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The Philippines, America's "showcase of democracy" and its only former colony in Asia, remains enigmatic to most Americans. What we know of this archipelago is very often condensed, filtered, or distorted y Western preconceptions and interpretations. Here, for the first time, are Filipino and Filipino American writers telling their lives in their own words. Here are stories of passion and betrayal, home and exile, the politics of the self and a nation in search of itself. Here are poems of such power and beauty that can rank among the best in the world. In these pages the reader will find familiar figures -- the greedy Marcoses, teenage gangs, game shows, rock star clones -- as well as characters and themes of every stripe and hue, from gay youngsters checking out surfer jocks in Hawai'i to Westernized girls coming out of convent school, from a searing recollection of gang rape to meditations on the spirit. Altogether, these works provide a deeper image of the Philippines and of Filipinos in America, as seen by some of the best writers from both sides of the world. Ultimately, it gives a unique and vivid perspective of America as well.
"Maria P. P. Root′s new edited volume on Filipino American makes an outstanding contribution in terms of exploring the socio-economic integration and the transformation of ethnic identities among one of the largest, fastest growing, but least studied Asian American groups in the United States - Filipinos. . . . One unique area covered by this book is its thoughtful reflection on the impacts of colonization on Filipino literature and the articulation of Filipino identities . . . . The book provides an unusual breadth of information on Filipino lives in the U.S.A. . . . I found this book very valuable as an introductory text in an undergraduate curriculum on Asian American studies, and in racial and ethnic studies. The power of the book lies in its ability to render problematic the stereotypes of Asian Americans, and to question the preconceived categories of race, culture, and ethnicity. The book′s discussion and reflection on identities is provocative and accessible to students." --Journal of Ethnic and Migration Studies "Maria P. P. Root succeeds where many ethnic-specific anthologies fail: focusing on the issue of a people′s identity while avoiding boxing them in. . . . What is refreshing about this volume is not only the variety of perspectives, but the different styles. . . . Root and the contributors succeed in living up to the hope stated in the book′s introduction, ′′that these pages will offer challenging questions, some refreshing analysis, and new paradigms for interpreting the Filipino American experience.′′ --Pacific Reader Typically, when Asian Americans are discussed in the media, the reference is to people of Chinese or Japanese descent. However, the largest Asian American ethnic group is Filipino-a group about which little is known or written, even though Filipinos have a long-standing history with the United States through colonization that effects how this group is viewed and views themselves. Aimed at rectifying this information dearth, this volume presents the first interdisciplinary analysis of who Filipinos are and what it means to be a Filipino American. With contributions from historians, social workers, community leaders, ethnic studies scholars, sociologists, educators, health care workers, political scientists, and psychologists, this book addresses such issues as ethnic identity, the impact of different colonizations on ethnic identity, personal and family relationships, mental health, race, and racism. In addition, the sociopolitical context is examined in each social-issues chapter to make the volume more useful as a foundational tool for hypothesis generation, empirical research, policy analysis and planning, and literature review. This book offers readers a rich and varied portrait of our largest Asian American ethnic group.
