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Perfect for fans of Scary Stories to Tell in the Dark! A shiver-inducing collection of short stories to read under the covers, from a breadth of American Indian nations. Dark figures in the night. An owl's cry on the wind. Monsters watching from the edge of the wood. Some of the creatures in these pages might only have a message for you, but some are the stuff of nightmares. These thirty-two short stories -- from tales passed down for generations to accounts that could have happened yesterday -- are collected from the thriving tradition of ghost stories in American Indian cultures across North America. Prepare for stories of witches and walking dolls, hungry skeletons, La Llorona and Deer Woman, and other supernatural beings ready to chill you to the bone. Dan SaSuWeh Jones (Ponca Nation) tells of his own encounters and selects his favorite spooky, eerie, surprising, and spine-tingling stories, all paired with haunting art by Weshoyot Alvitre (Tongva). So dim the lights (or maybe turn them all on) and pick up a story...if you dare.
The Way of the Living Ghost is a cautionary treatise. It is a work about being hollow and overfull, and about seeing "now" and "then" through darkened eyes. It is about hunger, need, loss, violence, and injustice. It is a meditation on paradox and inertia. All of these are hallmarks of ghosts, but the living ghost can change its fate. This enigmatic work by Dr Anderson combs through the Daodejing, line by line, in new translation giving robust commentary to the dark side of the Dao. It is a direct response to the pronounced current in Daoist literature which recognizes some form of "cultivated" or "perfected" person, but awards scant recognition of the "unwhole" or "imperfect" parts of a lived life. We invite you to delve into this work and explore the necromantic philosophy espoused herein and learn the ways of the living ghost. Featuring art by Bryan Paul Patterson and Joseph Uccello, and a foreword by Brandt Stickley.
When a mortifying breakup in the school cafeteria triggers seventeen-year-old Callie White to project her soul from her body, the last thing she expects is to die from embarrassment. As it turns out, Callie isn’t dead but is gifted with the special ability to leave her body and turn into a living ghost. With the discovery of her newfound ability, she learns her world is inhabited by creatures from her wildest dreams—and worst nightmares. As a genetically altered human, Mason Sullivan spends his life fighting creatures to keep humanity safe. With unmatched speed and strength, Mason is the perfect soldier for the Creature Council, the secret organization that polices the supernatural world. For Mason, one thing is certain, he’ll do whatever it takes, even kill, to guarantee the bad guys never win. Callie and Mason’s lives collide when she saves him from a man-eating goblin while in her ghostly form. A chance meeting at a hospital brings the two together, but Callie isn’t safe in Mason’s life. Her special ability makes her a desirable asset to the monsters Mason fights against. To protect her, Mason breaks the creature laws he fights to uphold, but even with him by her side, Callie falls prey to the supernatural world’s worst enemy. She’s forced into an unthinkable fate by creatures who treat humans like food and property. No longer under Mason’s protection, Callie must fight for her freedom or risk losing herself to a world so full of horrors against humanity that she’d rather remain ghostly than survive.
Trapped in the London dungeons Jack is visited by something from the other side, offering him the vengeance he desires against his captors and those who have caused him harm. A Living Ghost follows the tale of this young boy’s tragic end and his transformation into a malevolent spirit. He becomes the poltergeist of the London dungeons and happily begins reaping his revenge upon those who wronged him. A Living Ghost is the second horror short in the “Descent into Darkness Series”, where we cower behind our ideals watching the good fall from grace and become submerged in the darkness of their own dark souls.
50 years after the Vietnam War this soldier/father/hero is getting help with his PTSD through a modern invention. Explore seven years of recalled events from one of Vietnam's bloodiest battles at LZ Grant, horrific memories he now says are more manageable because of Social Media. Read the fascinating story today.The Living Ghosts as explained by Rick Griffith... "Social media is emerging as a mental medicine of sorts, a salve that soothes the soul; for many, it keeps the PTSD demons at bay. It's a new way of journaling, a tool the psychological community has long touted as a means of mental housekeeping. For some, it's a slick and easy way to chip away at the horrors of war so often locked up in the depths of one's brain.Think of your own family and friends who know the hideous nature of war firsthand. How often have you heard this phrase? "He can't talk about it." The old warriors know it as shell-shock. The younger ones call it PTSD. The brain is struggling to fit the multitude of hideous memories, sights, sounds, odors, pain, and suffering into some semblance of the old self. It has been 50 years since fun loving, ever smiling Del Mar beach boy Howard Fisher nearly bought the farm at LZ Grant (Vietnam). Not once in all that time did I ask him about his injuries or experiences in Viet Nam. Not once did I look AT his horribly disfigured face. One could not get past his eyes -- so brilliant, so full of life. His broad smile shone through as before albeit misshapen and without many teeth. Fisher once quipped to a film crew, "I always thought it would be sort of cool to have some sort of battle scar, just not there." Few people would be able to joke about losing their lower jaw. This speaks volumes of the man's spirit, his zest for life, his zeal to survive. Oddly, in all these years I was oblivious to his PTSD, and all that comes with it. I only learned of Fisher's psychological scars through his abundant, succinct social media postings."
Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, Arts of Living on a Damaged Planet puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent “arts of living.” Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication’s two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste—in short, the wonders and terrors of an unintended epoch. Contributors: Karen Barad, U of California, Santa Cruz; Kate Brown, U of Maryland, Baltimore; Carla Freccero, U of California, Santa Cruz; Peter Funch, Aarhus U; Scott F. Gilbert, Swarthmore College; Deborah M. Gordon, Stanford U; Donna J. Haraway, U of California, Santa Cruz; Andreas Hejnol, U of Bergen, Norway; Ursula K. Le Guin; Marianne Elisabeth Lien, U of Oslo; Andrew Mathews, U of California, Santa Cruz; Margaret McFall-Ngai, U of Hawaii, Manoa; Ingrid M. Parker, U of California, Santa Cruz; Mary Louise Pratt, NYU; Anne Pringle, U of Wisconsin, Madison; Deborah Bird Rose, U of New South Wales, Sydney; Dorion Sagan; Lesley Stern, U of California, San Diego; Jens-Christian Svenning, Aarhus U.
A heartbreaking and powerful story about a black boy killed by a police officer, drawing connections through history, from award-winning author Jewell Parker Rhodes. Only the living can make the world better. Live and make it better. Twelve-year-old Jerome is shot by a police officer who mistakes his toy gun for a real threat. As a ghost, he observes the devastation that's been unleashed on his family and community in the wake of what they see as an unjust and brutal killing. Soon Jerome meets another ghost: Emmett Till, a boy from a very different time but similar circumstances. Emmett helps Jerome process what has happened, on a journey towards recognizing how historical racism may have led to the events that ended his life. Jerome also meets Sarah, the daughter of the police officer, who grapples with her father's actions. Once again Jewell Parker Rhodes deftly weaves historical and socio-political layers into a gripping and poignant story about how children and families face the complexities of today's world, and how one boy grows to understand American blackness in the aftermath of his own death.
This book delves into the mystic world of the Tangkhul Naga where the line between the real and spirit worlds are blurred. Drawn from the deep oral storytelling tradition, the author successfully takes the readers to a place where the present and past exist together side by side – where supernatural is a part of everyday life. The book captures a very important essence of the Tangkhul Naga and their beliefs and is a welcomed addition to the growing depository of English writing from the North East India. Jim Wungramyao Kasom Author of Homecoming and Other Stories.
Explaining how multitudes of North Americans are carrying the pain of all types of loss—not just the deaths of loved ones but also the loss of a spouse through divorce, children who leave home, and the decline of health as they age or get sick—this balanced resource empowers mourners and grief counselors to turn grief into an experience to be learned from. Defining the varieties of heartache and its consequences, this effective guide explores how to inventory, understand, embrace, and reconcile one's accumulated sorrow through a five-phase "catch-up" mourning process. Readers will learn to use a spiritual and holistic approach to examine and integrate the ignored loss from their pasts, so that they can go on to live fuller, more balanced lives.
Ghost stories tap into our most primal emotions as they encourage us to confront the timeless question: What comes after death? Here, in tales that are by turn scary, funny, philosophic, and touching, you’ll find that question sharpened, split, reconsidered—and met with a multitude of answers. A spirit who is fated to spend eternity reliving the exact moment she lost her chance at love, ghostly trees that haunt the occupant of a wooden house, specters that snatch anyone who steps into the shadows, and parakeets that serve as mouthpieces for the dead: these are just a few of the characters in this extraordinary compendium of one hundred ghost stories. Kevin Brockmeier’s fiction has always explored the space between the fantastical and the everyday with profundity and poignancy. As in his previous books, The Ghost Variations discovers new ways of looking at who we are and what matters to us, exploring how mysterious, sad, strange, and comical it is to be alive—or, as it happens, not to be.