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Through a series of letters to his parents, Little Wolf relates his adventures as a member of Yelloweyes Forest Detective Agency, crime solvers of the Frettnin Forest, as they investigate a series of mysterious disappearances.
In a series of letters to his parents, Little Wolf describes his attempts to create "the scariest school in the world" and convince his ghostly Uncle Bigbad to teach a magic class.
Stand back Shakespeare! Look out Longfellow! Little Wolf's back, and he has given up letter writing to become a creator of couplets, a virtuoso of verse, a master of meter, a ruler of rhyme--he's become a poet. Filled with picturesque poetry, Little Wolf's book of poems will make readers of all ages laugh out loud.
Offers eighteen offbeat literary programs featuring creepy, dirty, and stinky stories that will appeal to young readers.
Little Wolf can hardly wait. Tonight he will howl at the moon to the top of the sky. First Big Wolf demonstrates traditional howling form, then it's Little Wolf's turn. He's sure he is ready, but when the big moment comes, something unexpected happens. A wonderful story about the importance of doing things your own way and being true to your heart when it swells with wildness and joy.
In letters home to Mom and Dad, Little Wolf describes his new pack, the Beastshire SPOBBTALOF (Small Pack of Brute Beasts That Have a Load of Fun.)
In a series of letters to his parents, Little Wolf tells of setting sail to find the lost treasure of his legendary ancestor, Blackfur the Pirate.
Investigator Vissarion Lom has been summoned to the capital in order to catch a terrorist -- and ordered to report directly to the head of the secret police. A totalitarian state, worn down by an endless war, must be seen to crush home-grown insurgents with an iron fist. But Lom discovers Mirgorod to be more corrupted than he imagined: a murky world of secret police and revolutionaries, cabaret clubs and doomed artists. Lom has been chosen because he is an outsider, not involved in the struggle for power within the party. And because of the sliver of angel stone implanted in his head.
Grace is fascinated by the wolves in the woods behind her house; one yellow-eyed wolf in particular. Every winter, she watches him, but every summer, he disappears. Sam leads two lives. In winter, he stays in the frozen woods, with the protection of the pack. In summer, he has a few precious months to be human . . . until the cold makes him shift back again. When Grace and Sam finally meet, they realize they can't bear to be apart. But as winter nears, Sam must fight to stay human - or risk losing himself, and Grace, for ever.
In this new book, Julie Cross examines the intricacies of textual humor in contemporary junior literature, using the tools of literary criticism and humor theory. Cross investigates the dialectical paradoxes of humor and debunks the common belief in oppositional binaries of ‘simple’ versus ‘complex’ humor. The varied combinations of so-called high and low forms of humor within junior texts for young readers, who are at such a crucial stage of their reading and social development, provide a valuable commentary upon the culture and values of contemporary western society, making the book of considerable interest to scholars of both children’s literature and childhood studies. Cross explores the ways in which the changing content, forms and functions of the many varied combinations of humor in junior texts, including the Lemony Snickett series, reveal societal attitudes towards young children and childhood. The new compounds of seemingly paradoxical high and low forms of humor, in texts for developing readers from the 1960s onwards, reflect and contribute to contemporary society’s hesitant and uneven acceptance of the emergent paradigm of children’s rights, abilities, participation and empowerment. Cross identifies four types of potentially subversive/transgressive humor which have emerged since the 1960s which, coupled with the three main theories of humor – relief, superiority and incongruity theories – enables a long-overdue charting of developments in humor within junior texts. Cross also argues that the gradual increase in the compounding of the simple and the complex provide opportunities for young readers to play with ambiguous, complicated ideas, helping them embrace the complexities and contradictions of contemporary life.