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Reprint of the original, first published in 1883.
The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.
Biographies of eight women who were married to a British prince of Wales between 1301 and 1910, with discussion of the time in which they lived.
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The title "Princess of Wales" has enjoyed a high profile in recent years, and the events of 2005 placed it once again in the spotlight. Yet until now we have lacked any published overview of the history of the title and the lives of the women who have held it. Deborah Fisher looks back to the Norman conquest of Wales, and earlier, to describe the princess's changing role, bringing the picture comletely up to date and speculating on future developments. Incorporating material from a variety of sources, she unravels a history that includes love, duty and motherhood along with adulterous passion, divorce and tragic death--a history that often repeats itself.
Beautifully illustrated, this book looks at the nine women who have been Princesses of Wales. From Joan, the "Fair Maid of Kent," through the tragic Katharine of Aragon, Henry's VIII's first wife, and the tempestuous Caroline of Brunswick, the mistreated wife of George IV, to the present fairy-tale, headline-catching Princess, their stories are told with insight and compassion.
Catherine of Aragon is an elusive subject. Despite her status as a Spanish infanta, Princess of Wales, and Queen of England, few of her personal letters have survived, and she is obscured in the contemporary royal histories. In this evocative biography, Theresa Earenfight presents an intimate and engaging portrait of Catherine told through the objects that she left behind. A pair of shoes, a painting, a rosary, a fur-trimmed baby blanket—each of these things took meaning from the ways Catherine experienced and perceived them. Through an examination of the inventories listing the few possessions Catherine owned at her death, Earenfight follows the arc of Catherine’s life: first as a coddled child in Castile, then as a young adult alone in England after the death of her first husband, a devoted wife and doting mother, a patron of the arts and of universities, and, finally, a dear friend to the women and men who stood by her after Henry VIII set her aside in favor of another woman. Based on traces and fragments, these portraits of Catherine are interpretations of a life lived five centuries ago. Earenfight creates a compelling picture of a multifaceted, intelligent woman and a queen of England. Engagingly written, this cultural and emotional biography of Catherine brings us closer to understanding her life from her own perspective.