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Join Little Miss Sunshine in this fun retelling of the Goldilocks story.
Little Miss Chatterbox likes to chatter all day long, until the cows come home, go to bed and wake up in the morning! But often she can't find anyone who wants to listen to her. Until she meets a friendly little frog. When Little Miss Chatterbox kisses the frog in happiness, she is truly lost for words! The Mr Men and Little Miss Magic series takes kids on a series of sparkling adventures where they meet some extraordinary characters including a dragon, an ogre, a mermaid, a princess, a fairy, pirates and many others. These colourful adventures will delight children of two years and upwards. Bold illustrations and funny stories make Mr Men and Little Miss the perfect story time experience. Have you collected all the Little Men and Little Miss Magic?Mr Jelly and the Pirates Little Miss Sunshine and the Wicked Witch Mr Tickle and the Dragon Little Miss Naughty and the Good Fairy Mr Strong and the Ogre Little Miss Trouble and the Mermaid Little Miss Lucky and the Naughty Pixies Mr Noisy and the Giant Little Miss Splendid and the Princess Mr Happy and the Wizard Little Miss Stubborn and the Unicorn Mr Nosey and the Beanstalk Mr Bump and the Knight Little Miss Shy and the Fairy Godmother Mr Greedy and the Gingerbread Man The Three Little Misses and the Big Bad Wolf Mr Funny and the Magic Lamp Little Miss Chatterbox and the Frog Prince It all started with a tickle. Roger Hargreaves' son Adam asked him what a tickle looked like. In response, Roger drew a small orange man with extraordinarily long arms that could reach anywhere and tickle anyone. Mr Tickle, the first of the Mr Men, was born. Mr Tickle was soon joined by Mr Greedy, Mr Happy, Mr Nosey, Mr Sneeze and Mr Bump. The books were an instant hit and Roger went on to create many more Mr Men
First published in Great Britain in 2006 by Egmont.
Little Miss Sunshine discovers a wicked witch who is casting evil spells. Can she put a stop to the witch’s nasty tricks?
This anthology of folk and fairy tales brings together 52 stories from a range of historical and geographic traditions. Sections group tales together by theme or juxtapose variations of individual tales, inviting comparison and analysis across cultures and genres. An accessible section of critical selections provides a foundation for readers to analyze, debate, and interpret the tales for themselves. An expanded introduction by the editors looks at the history of folk and fairy tales and distinguishes between the genres, while revised introductions to individual sections provide more detailed history of particular tellers and tales, paying increased attention to the background and cultural origin of each tale. A selection of illustrations from editions of classic tales from the 19th to the 21st centuries is also included. This new edition includes a larger selection of critical articles, more modern and cross-cultural variations on classic tales, and an expanded discussion of illustrations.
The Three Bears of Porcupine Ridge Ring Neck, Leader of the Flying Wedge The Revolt of Timothy The Little Red Doe of Deer Pass Dame Woodchuck and the Red Monster Tracked by a Catamount The Call of the Moose The Last Wolf of the Pack How Unk-Wunk the Porcupine Met His Match The Ghost of the Wainscot Why the Weasel Never Sleeps Mrs. White-Spot and Her Kittens In the Bobcat's Den Why Ahmuk the Beaver Moved Nicodemus, King of Crow Colony The Story of Rusty Starling Where the Partridge Drums How Solomon Owl Became Wise The King of Balsam Swamp The Giant of the Corn-Field The Bravery of Ebenezer Coon The Narrow Escape of Velvet Wings Nemox, the Crafty Robber of the Marshes The Keeper of Tamarack Ridge
It wasn’t so long ago that the fairy tale was comfortably settled as an established and respectable part of children’s literature. Since the fairy tale has always been a mirror of its times, however, we should not be surprised that in the latter part of the twentieth century it turned dark and ambiguous; its categorical distinction between good and evil was increasingly at odds with the times. Yet whatever changes the fairy tale may have undergone, its cultural popularity has never been greater. Fairy Tales in Popular Culture sets out to show how the tale has been adapted to meet the needs of the contemporary world; how writers, film-makers, artists, and other communicators have found in its universality an ideal vehicle for speaking to the here-and-now; and how social media have created a participatory culture that has re-invented the fairy tale. A selection of recent retellings show how the tale is being recalibrated for the contemporary world, first through the word and then through the image. In addition to the introductions that precede each section, the anthology provides a selection of critical pieces that offer lively insight into various aspects of the fairy tale as popular culture.