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Throughout the Civil War, soldiers and civilians on both sides of the conflict saw the hand of God in the terrible events of the day, but the standard narratives of the period pay scant attention to religion. Now, in God's Almost Chosen Peoples, Li
Burton traces the evolution of Edgefield County from the antebellum period through Reconstruction and beyond. From amassed information on every household in this large rural community, he tests the many generalizations about southern black and white families of this period and finds that they were strikingly similar. Wealth, rather than race or class, was the main factor that influenced family structure, and the matriarchal family was but a myth.
Righteous Indignation uncovers what motivated conservative, mostly middle-class southern farmers to revolt against the Democratic Party by embracing the radical, even revolutionary biracial politics of the People’s Party in the 1890s. While other historians of Populism have looked to economics, changing markets, or various ideals to explain this phenomenon, in Righteous Indignation, Joe Creech posits evangelical religion as the motive force behind the shift. This illuminating study shows how Populists wove their political and economic reforms into a grand cosmic narrative pitting the forces of God and democracy against those of Satan and tyranny, and energizing their movement with a sacred sense of urgency. This book also unpacks the southern Protestants’ complicated approach to political and economic questions, as well as addressing broader issues about protest movements, race relations, and the American South.
In The Sound of the Dove, Beverly Bush Patterson explores one of the oldest traditions of American religious folksong, a national heritage of great beauty and dignity that remains vital in the lives and worship of predestinarian Primitive Baptists in the southern mountains. This unaccompanied and frequently unharmonized congregational singing challenges our assumptions about creativity, aesthetics, meaning, and identity. Patterson's revealing study incorporates interviews, field observations, historical research, song transcriptions, and musical analysis. She uses seventeenth-century English documents to trace historical antecedents of Primitive Baptist singing and to frame her discussion of religious belief and gender roles as they intersect with singing. One chapter is devoted to the role of women in this church.
In Giving Glory to God in Appalachia, Howard Dorgan explores the worship practices of Primitive, Regular, Old Regular, Union, Missionary, and Free Will Baptists. The worship practices of the denominations under consideration are varied and often exuberant, and Dorgan''s writing is highly evocative, conveying in rich detail the joy and pathos of worship in these mountain churches. As Dorgan states in the introduction, he is less concerned with academic theorizing and more concerned with presenting a vivid, first-hand account of all that he has seen and heard. And in the nearly fifteen years he spent researching his book, Dorgan saw quite a lot: spirited, vociferous sermons, creek baptisms, foot washings, home comings, dinners on the ground, and evangelistic radio broadcasts. Dorgan''s prose is at its most enchaining when he presents tableaus of these phenomena: a foot washing precipitates the erasure of interpersonal turmoil between two women; a preacher uses his lively mode of sermonic delivery to orchestrate the rapturous shouts and "hollers" of a group of women; a radio evangelist exhorts a recent widower to except salvation. The wonderful pictures interspersed throughout the book and the transcription of sermons help to further reify the worship scenes that Dorgan describes. At times, Dorgan''s prose is intensely personal. Dorgan is always aware that he is writing about sets of shared values and worship practices that mean a great deal to the congregations he is studying, and Dorgan treats his subjects and their beliefs with tremendous sensitivity and respect. Ultimately, Dorgan is writing about people and the ways in which they invest their lives with meaning and purpose. This gives Giving Glory to God in Appalachia a universal appeal: even readers who find the religious settings in the book completely alien will be able to sympathize with the congregations'' search for meaning. To sum up: Dorgan has written a beautiful, enthralling book. Don''t think--just buy. And while you''re at it, you might want to consider Airwaves Of Zion: Radio Religion In Appalachia (ISBN-10: 0870497979), also by Dorgan.
The investigation of Primitive Baptist Universalists -- Calvinist 'No-Hellers, ' which sounds for all the world like an oxymoron -- requires the exact type of seasoned and comprehensive field experience which Dorgan has brought to it with meticulous care and insight. -- Deborah Vansau McCauley, author of Appalachian Mountain ReligionAmong the many forms of religious practice found in the ridges and hollows of Central Appalachia, one of the most intriguing -- and least understood -- is that of the Primitive Baptist Universalists (PBUs). Popularly known as the No-Hellers, this small Baptist sub-denomination rejects the notion of an angry God bent on punishment and retribution and instead embraces the concept of a happy God who consigns no one to eternal damnation. This book is the first in-depth study of the PBUs and their beliefs.As Howard Dorgan points out, the designation No-Heller is something of a misnomer. Primitive Baptist Universalists, he notes, believe in hell -- but they see it as something that exists in this life, in the temporal world, rather than in an afterlife. For a PBU, sinfulness is the given state of natural man, and hell a reality of earthly life -- the absence-from-God's-blessing torment that sin generates. PBUs further believe that, at the moment of Resurrection, all temporal existence will end as all human-kind joins in a wholly egalitarian heaven, the culmination of Christ's universal atonement.In researching this book, Dorgan spent considerable time with PBU congregations, interviewing their members and observing their emotionally charged and joyous worship services. He deftly combines lucid descriptions of PBU beliefs with richly texturedvignettes portraying the people and how they live their faith on a daily basis. He also explores a fascinating possibility concerning PBU origins: that a strain of early- nineteenth-century American Universalism reached the mountains of Appalachia and there fused with Primitive Baptist theology to form this subdenomination, which barely exists outside a handful of counties in Tennessee, Virginia, Kentucky, and West Virginia.Like Dorgan's earlier books, In the Hands of a Happy God offers an insightful blend of ethnography, history, and theological analysis that will appeal to both Appalachian scholars and all students of American religion.