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"Alexis Beranger never could have anticipated the shock of being carjacked with her son still in the backseat. Or that Tague Lambert, part of the rich and famous Lamberts of Dallas, would be there to help. But most earthshattering of all was learning that the attack wasn't random--only a prelude to the danger stalking her every move. While their chance meeting occurred under the gravest of circumstances, Tague felt an instant attraction with Alexis that he just couldn't shake. Through with playing it safe, Tague vowed to protect this beautiful stranger and her vulnerable little boy, no matter how high the stakes. After all, a cowboy never ignored an innocent in distress--especially a cowboy who carried the Lambert name"--Publisher.
Number of Exhibits: 8
The Theatrical Firearms Handbook is the essential guide to navigating the many decisions that are involved in the safe and effective use of firearm props for both the stage and screen. This book establishes baseline safety protocol while empowering performers and designers to tell their story of conflict in a way that makes the most of both established convention and current tools of the trade. Within these pages are practical instruction couched in the language of theatre and film, making firearms technology and concepts approachable to dramatic artists without any dumbing-down of the subject material. It contains over 100 illustrations This handbook is equally at home within the worlds of academic training, professional performance, and independent or community theatre and video productions, and is an invaluable resource for fight choreographers, props designers, backstage crew, directors, actors, stage managers, and more, at all levels of experience.
An infantryman’s honest account of his experiences during the controversial Vietnam War, this book chronicles the courage and dedication that the American soldiers demonstrated while away from loved ones, in a foreign land where hanging by a thread was the norm every day. It openly discusses the challenges and sacrifices each man had to make in order to survive and protect the lives of his comrades, and it casts a light on the shortcomings of the US government and of those in authority who could have abated the terrifying number of casualties through proper planning and sound judgment. The author, Brian Richard Esher, had witnessed firsthand the horrors of the war and had many close encounters with death. He was sent to Vietnam in 1968, the worst year in terms of casualties. He served with the 25th Infantry Division, 4th Battalion of the 23rd Infantry Mechanized, and received several medals, including the second-highest military award for valor, the Distinguished Service Cross
The book is a training guide that addresses training and training development at the individual, team and organizational level.
Who are you going to call, to survive the zombie apocalypse? Sam thinks his job at the Zombie Apocalypse Call Center is a joke. Zombies aren’t real and the customers who call in for support about their guns and conspiracy theories are crazy! Sam knows the zombie apocalypse will never happen. Until the day it does happen… Now Sam is juggling potential romances with two of his co-workers, Michelle and Ember. His manager is micro-managing him about his call stats and customer happiness, and he has to defend the call center from invading zombies. Sam and his fellow analysts need to keep their customers alive and well-stocked with ammo, while also surviving the hordes of zombies attacking the call center. If they don’t keep the call center open, then civilization as we know it will end.
"Lost in action," a term used to account for soldiers last seen in combat but not identified as killed or captured, was applied to the author for years following his capture by Japanese in the Philippines after the fall of Bataan. The three and a half years after capture were a time of torture and slave labor. At war's end the author weighed 95 pounds, down from his normal 160. A year was spent in military hospitals before he was fit to return to normal activities.