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In this collection of diverse poetic forms and styles, rhymed and unrhymed, the reader will find sonnets and cinquains, doggerel and limericks. The traditional sonnet in various rhyme schemes comprise most of the book. They include little songs of love, heartache, happiness and remembrance. Some of the more than two hundred verses focus on social issues and interpersonal relations. Others offer comments on life’s defeats and victories or reflections on the beauties of serene nature. And in the pages of this book, from time to time, one will find the glow of light humor.
The Poet Laureate's clear and entertaining account of how poetry works. "Poetry is a vocal, which is to say a bodily, art," Robert Pinsky declares in The Sounds of Poetry. "The medium of poetry is the human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. In this sense, poetry is as physical or bodily an art as dancing." As Poet Laureate, Pinsky is one of America's best spokesmen for poetry. In this fascinating book, he explains how poets use the "technology" of poetry--its sounds--to create works of art that are "performed" in us when we read them aloud. He devotes brief, informative chapters to accent and duration, syntax and line, like and unlike sounds, blank and free verse. He cites examples from the work of fifty different poets--from Shakespeare, Donne, and Herbert to W. C. Williams, Frost, Elizabeth Bishop, C. K. Williams, Louise Glück, and Frank Bidart. This ideal introductory volume belongs in the library of every poet and student of poetry.
Poems are made to read OUT LOUD! A wittily illustrated anthology of poems, designed to be read aloud. 20 poems by the award winning ​Joseph Coelho will arm children with techniques for lifting poetry off the page and performing with confidence. Perfect for confident children and shy readers alike, this book teaches all sorts of clever ways to performing poetry. Children will learn 20 techniques for reading aloud by trying out 20 funny and thoughtful original poems by the much loved and award winning performance poet, Joseph Coelho. There are tongue twisters, poems to project, poems to whisper, poems to make you laugh. There are poems to perform to a whole class and others to whisper in somebody's ear. Richly textured, warm and stylish illustration by Daniel Gray-Barnett bring each page to life. "Poetry for children is dead. Really? Not when there are young poets like Joseph Coelho" ~ Books for Keeps
An illustrated first book of poetry, 'Here's a Little Poem' contains over 60 verses from noted English and American authors, including Wendy Cope, Roger McGough, John Agard and Grace Nichols.
For a child, the time between sundown and sunup can be an enchanting world of mystery and fun, a time when fairies dance, night creatures creak and hum, and stars reign over all. What are a child's thoughts when he or she hears the evening's first cricket, has a sleepover with friends, or looks up at the stars and wonders, "What's up there?"
2021 NATIONAL BOOK AWARD FINALIST FOR POETRY Eschewing series and performative typography, Douglas Kearney’s Sho aims to hit crooked licks with straight-seeming sticks. Navigating the complex penetrability of language, these poems are sonic in their espousal of Black vernacular traditions, while examining histories, pop culture, myth, and folklore. Both dazzling and devastating, Sho is a genius work of literary precision, wordplay, farce, and critical irony. In his “stove-like imagination,” Kearney has concocted poems that destabilize the spectacle, leaving looky-loos with an important uncertainty about the intersection between violence and entertainment.
Was murder planned for a vacation on the island of Capri? Will a hunter's longing for his love be realized? What does the dark world of death look like? What is an easy non-medical remedy for nightmares? The author resolves these and other intriguing questions in this collection of poetry and prose. Readers will go to Tahiti on a sailboat with an intrepid young woman who dares to travel alone with a strange man. And they will cross the Yellow Sea with a lonely man who reads Chinese philosophy. They will find sexuality in Gone to Hell, sad moments in Pit of Pain and happy hours in Where Gone. Other poems offer compelling commentaries on our lives and times, past and present. More than two dozen short prose pieces with humor, fantasy or confrontation add to the wide range of poetry subjects. The death of a bullying bigot is described in Trouble. In Anya, a young girl falls in love with a handsome gypsy boy. An innocent woman dies in Murder in Elmer, and in Mirrors, Kate sees events from her past. Many verses and short tales in this varied menu of fiction have been published previously.
"'It takes a lot to say I love you, I mean it / and mean it, ' says the speaker in Matthew Daddona's rich and impactful debut, House of Sound. These poems articulate not just love as an act, but also absence, longing, and philosophies, all as a measure of life and its relevance. To stay or to go? This is the central question that haunts the speaker. And when one goes, is one ever really gone? These poems ring with questions: 'I want their wings. I want their answer.' In sound, memory, and the lack thereof. In life, love-and the lack thereof. This collection is an exciting example of language as meditation, mediation, and conciliation, as well as action. To write, to love, to understand, to contemplate-these are all verbs that require action and attention. Attend to the quiet yearning in these poems. 'Because a shadow / wants to leave you / but doesn't know how, ' attend to the way these beautiful poems move through the body as heartsong, as a form of human touch." -Chelsea Dingman, author of Through a Small Ghost and Thaw Academy of American Poets prize-winning poet Matthew Daddona's debut collection, House of Sound, is a rumination on domesticity and modern-living, a playful and earnest attempt to discover truth within silence and hope within noise. In these twenty-eight poems, Daddona combines narrative and lyricism to recreate a home-and thus, a mode of living-that delivers to us a family searching for contact amid society's cacophony. In "Poem for Leaving," a narrator attempts to put together a former friend's reason for deserting him for a more alluring country, while in "Tourist Trap," a husband reckons with trying to protect his wife from verbal and physical assault while pondering the language of violence and appeasement. As the roles of mother, father, sister, brother, daughter, son, are often exchanged, borrowed, interplayed, the collection externalizes their choices by showing the narrator take flight from his hometown in the conclusive "Poem for Returning." Celebrating language, and ultimately the liberty of choice, Daddona writes, "To become love, / dress in idiom." House of Sound is a dynamic and dexterous debut from a bold new writer, a commentary upon the joys and defeats of trying to live most beautifully.
A spider is a “never-tangling dangling spinner / knitting angles, trapping dinner.” A tree frog proposes, “Marry me. Please marry me… / Pick me now. / Make me your choice. / I’m one great frog / with one strong voice.” VanDerwater lets the denizens of the forest speak for themselves in twenty-six lighthearted, easy-to-read poems. As she observes, “Silence in Forest / never lasts long. / Melody / is everywhere / mixing in / with piney air. / Forest has a song.” The graceful, appealing watercolor illustrations perfectly suit these charming poems that invite young readers into the woodland world at every season.
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