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The Changing Face of African Literature combines both the large picture – a synopsis of current trends in African literature – and the small: studies of individual texts and of themes across several texts. The large and the small are linked by recurring themes, such as gender and sexuality, the nation-state and its collapse, AIDS, war, and suffering. The volume is comparative, bringing together literature in at least five languages and from at least ten national literatures. Such a large, comparative frame is implied by most discussion of African literature but is too seldom seen. At the same time, the collection also problematizes the comparison: the goal is to make clear what African literatures have in common but also where they diverge. What difference do distinct literary traditions, readerships, and publishing patterns make to literatures which share a common thematic and so many of the same questions and needs? By juxtaposing contemporary texts form several traditions, the intention of this collection is to bring out the themes that are currently dominant in African literatures generally. After a preface by Liz Gunner and a wide-ranging introduction by the editors, the collection presents keynote essays on new paradigms in African literature, before treating specific themes – recent crime fiction, the Afrikaans and anglophone novel, feminist literature, ‘migritude’ – and studies of recent works by individual authors such as André Brink, Henri Djombo, Pie Tshibanda, Bessora, Nadine Gordimer, and Paulina Chiziane, as well as the South African television series Yizo Yizo.
This collection of essays explores concepts present in literatures in French that, since the 2007 manifesto, more and more critics, suspicious of the term Francophonie, now prefer to designate as littérature-monde (world literature). The book shows how the three movements of antillanité, créolité and littérature-monde each in their own way break with the past and distance themselves from the hexagonal centre. The critics in this collection show how writers seek to represent an authentic view of their history, culture, identities, reality and diversities. According to many of the contributors, creolization and littérature-monde offer new perspectives and possibly a new genre of literature. Ces essais explorent les concepts présents dans la littérature en français, que depuis le manifeste de 2007, de plus en plus de critiques, suspicieux du terme francophonie préfèrent désigner sous le terme de littérature-monde. Ce livre montre comment les trois mouvements antillanité, créolité et littérature-monde, bien qu’ils cherchent chacun à présenter une rupture, offrent aussi un but similaire de distanciation avec le centre hexagonal. Les critiques de ce recueil démontrent comment les écrivains cherchent à représenter une vision authentique de leur histoire, leur culture, leurs identités, leur réalité et leur diversité. Selon de nombreux contributeurs à ce recueil, la créolisation ou la littérature-monde offrent de nouvelles perspectives et la possibilité d’un nouveau genre de littérature.