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Volumes 4-14 include 55th-65th Annual report of the Detroit library commission. 1919/20-1929/30.
This fine selection of 20th century plays includes contributions from Robert Emmons Rogers ("The Boy Will"), Booth Tarkington ("Beauty and the Jacobin"), Ernest Dowson ("The Pierrot of the Minute"), Oliphant Down ("The Maker of Dreams"), Percy MacKaye ("Gettysburg"), A.A. Milne ("Wurzel-Flummery"), Harold Brighouse ("Maid of France"), Lady Gregory ("Spreading the News"), Jeannette Marks ("Welsh Honeymoon"), John Millington Synge ("Riders to the Sea"), Lord Dunsany ("A Night at an Inn"), Stark Young ("The Twilight Saint"), Lady Alix Egerton ("The Masque of the Two Strangers"), Maurice Maeterlinck ("The Intruder"), Josephine Preston Peabody ("Fortune and Men's Eyes"), and John Galsworthy ("The Little Man"). All of these plays may be staged free of charge in the United States (and possible in other countries--check your local copyright laws for details).
Everyday Movies documents the twentieth-century rise of portable film projectors. It demonstrates that since World War II, the vast majority of movie-watching did not happen in the glow of the large screen but rather took place alongside the glitches, distortions, and clickety-clack of small machines that transformed home, classroom, museum, community, government, industrial, and military venues into sites of moving-image display. Reorienting the history of cinema away from the magic of the movie theater, Haidee Wasson illustrates the remarkable persistence and proliferation of devices that fundamentally rejected the sleek, highly professionalized film show. She foregrounds instead another kind of apparatus, one that was accessible, affordable, adaptable, easy to use, and crucially, programmable. Revealing rich archival discoveries, this book charts a compelling and original history of film that brings to light new technologies and diverse forms of media engagement that continue to shape contemporary life.