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"This book oers intermediate learners of English as a Foreign Language an original and stimulating learning experience. It introduces them to the beginnings of British literature, starting from the Anglo-Saxon world and continuing up to the beginning of the Renaissance. The texts chosen cover the development of poetry, narrative and the theatre, and the historical and social context from which they are drawn. No attempt has been made to offer an encyclopaedic survey of all authors and their works. Rather, a representative selection has been made from the various historical periods, including many ‘classic’ works."
British Literature and the Life of Institutions charts a literary prehistory of the welfare state in Britain around 1900, but it also marks a major intervention in current theoretical debates about critique and the dialectical imagination. By placing literary studies in dialogue with political theory, philosophy, and the history of ideas, the book reclaims a substantive reformist language that we have ignored to our own loss. This reformist idiom made it possible to imagine the state as a speculative and aspirational idea—as a fully realized form of life rather than as an uninspiring ensemble of administrative procedures and bureaucratic processes. This volume traces the resonances of this idiom from the Victorian period to modernism, ranging from Mary Augusta Ward, George Gissing, and H. G. Wells, to Edward Carpenter, E. M. Forster, and Virginia Woolf. Compared to this reformist language, the economism that dominates current debates about the welfare state signals an impoverishment that is at once intellectual, cultural, and political. Critiquing the shortcomings of the welfare state comes naturally to us, but we often struggle to offer up convincing defences of its principles and aims. This book intervenes in these debates by urging a richer understanding of critique: if we want to defend the state, Kohlmann argues, we need to learn to think about it again.
The past century's culture wars that Britain has been consumed by, but that few North Americans seem aware of, have resulted in revised notions of Britishness and British literature. Yet literary anthologies remain anchored to an archaic Anglo-English interpretation of British literature. Conflicts have been played out over specific national vs. British identity (some residents prefer to describe themselves as being from Scotland, England, Wales, or Northern Ireland instead of Britain), in debates over immigration, race, ethnicity, class, and gender, and in arguments over British literature. These debates are strikingly detailed in such chapters as: "The Difficulty Defining 'Black British'," "British Jewish Writers" and "Xenophobia and the Booker Prize." Connections are also drawn between civil rights movements in the U.S. and UK. This generalist cultural study is a lively read and a fascinating glimpse into Britain's changing identity as reflected in 20th and 21st century British literature.
'He is, as Proust was before him, the great literary chronicler of his culture in his time.' GUARDIAN 'A Dance to the Music of Time' is universally acknowledged as one of the great works of English literature. Reissued now in this definitive edition, it stands ready to delight and entrance a new generation of readers. In this first volume, Nick Jenkins is introduced to the ebbs and flows of life at boarding school in the 1920s, spent in the company of his friends: Peter Templer, Charles Stringham, and Kenneth Widmerpool. Though their days are filled with visits from relatives and boyish pranks, usually at the expense of their housemaster Le Bas, a disastrous trip in Templer’s car threatens their new friendship. As the school year comes to a close, the young men are faced with the prospects of adulthood, and with finding their place in the world.
The first volume to consider childhood over eight centuries of British writing, this book traces the literary child from medieval to contemporary texts. Written by international experts, the volume's essays challenge earlier readings of childhood and offer fascinating contributions to the current upsurge of interest in constructions of childhood.
Arjan Banga is forced to leave London to help his lonely mother run Bains Stores, their family’s provincial corner shop. But, it’s also a return to all that he tried to leave behind: narrow worldviews and post-industrial decline—and Singhfellows, a desi pub that defines itself by a religion that officially rejects drinking. But, his mother is adamant to keep the store open, forcing Arjan to work with her, reassess his relationship with his gori fiancé and discover his family’s silent history: his aunt’s elopement, his mother’s marriage to a lower-caste man, and his family’s strange relationship with their desi neighbours, the Dhandas, whose macho heir can’t stop listening to Malkit Singh and declaring: ‘Am just gonna bun dis spliff.’ The story of modern Britain as seen through the windows of an English shop with a big Punjabi heart, Marriage Material is the humorous chronicle of finding love as a desi in England—and of English desis forging and celebrating a betwixt identity that is neither here nor there.