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Readers learn how a colorful coterie of FBI agents, prosecutors, and police detectives overcame the early years of bureaucratic inertia, high-level political corruption, and interagency rivalry to destroy the last great Mafia dynasty--New York's Lucchese Family.
An elite homicide investigation unit takes on one of the most savage and destructive gangs in New York City history in this gritty true-crime narrative. The investigation into the late-night murder of a college student on the West Side Highway leads to the Wild Cowboys, a group of young men who for years terrorized Upper Manhattan and the Bronx while running a $30,000-a-day drug business. What follows is a tale of dogged pursuit that offers a fascinating inside look at the workings of a complex police investigation, and a satisfying account of how a city took back its streets.
During the "golden age" of live radio and television, writers, performers, and producers created their programs in an environment far different from the studios of today. With live programming, anything could happen, and often did. Robert L. Mott, a veteran writer and Emmy-nominated sound effects creator of the live era, recreates the days when television and radio programs were performed live. He includes personal reminiscences as well as a forthright look behind the microphones: horses' hooves were played by coconuts, African-American women were played by white males, and television actors might ad lib an entire program that didn't go as planned. Celebrities like Red Skelton and Jackie Gleason, as well as the unsung heroes in the sound booth and backstage, step up to the mike here. Behind-the-scenes photographs are also included in this account of the exciting--but not always glamorous--world that was "live on the air."
Since 1968, the name of motion picture director George Romero has been synonymous with the living dead. His landmark film Night of the Living Dead formed the paradigm of modern zombie cinema; often cited as a metaphor for America during the Vietnam War and the Civil Rights movement, the film used the tenets of the drive-in horror movie genre to engage the sociophobics of late-1960s culture. Subsequently Romero has created five more zombie films, and other directors, including Tom Savini and Zack Snyder, have remade Romero's movies. This survey of those remakes examines ways in which the sociocultural contexts of different time periods are reflected by changes to the narrative (and the zombies) of Romero's original versions.
In 1940 and 1941 a group of ruthless gangsters from Brooklyn’s Brownsville neighborhood became the focus of media frenzy when they—dubbed “Murder Inc.,” by New York World-Telegram reporter Harry Feeney—were tried for murder. It is estimated that collectively they killed hundreds of people during a reign of terror that lasted from 1931 to 1940. As the trial played out to a packed courtroom, shocked spectators gasped at the outrageous revelations made by gang leader Abe “Kid Twist” Reles and his pack of criminal accomplices. News of the trial proliferated throughout the country; at times it received more newspaper coverage than the unabated war being waged overseas. The heinous crimes attributed to Murder, Inc., included not only murder and torture but also auto theft, burglary, assaults, robberies, fencing stolen goods, distribution of illegal drugs, and just about any “illegal activity from which a revenue could be derived.” When the trial finally came to a stunning unresolved conclusion in November 1941, newspapers generated record headlines. Once the trial was over, tales of the Murder, Inc., gang became legendary, spawning countless books and memoirs and providing inspiration for the Hollywood gangster-movie genre. These men were fearsome brutes with an astonishing ability to wield power. People were fascinated by the “gangster” figure, which had become a symbol for moral evil and contempt and whose popularity showed no signs of abating. As both a study in criminal behavior and a cultural fascination that continues to permeate modern society, the reverberations of “Murder, Inc.” are profound, including references in contemporary mass media. The Murder, Inc., story is as much a tale of morality as it is a gangster history, and Murder, Inc., and the Moral Life by Robert Whalen meshes both topics clearly and meticulously, relating the gangster phenomenon to modern moral theory. Each chapter covers an aspect of the Murder, Inc., case and reflects on its ethical elements and consequences. Whalen delves into the background of the criminals involved, their motives, and the violent death that surrounded them; New York City’s immigrant gang culture and its role as “Gangster City”; fiery politicians Fiorello La Guardia and Thomas E. Dewey and the choices they made to clean up the city; and the role of the gangster in popular culture and how it relates to “real life.” Whalen puts a fresh spin on the two topics, providing a vivid narrative with both historical and moral perspective.
(Applause Books). "A clear and well-written portrait of a superb performer and a wonderful human being, with emphasis on the word 'human.'" - The New York Times Book Review He was one of the most beloved stars of television's golden age. Together with his legendary partner Jackie Gleason, Art Carney helped create some of the most dazzling and unforgettable comedy ever presented on the small screen. Carney was an agile, rubber-limbed dancer and comedian whose sweetness and unassuming nature concealed the passion and power of a brilliant, often underappreciated, actor. The partnership formed by Carney and Gleason, as Brooklyn bus driver Ralph Kramden and his dim-witted pal, sewer worker Norton, remains to this day the most powerful and memoriable comedic union ever conceived for television. How this song-and-dance man and show business recluse began his career, as well as the detours, lucky breaks, triumphs and heartbreaks Carney encountered along the way, is the subject of this fascinating, in-depth biography by author and New York Post editor Michael Seth Starr. ART CARNEY tells the story of a complex man and an enduring television legend who gave the world the most extraordinary gift of all: the gift of laughter.
Dictionary of American slang, covering all eras of American history with accurate definitions and extensive, dated citations.