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In this variation of the Cinderella story, coming from the Hispanic tradition in New Mexico, Arciâa and her wicked stepsisters have different encounters with a magical hawk and are left physically changed in ways that will affect their meeting with the prince.
Parents and teachers can use this book to engage children with the world outside by opening their eyes to fascinating common bird species. Once upon a time, common bird species all had well-known stories associated with them. Legends and folklore about birds abound in almost every culture. It's likely their ability to fly, their beauty and grace, their distinctive and puzzling calls, and the fact that they live all around us is what makes them popular subjects for fables. This book presents a sampling of traditional bird tales retold in a fresh way that makes them especially relevant and memorable for today's children. Each story is complemented by a "Feathered Fact File," a "Backyard Bird Watching Tip" for kids, a classroom/home school activity suggestion, and a story sharing suggestion for parents and teachers. The teaching activities are designed with flexibility so that they may be used to either introduce new concepts of science and math or reinforce familiar concepts in a hands-on fashion. Reading selections are written at third to fourth grade reading levels, but are designed to engage both younger listeners and older readers.
In this fast-paced novel about the bonds of friendship, Jenny, Emily, and Hillary, known as the Awesome Threesome, thought they’d be a threesome forever. But with Jennie’s relentless ambition, Emily’s jealousy, and Hillary’s building resentment, it seems the Awesome Threesome is destined to be a thing of the past. Assigned to write in diaries for English class, the three girls, along with three other classmates, find themselves admitting things so terrible that even they are shocked. All are left wondering: What price does a person have to pay for being successful? The pursuit of the truth is compellingly chronicled and the resolution satisfies.
The shocking and affecting memoir from a gold-star widow searching for the truth behind her Green Beret husband's death, this book bears witness to the true sacrifices made by military families. When Green Beret Bryan Black was killed in an ambush in Niger in 2017, his wife Michelle saw her worst nightmare become a reality. She was left alone with her grief and with two young sons to raise. But what followed Bryan's death was an even more difficult journey for the young widow. After receiving very few details about the attack that took her husband's life, it was up to Michelle to find answers. It became her mission to learn the truth about that day in Niger--and Sacrifice is the result of that mission. In this heartbreaking and revelatory memoir, Michelle uses exclusive interviews with the survivors of her husband's unit, research into the military leadership and accountability, and her own unique vantage point as a gold-star widow to tell a previously unknown story. Sacrifice is both an honest, emotional look inside a military marriage and a searing investigation of the people and decisions at the heart of the US military.
Founded in a working-class neighborhood in southeast Houston in 1941, Gold Star/SugarHill Recording Studios is a major independent studio that has produced a multitude of influential hit records in an astonishingly diverse range of genres. Its roster of recorded musicians includes Lightnin’ Hopkins, George Jones, Willie Nelson, Bobby “Blue” Bland, Junior Parker, Clifton Chenier, Sir Douglas Quintet, 13th Floor Elevators, Freddy Fender, Kinky Friedman, Ray Benson, Guy Clark, Lucinda Williams, Beyoncé and Destiny’s Child, and many, many more. In House of Hits, Andy Bradley and Roger Wood chronicle the fascinating history of Gold Star/SugarHill, telling a story that effectively covers the postwar popular music industry. They describe how Houston’s lack of zoning ordinances allowed founder Bill Quinn’s house studio to grow into a large studio complex, just as SugarHill’s willingness to transcend musical boundaries transformed it into of one of the most storied recording enterprises in America. The authors offer behind-the-scenes accounts of numerous hit recordings, spiced with anecdotes from studio insiders and musicians who recorded at SugarHill. Bradley and Wood also place significant emphasis on the role of technology in shaping the music and the evolution of the music business. They include in-depth biographies of regional stars and analysis of the various styles of music they represent, as well as a list of all of Gold Star/SugarHill’s recordings that made the Billboard charts and extensive selected historical discographies of the studio’s recordings.
A blue star for each family member serving in America's military... a gold star if that life was lost in defense of the nation's freedom. IN WORLD WAR I, the American tradition of the service flag began. Families displayed a simple fabric banner with a blue star for each family member serving in the U.S. Armed Forces. If a family member died in the nation's service, a gold star covered that individual's blue star on the family service flag. Not a symbol of mourning, the gold star represented the family's pride and the honor and glory accorded to that individual for making the supreme sacrifice in defense of the America's freedom. Soon, the term "gold star mother" came to be used to identify and honor women who had lost a son or daughter in wartime military service. Following the war, as the nation focused its attention on those veterans who had returned whole in mind and body, gold star mothers served as a constant reminder of the true cost of war. In 1928, a group of these women formed American Gold Star Mothers, Inc., an organization created to honor those who had died by being of service to veterans and their families in need, supporting gold star families, and caring for veterans who had returned with physical, emotional and psychological wounds. From that humble beginning, American Gold Star Mothers, Inc. has become an icon of national service, opening its membership time and again to gold star mothers of later wars and conflicts, including Iraq and Afghanistan. Their amazing legacy of service is an important yet largely unknown chapter in American history. This book presents the story of gold star mothers in America and the first comprehensive history of American Gold Star Mothers, Inc., drawn from nearly a century of archival materials. The fascinating story of the strong women who honored their fallen sons and daughters by dedicating themselves to the service of veterans and peace is both compelling and inspiring.
Seven days in the life of a Police Chief struggling against bureaucratic stupidity, personal conflicts, and his department's collection of screw-ups, nut cases, and weird happenings. Reflective of his big city experience, the Chief tries desperately to balance competing forces in the professional and political arena of a smaller agency. Full of surprising twists and turns, with enough sex and violence to be reflective of the front page of today's newspaper, Behind the Gold Star will keep you hanging on every page and in the end, the characters give real meaning to the phrase, "It's not over until the fat lady sings."
During the Great War, composers and performers created music that expressed common sentiments like patriotism, grief, and anxiety. Yet music also revealed the complexities of the partnership between France, Great Britain, Canada, and the United States. At times, music reaffirmed a commitment to the shared wartime mission. At other times, it reflected conflicting views about the war from one nation to another or within a single nation. Over Here, Over There examines how composition, performance, publication, recording, censorship, and policy shaped the Atlantic allies' musical response to the war. The first section of the collection offers studies of individuals. The second concentrates on communities, whether local, transnational, or on the spectrum in-between. Essay topics range from the sinking of the Lusitania through transformations of the entertainment industry to the influenza pandemic. Contributors: Christina Bashford, William Brooks, Deniz Ertan, Barbara L. Kelly, Kendra Preston Leonard, Gayle Magee, Jeffrey Magee, Michelle Meinhart, Brian C. Thompson, and Patrick Warfield