A 1946 Filipino American social classic about the United States in the 1930s from the perspective of a Filipino migrant laborer who endures racial violence and struggles with the paradox of the American dream, with a foreword by novelist Elaine Castillo Poet, essayist, novelist, fiction writer and labor organizer, Carlos Bulosan (1911-1956) wrote one of the most influential working class literary classics about the U.S. pre-World War II, a period and setting similar to that of Steinbeck's The Grapes of Wrath and Cannery Row. Bulosan's semi-autobiographical novel America is in the Heart begins with the narrator's rural childhood in the Philippines and the struggles of land-poor peasant families affected by US imperialism after the Spanish American War of the late 1890s. Carlos's experiences with other Filipino migrant laborers, who endured intense racial abuse in the fields, orchards, towns, cities and canneries of California and the Pacific Northwest in the 1930s, reexamine the ideals of the American dream. Bulosan was one of the most important 20th century social critics with his deeply moving account of what it was like to be criminalized in the U.S. as a Filipino migrant drawn to the ideals of what America symbolized and committed to social justice for all marginalized groups. Celebrate Asian American and Pacific Islander (AAPI) Heritage Month with these three Penguin Classics: America Is in the Heart by Carlos Bulosan (9780143134039) East Goes West by Younghill Kang (9780143134305) The Hanging on Union Square by H. T. Tsiang (9780143134022)
"In this highly original and inspired book, Espiritu bursts the binaries and shows us how the tensions of race, gender, nation, and colonial legacies situate contemporary transnationalism. Conceptually rich and empirically grounded, Home Bound blurs the borders of sociology and cultural studies like no other book I know. Kudos to Espiritu for this boundary-breaking tour de force!"—Pierrette Hondagneu-Sotelo, author of Domestica: Cleaning and Caring in the Shadows of Affluence "A singular achievement. Not only does it cast light on the deep historical entanglements of immigration and imperialism, citizenship and race, and gender and subjectivity in the United States, but by highlighting the varied voices of Filipino Americans, it also calls attention to their creative potential to make a home under some of the most inhospitable conditions. Theoretically rich, empirically grounded, and lucidly written, this book marks a major advance in our attempts to understand the 'specter of migration' haunting the world today."—Vicente L. Rafael, author of White Love and Other Events in Filipino History "Home Bound combines excellent ethnography of the Filipino experience in the U.S. with a brilliant and devastating critique of traditional scholarship on immigration. Espiritu's analysis of how the vectors of identity articulate with one another is particularly cutting-edge."—Sarah J. Mahler, author of American Dreaming: Immigrant Life on the Margins "Using a critical transnational, feminist, and historical perspective, Espiritu insightfully and sensitively analyzes the meaning of home, community, friendship, love, and family for Filipino Americans. In the process, she unveils what these immigrants can tell us about gender, race, politics, economics, and culture in the United States today."—Diane L. Wolf, author of Factory Daughters: Gender, Household Dynamics, and Rural Industrialization in Java "Espiritu makes an outstanding contribution to our appreciation of the dynamics of immigrant cultures within the political economy of transnationalism."—Lisa Lowe, author of Immigrant Acts: On Asian American Cultural Politics
A companion volume to The Cry and the Dedication, this is the first extensive collection of Carlos Bulosan's short stories, essays, poetry, and correspondence. Bulosan's writings expound his mission to redefine the Filipino American experience and mark his growth as a writer. The pieces included here reveal how his sensibility, largely shaped by the political circumstances of the 1930s up to the 1950s, articulates the struggles and hopes for equality and justice for Filipinos. He projects a "new world order" liberated from materialist greed, bigoted nativism, racist oppression, and capitalist exploitation. As E. San Juan explains in his Introduction, Bulosan's writings "help us to understand the powerlessness and invisibility of being labeled a Filipino in post Cold War America." Author note: Born in 1911 in the Philippines to a peasant family, Carlos Bulosan was one of the first wave of Filipino immigrants to come to the United States in the 1930s. After several arduous years as a farmworker in California, Bulosan became involved with radical intellectuals and started editing the workers' magazine The New Tide.While hospitalized for three years for tuberculosis and kidney problems, Bulosan began writing poetry and short stories. Despite having little formal education, he saw his talent for writing as a means to give a voice to Filipino struggles, both in the Philippines and in the United States. He went on to publish three volumes of poetry, a best-selling collection of stories, The Laughter of My Father, and America Is in the Heart, the much acclaimed chronicle based on his family's battle to overcome poverty, violence, and racism in the United States. The Cry and the Dedication carries on Bulosan's passionate, satirical style. >P>E. San Juan, Jr. is Fellow of the Center for the Humanities and Visiting Professor of English, Wesleyan University, and Director of the Philippines Cultural Studies Center. He was recently chair of the Department of Comparative American Cultures, Washington University, and Professor of Ethnic Studies at Bowling Green State University, Ohio. He received the 1999 Centennial Award for Literature from the Philippines Cultural Center. His most recent books are Beyond Postcolonial Theory, From Exile to Diaspora, After Postcolonialism, and Racism and Cultural Studies.
