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Her parents never really explained what a D.P. was. Years later Daiva Markelis learned that “displaced person” was the designation bestowed upon European refugees like her mom and dad who fled communist Lithuania after the war. Growing up in the Chicago suburb of Cicero, though, Markelis had only heard the name T.P., since her folks pronounced the D as a T: “In first grade we had learned about the Plains Indians, who had lived in tent-like dwellings made of wood and buffalo skin called teepees. In my childish confusion, I thought that perhaps my parents weren’t Lithuanian at all, but Cherokee. I went around telling people that I was the child of teepees.” So begins this touching and affectionate memoir about growing up as a daughter of Lithuanian immigrants. Markelis was raised during the 1960s and 1970s in a household where Lithuanian was the first language. White Field, Black Sheep derives much of its charm from this collision of old world and new: a tough but cultured generation that can’t quite understand the ways of America and a younger one weaned on Barbie dolls and The Brady Bunch, Hostess cupcakes and comic books, The Monkees and Captain Kangaroo. Throughout, Markelis recalls the amusing contortions of language and identity that animated her childhood. She also humorously recollects the touchstones of her youth, from her First Communion to her first game of Twister. Ultimately, she revisits the troubles that surfaced in the wake of her assimilation into American culture: the constricting expectations of her family and community, her problems with alcoholism and depression, and her sometimes contentious but always loving relationship with her mother. Deftly recreating the emotional world of adolescence, but overlaying it with the hard-won understanding of adulthood, White Field, Black Sheep is a poignant and moving memoir—a lively tale of this Lithuanian-American life.
Ausra Paulauskiene's book Lost and Found: The Discovery of Lithuania in American Fiction targets American as well as European scholars in the fields of literature, ethnic studies and immigration. The author discovers obscure texts on Lithuania and alerts Western and Eastern academia to their significance as well as the reasons for their neglect. For the first time, Abraham Cahan's autobiography The Education of Abraham Cahan and Ezra Brudno's autobiographical novel The Fugitive receive an extensive coverage, while Goldie Stone's My Caravan of Years and Margaret Seebach's That Man Donaleitis (sic) receive their first scholarly consideration ever. The author argues that misrepresentations, misattributions and exclusions of Lithuanian legacy in the U.S. were produced by major political events of the twentieth century.
The second edition of the Historical Dictionary of Lithuania will serve as a useful introduction to virtually all aspects of Lithuania's historical experience, including the country's relations with its neighbors. This is done through a chronology, an introductory essay, an extensive bibliography, and over 300 cross-referenced dictionary entries on significant persons, places, and events; institutions and organizations; and political, economic, social, cultural, and religious facets.
Zawiera poezje, dramat i prozę.
Lithuanian Social Democracy in Perspective is the first book in any Western language on Lithuanian Social Democracy. In this work Leonas Sabaliunas studies the conflict between and convergence of socialism and nationalism in pre-1914 Lithuania. He analyzes the interplay of ideological priorities by observing the operations of Marxist political parties, emphasizing the origins, development, and achievements of the Social Democratic Party of Lithuania. But Sabaliunas also considers such partners and rivals as the Jewish Bund, the Polish Socialist Party, the Social Democracy of the Kingdom of Poland and Lithuania, and the Russian Social Democratic Labor Party. He focuses on the appearance of socialist parties at the local level, the politics of assertive behavior during the Russian Revolution of 1905-1906, the nature of interparty relations, and efforts to promote party unity. In particular, he investigates the projected relationship between Russia and its subject nationalities--a cardinal concern today as the Baltic peoples attempt to distance themselves from their Russian neighbors. Sabaliunas clarifies current massive Lithuanian opposition to Moscow and to its version of socialism. He stresses that in Lithuania the socialist movement from the beginning not only sought solutions to social and economic problems but also addressed issues of ethnic and national interest, especially the question of national sovereignty.
Appearing on the world stage in 1918, Lithuania suffered numerous invasions, border changes and large scale population displacements.The successive occupations of Stalin in 1940 and Hitler in 1941, mass deportations to the Gulag and the elimination of the Jewish community in the Holocaust gave the horrors of World War II a special ferocity. Moreover, the fighting continued after 1945 with the anti-Soviet insurrection, crushed through mass deportations and forced collectivization in 1948-1951. At no point, however, did the process of national consolidation take a pause, making Lithuania an improbably representative case study of successful nation-building in this troubled region. As postwar reconstruction gained pace, ethnic Lithuanians from the countryside – the only community to remain after the war in significant numbers – were mobilized to work in the cities. They streamed into factory and university alike, creating a modern urban society, with new elites who had a surprising degree of freedom to promote national culture. This book describes how the national cultural elites constructed a Soviet Lithuanian identity against a backdrop of forced modernization in the fifties and sixties, and how they subsequently took it apart by evoking the memory of traumatic displacement in the seventies and eighties, later emerging as prominent leaders of the popular movement against Soviet rule.
Fiction.In his beautifully achieved collection... Wendell Mayo explores the hard truths of the post-Iron Curtain era. Through the person of Paul Rood, who takes his enthusiasm for Wait Whitman to a country that has known only the depredations of Nazi and Soviet tyranny for half a century, the reader enters into the recognition of what tyranny, with its attendant corruption, economic exploitation, and cynicism do to the human spirit... It is a book of great humanity and splendid prose (Gladys Swan). ... a marvelous experience. In Lituanian Wood brings the reader a profound, ambitious, and complex vision of a part of the world few of us know... a tare fiction, executed with equally rare skill and compassion (Gordon Weaver).
This book illustrates that the idea of a 'national' literature is profoundly problematic. Chapters on boundaries and crisscrossing show how a nation and its writers' works do not exist in isolation from their history. Stressing migration and (inter)cultural dialogue, authors explore how the characters in the texts establish a sense of belonging both within the context of migrations and within the context of Lithuania since its independence. The final series of essays in this book discusses Lithuanian literature abroad that is in translation.