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DigiCat Publishing presents to you this special edition of "Live and Let Die" by Ian Fleming. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
In this second adaptation of the Fleming novels… Bond is sent to New York City to investigate "Mr. Big", an agent of SMERSH and a criminal voodoo leader. With no time for superstition—and with the help of his colleague in the CIA, Felix Leiter, Bond tracks "Mr. Big" through the jazz joints of Harlem, to the everglades and on to the Caribbean, knowing that this criminal heavy hitter is a real threat. No-one, not even the mysterious Solitaire, can be sure how their battle of wills is going to end…
A deep-dive into the unique connections between the two titans of the British cultural psyche—the Beatles and the Bond films—and what they tell us about class, sexuality, and our aspirations over sixty dramatic years. The Beatles are the biggest band in the history of pop music. James Bond is the single most successful movie character of all time. They are also twins. Dr No, the first Bond film, and Love Me Do, the first Beatles record, were both released on the same day: Friday 5 October 1962. Most countries can only dream of a cultural export becoming a worldwide phenomenon on this scale. For Britain to produce two iconic successes on this level, on the same windy October afternoon, is unprecedented. Bond and the Beatles present us with opposing values, visions of the British culture, and ideas about sexual identity. Love and Let Die is the story of a clash between working class liberation and establishment control, and how it exploded on the global stage. It explains why James Bond hated the Beatles, why Paul McCartney wanted to be Bond, and why it was Ringo who won the heart of a Bond Girl in the end. Told over a period of sixty dramatic years, this is an account of how two outsized cultural phenomena continue to define American aspirations, fantasies, and our ideas about ourselves. Looking at these two touchstones in this new context will forever change how you see the Beatles, the James Bond films, and six decades of cross-Atlantic popular culture.
Her hair was black and fell to her shoulders. She had high cheekbones and a sensual mouth, and wore a dress of white silk. Her eyes were blue, alight and disdainful, but, as they gazed into his with a touch of humour, Bond realized that they contained a message. Solitaire watched his eyes on her and nonchalantly drew her forearms together so that the valley between her breasts deepened. The message was unmistakable. Beautiful, fortune-telling Solitaire is the prisoner (and tool) of Mr Big-master of fear, artist in crime and Voodoo Baron of Death. James Bond has no time for superstition-he knows that this criminal heavy hitter is also a top SMERSH operative and a real threat. More than that, after tracking him through the jazz joints of Harlem, to the everglades and on to the Caribbean, 007 has realized that Big is one of the most dangerous men that he has ever faced. And no-one, not even the mysterious Solitaire, can be sure how their battle of wills is going to end... We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Alan Shipnuck, the New York Times bestselling author of Phil, returns with a major new work of insider reporting on the battle for the soul of professional golf between the PGA Tour and the Saudi-funded LIV Golf League. Over the past two years, professional golf has been at war, and Alan Shipnuck is our most trusted correspondent. Following closely on the heels of his New York Times bestselling sensation, Phil, Shipnuck turns to LIV Golf’s controversial – and belligerent – storming of the professional golf world. In LIV and Let Die, Shipnuck delivers the inside story in real time, with fly-on-the-wall reporting from the yachts where LIV was hatched and within the corridors of power as the PGA Tour flailed to fend off the threat. Shipnuck has travelled seamlessly between both tours – having countless conversations with players, caddies, CEOs, agents, financiers, lawyers, flaks, fans, and Instagramming wives – to deliver a no-holds-barred account of the most chaotic moment in golf history. Anyone who has a stake in professional golf lined up for an interview with Shipnuck – because they knew everyone else was talking to him, too.The disruption to an old, proud sport was largely conducted in the shadows, but LIV and Let Die delivers numerous revelations about what really happened, and why. It also provides the previously unknown background and crucial context to understand the armistice between the tours that shocked the world in June 2023. Long known as the most fearless writer on the golf beat, Shipnuck has delivered another hotly anticipated book packed with juicy nuggets and in-the-room-where-it-happened action... think Bob Woodward moonlighting on the sports desk. LIV and Let Die is the definitive account of the biggest (non-Tiger) golf story this century and a lively page-turner that in places reads like a spy thriller.
Previously considered an avowed nationalist, this book explores how Ian Fleming's writings and his representational politics contain an implicit resistance to imperial rhetoric. Through an examination of Fleming's Jamaica-set novels Live and Let Die, Dr. No, and The Man with the Golden Gun, as well as the later film adaptations of these novels, Ian Kinane reveals Fleming's deep ambivalence to British decolonisation and to wider Anglo-Caribbean relations. Offered here is a crucial insight into the public imagination during the birth of modern British multiculturalism that encompasses broader links between Fleming's writings on race and the representation of early British-Jamaican cultural relations. By exploring the effects of racial representation in these popular works, Kinane connects the novels to more contemporary concerns regarding migration and the ways in which the misrepresentation of cultures, races, and peoples has led to fraught and contentious global geo-political relations as figured in the fictional icon, James Bond.
Live and Let Die by Ian Fleming Her hair was black and fell to her shoulders. She had high cheekbones and a sensual mouth, and wore a dress of white silk. Her eyes were blue, alight and disdainful, but, as they gazed into his with a touch of humour, Bond realized that they contained a message. Solitaire watched his eyes on her and nonchalantly drew her forearms together so that the valley between her breasts deepened. The message was unmistakable. Beautiful, fortune-telling Solitaire is the prisoner (and tool) of Mr Big-master of fear, artist in crime and Voodoo Baron of Death. James Bond has no time for superstition-he knows that this criminal heavy hitter is also a top SMERSH operative and a real threat. More than that, after tracking him through the jazz joints of Harlem, to the everglades and on to the Caribbean, 007 has realized that Big is one of the most dangerous men that he has ever faced. And no-one, not even the mysterious Solitaire, can be sure how their battle of wills is going to end... We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.