hands. Alongside the photographs, Sussman relays fascinating – and sometimes harrowing – tales of her global adventures tracking down her subjects and shares insights from the scientists who research them. The oldest living things in the world are a record and celebration of the past, a call to action in the present, and a barometer of our future.
Evolution of Living Organisms: Evidence for a New Theory of Transformation discusses traditional interpretations of evolution with a new assumption. The book presents a rational and general account of real evolutionary phenomena based on paleontology and molecular biological data. The text reviews biological evolution from the simple to the complex or progressive and regressive evolution. The author explains the appearance of types of organization from Captorhinomorphs to Pelycosaurs to the Theriodonts— from which the mammals arose. He also explains that in the evolution to mammals, the transformation of the Theriodonts concerned only the skeleton, muscles, dentition, and not the brain. He cites the case of the Perissodactyls as an example. The author also asserts that paleontology and molecular biology can explain the mechanism of evolution without even detailing the causes of orientations of lineages, of the finalities of structures, of living functions, and of cycles. But this approach will involve metaphysics. This book can be appreciated by anthropologists, researcher and scientists involved in zoology, paleontology, genetics and biochemistry.
The Principles of Biology sequence (BI 211, 212 and 213) introduces biology as a scientific discipline for students planning to major in biology and other science disciplines. Laboratories and classroom activities introduce techniques used to study biological processes and provide opportunities for students to develop their ability to conduct research.
Claude C. Albritton's fascinating book explores the history and science of geology, from the earliest understandings of the earth's composition to modern theories of plate tectonics and seismic activity. With engaging writing and useful diagrams, this book is a must-read for anyone interested in the field of geology or the history of science. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Naturalists in antiquity worked hard to dispel fanciful ideas about the meaning of living lights, but remained bewildered by them. Even Charles Darwin was perplexed by the chaotic diversity of luminous organisms, which he found difficult to reconcile with his evolutionary theory. It fell to naturalists and scientists to make sense of the dazzling displays of fireflies and other organisms. In Luminous Creatures Michel Anctil shows how mythical perceptions of bioluminescence gradually gave way to a scientific understanding of its mechanisms, functions, and evolution, and to the recognition of its usefulness for biomedical and other applied fields. Following the rise of the modern scientific method and the circumnavigations and oceanographic expeditions of the eighteenth and nineteenth centuries, biologists began to realize the diversity of bioluminescence's expressions in light organs and ecological imprints, and how widespread it is on the planet. By the end of the nineteenth century an understanding of the chemical nature and physiological control of the phenomenon was at hand. Technological developments led to an explosion of knowledge on the ecology, evolution, and molecular biology of bioluminescence. Luminous Creatures tracks these historical events and illuminates the lives and the trail-blazing accomplishments of the scientists involved. It offers a unique window into the awe-inspiring, phantasmagorical world of light-producing organisms, viewed from the perspectives of casual observers and scientists alike.
Describes parasites living on our bodies.
Harmless artificial life forms are on the loose on the Internet. Computer viruses and even robots are now able to evolve like their biological counterparts. Telecommunications companies are sending small packets of software to go forth and multiply to cope with ever-increasing telephone traffic. Protein-based computers are on the agenda, and a team in Japan is building an organic brain as clever as a kitten. Welcome to the startling world of Artificial Life. Artificial Life scientists are taking inanimate materials such as computer software and robots and making them behave just like living organisms. In the process they are discovering much about what drives evolution and just what it means to say that something is alive. Virtual Organisms traces the origins of this field from the days when it was practiced by a few maverick scientists to the present and the current boom in Alife research. Leading technology correspondent Mark Ward presents a fascinating survey of current ideas about the origins of life and the engines of evolution. Through interviews with leading developers of Artificial Life, and through his own compelling research, Ward shows how the convergence of technology with biology has enormous implications. In an accessible, entertaining manner, Virtual Organisms reveals an unexplored avenue in predicting the future of Artificial Life, and whether new forms of Alife may be evolving beyond their designer's control.
Black & white print. Concepts of Biology is designed for the typical introductory biology course for nonmajors, covering standard scope and sequence requirements. The text includes interesting applications and conveys the major themes of biology, with content that is meaningful and easy to understand. The book is designed to demonstrate biology concepts and to promote scientific literacy.