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Death waits for snowman in Nikki Knight’s new Vermont-based cozy series, perfect for fans of Connie Archer and Mary Kennedy. In a fit of anger, radio DJ Jaye Jordan blows a snowman’s head off with a Revolutionary War-style musket. But the corpse that tumbles out is all too human. Jaye thought life would be quieter when she left New York City and bought a tiny Vermont radio station. But now, Edwin Anger—the ranting and raving radio talk show host who Jaye recently fired—lies dead in the snow. And the Edwin Anger fans who protested his dismissal are sure she killed him. To clear her name, Jaye must find the real killer, as if she doesn’t have her hands full running the radio station, DJing her all-request love song show, and shuttling tween daughter Ryan to and from school. It doesn’t make matters easier that the governor—Jaye’s old crush—arrived on the scene before the musket smoke cleared. Fortunately, Jaye has allies…if you count the flatulent moose that lives in the transmitter shack, and Neptune, the giant gray cat that lives at the station. If Jaye can turn the tables on the devious killer, she and the governor may get to make some sweet, sweet music together. But if she can’t, she’ll be off the air…permanently.
Vermont DJ Jaye Jordan's Green-Up Day ends in murder when not one, but two, bodies turn up in an old park—and one of them was much too close to both her ex and her current man when it was alive and bodacious. Now Jaye, with the help of a colorful (and diverse) cast of townies, will have to clear her men's names, unravel a World War II-era mystery—and get Grandpa Seymour to the Senior Prom on time.
This memoir chronicles the Dead's seminal years: 1965-1985.
It's 1988 and Lily Bloom, a 65-year-old American lies dying of cancer in a London hospital. As her two daughters buzz around her and the nurses pump her full of morphine, she slides in and out of consciousness, outraged that there is so little time left and so many people still to disparage.
When a vampire asks Sookie Stackhouse to use her telepathic skills to find another missing vampire, she agrees under one condition: the bloodsuckers must promise to let the humans go unharmed. Easier said than done.
Those stories you hear? The ones about things that only come out at night? Things that feed on blood, feed on us? Got news for you: they’re true. Only it’s not like the movies or old man Stoker’s storybook. It’s worse. Especially if you happen to be one of them. Just ask Joe Pitt. There’s a shambler on the loose. Some fool who got himself infected with a flesh-eating bacteria is lurching around, trying to munch on folks’ brains. Joe hates shamblers, but he’s still the one who has to deal with them. That’s just the kind of life he has. Except afterlife might be better word. From the Battery to the Bronx, and from river to river, Manhattan is crawling with Vampyres. Joe is one of them, and he’s not happy about it. Yeah, he gets to be stronger and faster than you, and he’s tough as nails and hard to kill. But spending his nights trying to score a pint of blood to feed the Vyrus that’s eating at him isn’t his idea of a good time. And Joe doesn’t make it any easier on himself. Going his own way, refusing to ally with the Clans that run the undead underside of Manhattan–it ain’t easy. It’s worse once he gets mixed up with the Coalition–the city’s most powerful Clan–and finds himself searching for a poor little rich girl who’s gone missing in Alphabet City. Now the Coalition and the girl’s high-society parents are breathing down his neck, anarchist Vampyres are pushing him around, and a crazy Vampyre cult is stalking him. No time to complain, though. Got to find that girl and kill that shambler before the whip comes down . . . and before the sun comes up.
The celebrated New York Times Bestseller A Best Book of the Year pick at the New York Times, NPR, The New Yorker, TIME, Washington Post, Oprahmag.com, Thrillist, Shelf Awareness, Good Housekeeping and more. What does it take to come back to life? For Jessa-Lynn Morton, the question is not an abstract one. In the wake of her father’s suicide, Jessa has stepped up to manage his failing taxidermy business while the rest of the Morton family crumbles. Her mother starts sneaking into the taxidermy shop to make provocative animal art, while her brother, Milo, withdraws. And Brynn, Milo’s wife—and the only person Jessa’s ever been in love with—walks out without a word. It’s not until the Mortons reach a tipping point that a string of unexpected incidents begins to open up surprising possibilities and second chances. But will they be enough to salvage this family, to help them find their way back to one another? Kristen Arnett’s breakout bestseller is a darkly funny family portrait; a peculiar, bighearted look at love and loss and the ways we live through them together.
Looking for a new lease on life, Nellie find herself on the dead beat. Milo is dead. And Nellie Bly has to write his obituary. Not exactly what she was hoping for when she left her post as the local weather girl in Kansas for a posh Southern California beach side community. But as more and more upstanding citizens of La Joya turn up dead in ghastly ways, Nellie and her pals at the Coastal Crier join forces with Detective Wendy Nakamura to follow the murderous trail of a ruthless cartel that traffics in endangered wildlife. When Nellie’s eccentric landlady, former B-movie actress, Dame Catherine Cavendish, begins to drop hints that threaten to bring to light the dark secrets of the village, unsettling incidents begin happening at the Cavendish estate, endangering the motley crew of scribes. Greed, betrayal, vengeance, gangsters and old Hollywood glamour make for great copy—if Nellie can stay alive long enough to meet her deadline. Dead on My Feet is a quirky tongue-in-cheek adventure that will leave you breathless.
For readers of Roberto Bolaño's Savage Detectives and Muriel Spark's Loitering with Intent, this "sublime" and "delightfully unhinged" metaphysical mystery disguised as a picaresque romp follows one poet's spectacular fall from grace to ask a vital question: Is everyone a plagiarist? (Nicolette Polek, author of Imaginary Museums). A scandal has shaken the literary world. As the unnamed narrator of Dead Souls discovers at a cultural festival in central London, the offender is Solomon Wiese, a poet accused of plagiarism. Later that same evening, at a bar near Waterloo Bridge, our narrator encounters the poet in person, and listens to the story of Wiese's rise and fall, a story that takes the entire night—and the remainder of the novel—to tell. Wiese reveals his unconventional views on poetry, childhood encounters with "nothingness," a conspiracy involving the manipulation of documents in the public domain, an identity crisis, a retreat to the country, a meeting with an ex-serviceman with an unexpected offer, the death of an old poet, a love affair with a woman carrying a signpost, an entanglement with a secretive poetry cult, and plans for a triumphant return to the capital, through the theft of poems, illegal war profits, and faked social media accounts—plans in which our narrator discovers he is obscurely implicated. Dead Souls is a metaphysical mystery brilliantly encased in a picaresque romp, a novel that asks a vital question for anyone who makes or engages with art: Is everyone a plagiarist?
NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.