The pictorial history of Filipino immigration to Chicago encompasses 100 years, moving from the Philippines to this country of unknown landscapes and uncertainties. The pioneering Filipinos came in the early 1900s to seek the land of "milk and honey." They were mostly pensionados-government-supported students-and self-supported students who settled in the Garfield Park, Hyde Park, and Near North Side neighborhoods of Chicago. From the close of World War II to the present day, the Filipino American population became the largest urban group of Asians in Chicago Through the medium of historic photographs, this book captures the evolution of the Filipino community of Chicago from the early 1900s to the present day. These pages bring to life the people, events, and industries that helped to shape and transform the Filipino community of Chicago. With more than 200 vintage images, Filipinos in Chicago includes many photographs from personal albums of Filipino American families. This book depicts the many faces of the Filipino American in various facets of American life interwoven with Philippine traditions from the homeland.
Filipino Americans are now the second largest group of Asian Americans as well as the second largest immigrant group in the United States. As reflected in this collection, their lives represent the diversity of the immigrant experience and their narratives are a way to understand ethnic identity and Filipino American history. Men and women, old and young, middle and working class, first and second generation, all openly discuss their changing sense of identity, the effects of generational and cultural differences on their families, and the role of community involvement in their lives. Pre- and post-1965 immigrants share their experiences, from the working students who came before WWII, to the manongs in the field, to the stewards and officers in the U.S. Navy, to the "brain drain" professionals, to the Filipinos born and raised in the United States. As Yen Le Espiritu writes in the Introduction, "each of the narratives reveals ways in which Filipino American identity has been and continues to be shaped by a colonial history and a white-dominated culture. It is through recognizing how profoundly race has affected their lives that Filipino Americans forge their ethnic identities—identities that challenge stereotypes and undermine practices of cultural domination." In the series Asian American History and Culture, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Võ.
Filipino Americans have a long and rich history with and within the United States, and they are currently the second largest Asian group in the country. However, very little is known about how their historical and contemporary relationship with America may shape their psychological experiences. The most insidious psychological consequence of their historical and contemporary experiences is colonial mentality or internalized oppression. Some common manifestations of this phenomenon are described below: • Skin-whitening products are used often by Filipinos in the Philippines to make their skins lighter. Skin whitening clinics and businesses are popular in the Philippines as well. The "beautiful" people such as actors and other celebrities endorse these skin-whitening procedures. Children are told to stay away from the sun so they do not get "too dark." Many Filipinos also regard anything "imported" to be more special than anything "local" or made in the Philippines. • In the United States, many Filipino Americans make fun of "fresh-off-the-boats" (FOBs) or those who speak English with Filipino accents. Many Filipino Americans try to dilute their "Filipino-ness" by saying that they are mixed with some other races. Also, many Filipino Americans regard Filipinos in the Philippines, and pretty much everything about the Philippines, to be of "lower class" and those of the "third world." The historical and contemporary reasons for why Filipino -/ Americans display these attitudes, beliefs, and behaviors - often referred to as colonial mentality - are explored in Brown Skin, White Minds. This book is a peer-reviewed publication that integrates knowledge from multiple scholarly and scientific disciplines to identify the past and current catalysts for such self-denigrating attitudes and behaviors. It takes the reader from indigenous Tao culture, Spanish and American colonialism, colonial mentality or internalized oppression along with its implications on Kapwa, identity, and mental health, to decolonization in the clinical, community, and research settings. This book is intended for the entire community - teachers, researchers, students, and service providers interested in or who are working with Filipinos and Filipino Americans, or those who are interested in the psychological consequences of colonialism and oppression. This book may serve as a tool for remembering the past and as a tool for awakening to address the present.