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The landscape has had a huge impact on the history of Liverpool and Merseyside. The ice age glaciers carved out the Rivers Mersey and Dee; the Sefton coast provided a perfect place for the earliest humans to hunt and gather food; and the Pool and the Mersey, and England’s position on the coast gave King John the perfect base from which to launch his Irish campaigns.This book explores the landscapes from these earliest times, and charts the changing city right through to the present day. It explains why Liverpool looks the way it does today, and how clues in the modern landscape reveal details of its long history. You’ll see how the landscape created Liverpool, and how in turn Liverpool recreated the landscape.
The landscape has had a huge impact on the history of Liverpool and Merseyside. The ice age glaciers carved out the Rivers Mersey and Dee; the Sefton coast provided a perfect place for the earliest humans to hunt and gather food; and the Pool and the Mersey, and England's position on the coast gave King John the perfect base from which to launch his Irish campaigns. This book explores the landscapes from these earliest times, and charts the changing city right through to the present day. It explains why Liverpool looks the way it does today, and how clues in the modern landscape reveal details of its long history. You'll see how the landscape created Liverpool, and how in turn Liverpool recreated the landscape.
Most of England's larger towns and cities are ringed by extensive suburbs dating from the 19th and 20th centuries, ranging from the opulent, spacious and leafy villa suburbs of the prosperous middle class to the dense gridirons of working-class and lower middle-class housing. The product of rapid urbanisation and industrialisation, these suburbs, once derided or disregarded, now face major change themselves. This book explores the development of one area of Liverpool's suburbs, examining the forces that shaped it and explaining the patterns that we see in the landscape today. The story that emerges will surprise many, and may prompt a re-evaluation of these 'ordinary' places.
Liverpool has gained a national and international reputation for popular music, and was recently designated a UNESCO City of Music. This book explores the richness of Liverpool's live performance scene and tells a story of changing music sites, sounds, and experiences, highlighting music's contribution to the city's history and identity, and showing how the city's architectural and urban form has shaped its musical life and character. By touching on groups and artists involved with many diverse musical styles, authors Sara Cohen and Robert Kronenburg reveal new and fascinating information on well-known historic venues such as the Cavern Club and the Blue Angel, as well as new settings such as the Echo Arena. Featuring a glossary of artists and venues, previously unpublished photographs, illustrations, and music maps, this book investigates Liverpool's musical landscapes in unprecedented depth and detail.
From optical remote-sensing technology (lidar) to more traditional forms of landscape analysis and documentary research, this volume brings together the work of both amateur and professional historians and archaeologists, united in their enthusiasm for the landscape of north-west England and north-east Wales.
A fascinating selection of images, giving a unique perspective on the people and streets of Liverpool in the 1980s.
For readers of H Is for Hawk, an intimate memoir of belonging and loss and a mesmerizing travelogue through the landscapes and language of Wales Hiraeth is a Welsh word that's famously hard to translate. Literally, it can mean "long field" but generally translates into English, inadequately, as "homesickness." At heart, hiraeth suggests something like a bone-deep longing for an irretrievable place, person, or time—an acute awareness of the presence of absence. In The Long Field, Pamela Petro braids essential hiraeth stories of Wales with tales from her own life—as an American who found an ancient home in Wales, as a gay woman, as the survivor of a terrible AMTRAK train crash, and as the daughter of a parent with dementia. Through the pull and tangle of these stories and her travels throughout Wales, hiraeth takes on radical new meanings. There is traditional hiraeth of place and home, but also queer hiraeth; and hiraeth triggered by technology, immigration, ecological crises, and our new divisive politics. On this journey, the notion begins to morph from a uniquely Welsh experience to a universal human condition, from deep longing to the creative responses to loss that Petro sees as the genius of Welsh culture. It becomes a tool to understand ourselves in our time. A finalist for the Wales Book of the Year Award and named to the Telegraph's and Financial Times's Top 10 lists for travel writing, The Long Field is an unforgettable exploration of “the hidden contours of the human heart.”
Published in association with the Museum of Liverpool, this book explores 20 significant archaeological digs on Merseyside and what they uncovered.
"Since the foundation of the town by King John, Liverpool has had a church by the river. Over the following centuries dozens more churches came and went, but the imprint of the activity of the Parish of Liverpool on the city and people was profound. Particularly until the mid-nineteenth century (and at times afterwards) the history of the town was inseparable from her church, and their unusually strong relationship is not replicated in other cities. Control of the church sat with the corporation (down to the council's instruction to the incumbent in 1612 to get his hair cut!), and the town claimed ownership of the church and its contents. Between the seventeenth and the nineteenth centuries the health and social care for the town was run from the church under the Elizabethan Poor Law. This unique portrayal of the relationship between the town and Parish of Liverpool draws on the extensive records which have survived, as well as archives which have not been examined in depth before."--Book jacket.
Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often overlooked, both in the history of art and in the history of the garden. This collection of essays considers the changing relationship between sculpture and gardens over the last three centuries, focusing on four British archetypes: the Georgian landscape garden, the Victorian urban park, the outdoor spaces of twentieth-century modernism and the late-twentieth-century sculpture park. Through a series of case studies exploring the contemporaneous audiences of gardens, the book uncovers the social, political and gendered messages revealed by sculpture's placement and suggests that the garden can itself be read as a sculptural landscape.