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Mia Morrow is impulsive, plain and simple. While her friends are concerned with grades and colleges, Mia would rather focus on the things that make her happy— like chasing boys or snatching something off a department store shelf. No big deal, right? But then Mia gets caught shoplifting, and her thoughtless behavior doesn’t just push her friends away, it gets her into a lot of trouble, too. In this eye-opening tale of friendships, family, and negative impulses, Cara Haycak subtly shows that the power to heal is within all of us, and it almost always starts with forgiveness.
"Guarantees characters that glow with equal parts wit, sass, and sensuality." Library Journal (Starred Review) The first in a fun, flirty new series from Mia Sosa! After a very public breakup with a media-hungry politician, fitness trainer Tori Alvarez escapes to Aruba for rest, relaxation, and copious amounts of sex on the beach—the cocktail, that is. She vows to keep her vacation a man-free zone but when a cute guy is seated next to her on the plane, Tori can’t resist a little harmless flirting. Hollywood heartthrob Carter Stone underwent a dramatic physical transformation for his latest role and it’s clear his stunning seat mate doesn’t recognize the man beneath the shaggy beard and extra lean frame. Now Carter needs help rebuilding his buff physique and Tori is perfect for the job. It doesn’t hurt that she makes his pulse pound in more ways than one. Sparks are flying, until a pesky paparazzo reveals Carter’s identity. Tori is hurt and pissed. She wants nothing to do with another man in the limelight, but she’s still got to whip him into shape. Can Carter convince Tori he’s worth the threat to her privacy that comes with dating a famous actor, or will Tori chisel him down to nothing before he even gets the chance? Grab the popcorn…
Packed with riveting examples and controversial research, "The Impulse Factor" provides a clear understanding of why people make the choices they do--and the tools necessary to turn those decisions into something great.
Music is surrounded by movement, from the arching back of the guitarist to the violinist swaying with each bow stroke. To John Paul Ito, these actions are not just a visual display; rather, they reveal what it really means for musicians to move with the beat, organizing the flow of notes from beat to beat and shaping the sound produced. By developing "focal impulse theory," Ito shows how a performer's choices of how to move with the meter can transform the music's expressive contours. Change the dance of the performer's body, and you change the dance of the notes. As Focal Impulse Theory deftly illustrates, bodily movements carry musical meaning and, in a very real sense, are meaning.
For Jesus, truth and mercy went hand in hand. Where he preached he also healed. He didn't outsource one or the other to biblical scholars or nonprofit ministries. He presented the truth of the gospel through his words and his actions, and he did it all in a hands-on, relational way. And the reaction was the same wherever he went--people were amazed. Today we seem to have lost this powerful pattern of self-giving love, focusing on truth at the expense of mercy or on mercy at the expense of truth, and often failing to build genuine, lasting relationships with the people around us. In The God Impulse, Jack Alexander helps us recover Jesus's model, showing through biblical and modern real-life stories that God's first impulse toward us is mercy. He then sets forth a pattern for us to follow--to see, go, do, and endure--that not only spreads truth and love to those around us who are suffering but also causes them to gasp in amazement and consider the claims of the gospel for themselves.
The summer before she starts college, Melina Marquez goes on a road trip with friends to find out who her birth mother is, and why her father left her.
From the bestselling author of Crank, the story of three kids whose lives collide at a mental hospital after each attempts suicide. Sometimes you don't wake up. But if you happen to, you know things will never be the same. Three lives, three different paths to the same destination: Aspen Springs, a psychiatric hospital for those who have attempted the ultimate act—suicide. Vanessa is beautiful and smart, but her secrets keep her answering the call of the blade. Tony, after suffering a painful childhood, can only find peace through pills. And Conner, outwardly, has the perfect life. But dig a little deeper and find a boy who is in constant battle with his parents, his life, himself. In one instant each of these young people decided enough was enough. They grabbed the blade, the bottle, the gun—and tried to end it all. Now they have a second chance, and just maybe, with each other's help, they can find their way to a better life—but only if they're strong and can fight the demons that brought them here in the first place.
Living Space: John Coltrane, Miles Davis, and Free Jazz, from Analog to Digital fuses biography and style history in order to illuminate the music of two jazz icons, while drawing on the discourses of photography and digital architecture to fashion musical insights that may not be available through the traditional language of jazz analysis. The book follows the controversial trajectories of two jazz legends, emerging from the 1959 album Kind of Blue. Coltrane's odyssey through what became known as "free jazz" brought stylistic (r)evolution and chaos in equal measure. Davis's spearheading of "jazz-rock fusion" opened a door through which jazz's ongoing dialogue with the popular tradition could be regenerated, engaging both high and low ideas of creativity, community, and commerce. Includes 42 illustrations.
It's something most of us have sensed for years-the rise of a world defined only by “mine” and “now.” A world where business shamelessly seeks the fastest reward, regardless of the long-term social consequences; where political leaders reflexively choose short-term fixes over broad, sustainable social progress; where individuals feel increasingly exploited by a marketplace obsessed with our private cravings yet oblivious to our spiritual well-being or the larger needs of our families and communities. At the heart of The Impulse Society is an urgent, powerful story: how the pursuit of short-term self-gratification, once scorned as a sign of personal weakness, became the default principle not only for individuals, but for all sectors of our society. Drawing on the latest research in economics, psychology, political philosophy, and business management, Paul Roberts shows how a potent combination of rapidly advancing technologies, corrupted ideologies, and bottom-line business ethics has pushed us across a threshold to an unprecedented state: a virtual merging of the market and the self. The result is a socioeconomic system ruled by impulse, by the reflexive, id-like drive for the largest, quickest, most “efficient” reward, without regard for long-term costs to ourselves or to broader society. More than thirty years ago, Christopher Lasch hinted at this bleak world in his landmark book, The Culture of Narcissism. In The Impulse Society, Roberts shows how that self-destructive pattern has grown so pervasive that anxiety and emptiness are becoming embedded in our national character. Yet it is in this unease that Roberts finds clear signs of change-and broad revolt as millions of Americans try step off the self-defeating treadmill of gratification and restore a sense of balance. Fresh, vital, and free of ideological, right-wing/left-wing formulations, The Impulse Society shows the way back to a world of real and lasting good.