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‘Londoner Eva Verde’s Lives Like Mine explores the theme of a school-run affair and the complications and joys it brings to a dual-heritage mother struggling with her intolerant in-laws’ Independent 'A bitter sweet story of longing and self-discovery, of deceit and regret. Visceral, authentic and funny, Eva’s prose reads like something between a conversation and a confession. An exciting new voice and a joy to read' Kit de Waal ‘Eva's writing breaks new ground in a confident and original voice, with a sharp eye for detail, wonderful characterisation and some seriously badass humour’ Yvvette Edwards, author of the Man Booker Prize longlisted novel, A Cupboard Full of Coats ‘Lives Like Mine is an assured debut from a writer who’s going to go far' Red Online 'Londoner Eva Verde's breathtaking novel' New! Mother. To three small children, their heritage dual like hers. Daughter. To a mother who immigrated to make a better life but has been rejected by her chosen country. Wife. To a man who loves her but who will not defend her to his intolerant family. Woman… Whose roles now define her and trap her in a life she no longer recognises… Meet Monica, the flawed heroine at the heart of LIVES LIKE MINE. With her three children in school, Monica finds herself wondering if this is all there is. Despite all the effort and the smiles, in the mirror she sees a woman hollowed out from putting everyone else first, tolerating her in-laws’ intolerance, and wondering if she has a right to complain when she’s living the life that she has created for herself. Then along comes Joe, a catalyst for change in the guise of a flirtatious parent on the school run. Though the sudden spark of their affair is hedonistic and oh so cathartic, Joe soon offers a friendship that shows Monica how to resurrect and honour the parts of her identity that she has long suppressed. He is able to do for Monica what Dan has never managed to, enabling her both to face up to a past of guilty secrets and family estrangements, and to redefine her future.
Every child has the right to a good life - one of peace, health and dignity. But have you ever thought about what this really means? You speak different languages, look different and face all manner of challenges every day but in many ways your needs and hopes are alike! You'll meet children from around the world, from Bangladesh to Colombia, each with a unique and uplifting story to tell.
"ABSORBING...COMPELLING...HIGHLY SATISFYING." --San Francisco Chronicle "TRULY ENGAGING...Campbell has a storyteller's ear for dialogue and the visual sense of painting a picture and a place....There's a steam that keeps the story moving as the characters, and later their children, wrestle through racial, personal and cultural crisis." --Los Angeles Times Book Review "REMARKABLE...POWERFUL." --Time "YOUR BLUES AIN'T LIKE MINE is rich, lush fiction set in rural Mississippi beginning in the mid-'50s. It is also a haunting reality flowing through Anywhere, U.S.A., in the '90s....There's love, rage and hatred, winning and losing, honor, abuse; in other words, humanity....Campbell now deserves recognition as the best of storytellers. Her writing sings." --The Indianapolis News "EXTRAORDINDARY." --The Seattle Times "A COMPELLING NARRATIVE...Campbell is a master when it comes to telling a story." --Entertainment Weekly YOUR BLUES AIN'T LIKE MINE won the NAACP Image Award for Best Literary Work of Fiction
Sixteen-year-old Seven McKnight is immersed in drama when her friend Deeyah decides to play her boyfriend Josiah against his worst enemy, setting in motion a disastrous chain of events that threatens to tear their clique apart.
“A powerful allegory of our civilization’s many maladies, artfully and elegantly articulated, by one of the young wise women of our generation.” —New York Times Book Review An intelligent and madly entertaining debut novel reminiscent of The Crying of Lot 49, White Noise, and City of Glass that is at once a missing-person mystery, an exorcism of modern culture, and a wholly singular vision of contemporary womanhood from a terrifying and often funny voice of a new generation. A woman known only by the letter A lives in an unnamed American city with her roommate, B, and boyfriend, C, who wants her to join him on a reality show called That’s My Partner! A eats (or doesn’t) the right things, watches endless amounts of television, often just for the commercials—particularly the recurring cartoon escapades of Kandy Kat, the mascot for an entirely chemical dessert—and models herself on a standard of beauty that only exists in such advertising. She fixates on the fifteen minutes of fame a news-celebrity named Michael has earned after buying up his local Wally Supermarket’s entire, and increasingly ample, supply of veal. Meanwhile B is attempting to make herself a twin of A, who hungers for something to give meaning to her life, something aside from C’s pornography addiction, and becomes indoctrinated by a new religion spread throughout a web of corporate franchises, which moves her closer to the decoys that populate her television world, but no closer to her true nature.
