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The jolly and exciting tale of the little boy who lost his red coat and his blue trousers and his purple shoes but who was saved from the tigers to eat 169 pancakes for his supper, has been universally loved by generations of children. First written in 1899, the story has become a childhood classic and the authorized American edition with the original drawings by the author has sold hundreds of thousands of copies. Little Black Sambo is a book that speaks the common language of all nations, and has added more to the joy of little children than perhaps any other story. They love to hear it again and again; to read it to themselves; to act it out in their play.
Helen Bannerman, who was born in Edinburgh in 1863, lived in India for thirty years. As a gift for her two little girls, she wrote and illustrated The Story of Little Black Sambo (1899), a story that clearly takes place in India (with its tigers and "ghi," or melted butter), even though the names she gave her characters belie that setting. For this new edition of Bannerman's much beloved tale, the little boy, his mother, and his father have all been give authentic Indian names: Babaji, Mamaji, and Papaji. And Fred Marcellino's high-spirited illustrations lovingly, memorably transform this old favorite. He gives a classic story new life.
When the family wagon hits a bump Toby is launched deep into the forest where she must defend herself from ferocious beasts. Cleverly she trades pieces of her clothing for her safety. Then as the animals begin to chase each other around a tree they melt into a puddle of maple syrup.
Collectors and non-collectors will experience the passion for collecting dolls in Ms. Garrett's second, FULL COLOR, black-doll reference book, which is a comprehensive celebration with up-to-date values of over 1000 vintage-to-modern black dolls. Doll genres celebrated, referenced, and valued include early dolls and memorabilia, cloth, fashion, manufactured, artist, one-of-a-kind, celebrity, and paper dolls. `A to Z Tips on Collecting,¿ `Doll Creativity,¿ and loads of `Added Extras¿ will entertain, enlighten, excite, and encourage the most discriminating collector. Readers will experience five years of the author's continuous and extensive doll research combined with nearly 20 years of doll-collecting experience. Black Dolls: A Comprehensive Guide to Celebrating, Collecting, and Experiencing the Passion, is an informative, must-have reference for any doll collector¿s library.
Two delightful stories of Indian children who overcome the odds.
Exposes and explores the prevalence of racist restaurant branding in the United States Aunt Jemima is the face of pancake mix. Uncle Ben sells rice. Chef Rastus shills for Cream of Wheat. Stereotyped Black faces and bodies have long promoted retail food products that are household names. Much less visible to the public are the numerous restaurants that deploy unapologetically racist logos, themes, and architecture. These marketing concepts, which center nostalgia for a racist past and commemoration of our racist present, reveal the deeply entrenched American investment in anti-blackness. Drawing on wide-ranging sources from the late 1800s to the present, Burgers in Blackface gives a powerful account, and rebuke, of historical and contemporary racism in restaurant branding. Forerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead
Winner, Outstanding Book Award, Association for Theatre in Higher Education Winner, Grace Abbott Best Book Award, Society for the History of Children and Youth Winner, Book Award, Children's Literature Association Winner, Lois P. Rudnick Book Prize, New England American Studies Association Winner, IRSCL Award, International Research Society for Children's Literature Runner-Up, John Hope Franklin Publication Prize, American Studies Association Honorable Mention, Book Award, Society for the Study of American Women Writers Part of the American Literatures Initiative Series In Racial Innocence, Robin Bernstein argues that the concept of "childhood innocence" has been central to U.S. racial formation since the mid-nineteenth century. Children--white ones imbued with innocence, black ones excluded from it, and others of color erased by it--figured pivotally in sharply divergent racial agendas from slavery and abolition to antiblack violence and the early civil rights movement. Bernstein takes up a rich archive including books, toys, theatrical props, and domestic knickknacks which she analyzes as "scriptive things" that invite or prompt historically-located practices while allowing for resistance and social improvisation. Integrating performance studies with literary and visual analysis, Bernstein offers singular readings of theatrical productions from blackface minstrelsy to Uncle Tom's Cabin to The Wonderful Wizard of Oz literary works by Joel Chandler Harris, Harriet Wilson, and Frances Hodgson Burnett; material culture including Topsy pincushions, Uncle Tom and Little Eva handkerchiefs, and Raggedy Ann dolls; and visual texts ranging from fine portraiture to advertisements for lard substitute. Throughout, Bernstein shows how "innocence" gradually became the exclusive province of white children--until the Civil Rights Movement succeeded not only in legally desegregating public spaces, but in culturally desegregating the concept of childhood itself. Check out the author's blog for the book here.
These two children's books were part of a series of small-format books called The Dumpy Books for Children. They were children's favorites for more than half a century.