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During the eighteenth century, theatrical writing developed as a genre. The publishing market responded to a seemingly insatiable appetite for accounts of the personalities, social lives and performances of celebrated entertainers. This series features actors who were significant in their development of new ways of performing Shakespeare.
During the eighteenth century, theatrical writing developed as a genre. The publishing market responded to a seemingly insatiable appetite for accounts of the personalities, social lives and performances of celebrated entertainers. This series features actors who were significant in their development of new ways of performing Shakespeare.
Extracts from diaries, memoirs, private letters, obituaries and other rare ephemera are drawn together to build a contemporary account of the acting achievements and personal lives of three inspiring figures from the late nineteenth-century theatre; Herbert Beerbohm Tree, Henry Irving and Ellen Terry.
Features three female actors who were significant in their development of new and innovative ways of performing Shakespeare.
Focuses on David Garrick and the leading actors of his company at Drury Lane. This book tells how, in their time, Garrick, Macklin and Woffington were as famous for their achievements on the stage as they were infamous for their activities off it. It draws a selection of the actors' own words with those of their contemporaries and critics.
Nominated for Tony Award, Best Play "Illuminating, enlivening, a sheer joy." James Christopher, Time Out "Sharp characterization and magical theatricality." John Peter, The London Times "Containing statements like 'American actors for America!' and the ugly sounds of a nationalist riot, the play holds a disturbing mirror up to a world where fundamentalist bigotry is on the increase... It is Nelson's achievement to have done this through a drama that is also quite exhilarating." Paul Taylor, The Independent "This is a must for theatre lovers; or as the actor sitting next to me put it, 'Now I know why theatre has me by the throat.' Precisely!" Liz Gilbey, What's On "Mr Nelson's work is partly about the glorious chaos of play-making but also chases much bigger themes. On one level, his play is about theatre as a metaphor for post-colonial arrogance... On another level, it is about the power and mystery of acting itself." Michael Billington, The Guardian
Extracts from diaries, memoirs, private letters, obituaries and other rare ephemera are drawn together to build a contemporary account of the acting achievements and personal lives of three inspiring figures from the late nineteenth-century theatre; Herbert Beerbohm Tree, Henry Irving and Ellen Terry.
During the eighteenth century, theatrical writing developed as a genre. The publishing market responded to a seemingly insatiable appetite for accounts of the personalities, social lives and performances of celebrated entertainers. This series features actors who were significant in their development of new ways of performing Shakespeare.
Extracts from diaries, memoirs, private letters, obituaries and other rare ephemera are drawn together to build a contemporary account of the acting achievements and personal lives of three inspiring figures from the late nineteenth-century theatre; Herbert Beerbohm Tree, Henry Irving and Ellen Terry.