“Mine” is one of the first words babies learn, and by the time we grow up, the idea of ownership seems natural, whether we are buying a cup of coffee or a house. But who controls the space behind your airplane seat: you, reclining, or the squished laptop user behind you? Why is plagiarism wrong, but it’s okay to knock off a recipe or a dress design? And after a snowstorm, why does a chair in the street hold your parking space in Chicago, while in New York you lose both the space and the chair? In Mine!, Michael Heller and James Salzman, two of the world’s leading authorities on ownership, explain these puzzles and many more. Remarkably, they reveal, there are just six simple rules that everyone uses to claim everything. Owners choose the rule that steers us to do what they want. But we can pick differently. This is true not just for airplane seats, but also for battles over digital privacy, climate change, and wealth inequality. Mine! draws on mind-bending, often infuriating, and always fascinating accounts from business, history, courtrooms, and everyday life to reveal how the rules of ownership control our lives and shape our world.
Since the early 1990s, thanks to inflamed rhetoric in the media about “superpredators” and a wave of get-tough-on-crime laws, the number of juveniles in prison has risen by 35 percent, according to the U.S. Department of Justice, and their placement in adult prison has increased by 208 percent, according to a 2007 survey by the Campaign for Youth. Since 1992, every state except Nebraska has passed laws making it easier to prosecute youth under eighteen as adults, and most states have legalized harsher sentences for juveniles. David Chura taught high school in a New York county penitentiary for ten years and saw these young people—and the effects of our laws on them—up close. Here he introduces us to the real kids behind the hysteria: vibrant, animated kids full of humor and passion; kids who were born into families broken up and beaten down by drugs, gang violence, AIDS, poverty, and abuse. He also introduces us to wardens, correctional officers, family members, and doctors, and shows how everyone in this world is a child of disappointment. We meet Wade, who carries a stack of photos of his HIV-positive mother in his pocket to take out and share with pride. Khalil has spent all fifteen years of his life in foster care, group homes, juvenile detention, and mental hospitals, yet has channeled his inner demons into poetry. There’s Anna, a hard-nosed one-time teenage drug baroness who serves as a tutor to students and older women alike; Dominic, a father of two who only reads in jail, and only the Harry Potter books; and Eddyberto, a bright student and self-taught artist whose wildly creative drawings are confiscated and used to accuse him of being a potential terrorist and threat to national security. Then there’s O’Shay, a big, burly, snarling Bronx-Irish classroom officer with a surprising protective side for the underdog, and Ms. Wharton, a hallway officer with a spiky demeanor but a soft spot for animals. In language that carries both the grit of the street and the expansiveness of poetry, Chura breaks down the divisions we so easily erect between us and them, the keepers and the kept—and shows how, ultimately, we as individuals and as a society have failed these young people.
A dark, compulsively readable psychological suspense debut, the first in a new series featuring the brilliant, fearless, chaotic, and deeply flawed Nora Watts—a character as heartbreakingly troubled, emotionally complex, and irresistibly compelling as Stieg Larsson’s Lisbeth Salander and Jo Nesbø’s Harry Hole. It begins with a phone call that Nora Watts has dreaded for fifteen years—since the day she gave her newborn daughter up for adoption. Bonnie has vanished. The police consider her a chronic runaway and aren’t looking, leaving her desperate adoptive parents to reach out to her birth mother as a last hope. A biracial product of the foster system, transient, homeless, scarred by a past filled with pain and violence, Nora knows intimately what happens to vulnerable girls on the streets. Caring despite herself, she sets out to find Bonnie with her only companion, her mutt Whisper, knowing she risks reopening wounds that have never really healed—and plunging into the darkness with little to protect her but her instincts and a freakish ability to detect truth from lies. The search uncovers a puzzling conspiracy that leads Nora on a harrowing journey of deception and violence, from the gloomy rain-soaked streets of Vancouver, to the icy white mountains of the Canadian interior, to the beautiful and dangerous island where she will face her most terrifying demon. All to save a girl she wishes had never been born.
Shortlisted for the Commonwealth Prize A Kirkus Best Book of the Year Plagued by guilt, paralyzed by shame, Jinx has spent the years since her mother's death alone, estranged from her husband, withdrawn from her son, and entrenched in a childhood home filled with fierce and violent memories. When Lemon, an old family friend, appears unbidden at the door, he seduces Jinx with a heady mix of powerful storytelling and tender care. What follows is a tense and passionate weekend, as the two join forces to unravel the tragedy that binds them. Jinx has long carried the burden of the past; now, she must relive her mother's last days, confront her grief head-on, and speak the truth as only she knows it. Expertly woven and perfectly paced, A Cupboard Full of Coats is both a heartbreaking family drama and a riveting mystery, with a cast of characters who linger in the mind and the heart long after the last page has been turned.
From the "New York Times"-bestselling author of "Taken at Dusk" comesa haunting, poignant tale about living and dying, surviving grief, guilt, andheartache, while discovering love and hope in the midst of sadness.