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This book covers various forms of the production of girmitiya culture and literature. One of the main objectives is to conceptualize the idea of girmitya, girmitology, and girmitiya literature, culture, history, and identity in both colonial and postcolonial contexts. This book aims to document the history, experiences, culture, assimilation, and identity of girmitiya community. It also critically analyses the articulation, projection, and production of their experiences of migration and being immigrant, their narratives, tradition, culture, religion, and memory. It also explores how this labour community formulated into a diaspora community and reconnected/created the home (land) and continues to do so in the wake of globalization and Information and Communication Technology (ICT). This book is an attempt to bring the intriguing neglected diverse historical heritage of colonial labour migration and their narratives into the mainstream scholarly debates and discussions in the humanities and the social sciences through the trans- and interdisciplinary perspectives. This book assesses the routes of migration of old diaspora, and it explains the nuances of cultural change among the generations. Although, they have migrated centuries back, absorbed and assimilated, and got citizenships of respective countries of destinations but still their longing for roots, culture, identities, “home”, and the constant struggle is to retain connections with their homeland depicted in their cultural practices, arts, music, songs, folklore and literary manifestations.
This book retraces the socio-political background of 19th and 20th-century South Africa, highlighting the importance of Mohandas Gandhi’s actions in South Africa. On the longlist of the Vodafone Crossword Book Award 2010.
With the onset of denationalising wave of globalization, literature and culture feel impelled to locate new arrangements of content and form, resulting in evolved cultural and social paradigm. Globalizing forces are reshaping our cultural, economic, and social landscapes. The literary discourse is also experiencing change at large, including in its migrant, diasporic, postcolonial, and transnational variants. This transfusion leads to identifying new transcultural and transnational approaches, perspectives, and theories. RE-MAPPING THE CENTRE AND THE PERIPHERY: STUDIES IN LITERATURE & CULTURE offers a comprehensive approach toward culture, language, and literature contributing to assess the dynamic of center (s) -periphery(ies) in the various spheres. The book sustains a plethora of themes ranging from adult hegemony, female subjectivity, and diaspora to Ganga Ghat and artificial intelligence. The book critiques the centre and the periphery and provides a fresh approach to the acclaimed oeuvres. The book also offers an unflinching critique of content and inequality through the lens of caste, class, gender, and race. The vivacity and horizons of research articles have been multiplied in curious and exciting ways. Throughout the book, a sense of place or the periphery is shown to be established, negated or supplanted by the literary works which are underpinned by the interlocking trajectories of several literary doctrines, and approaches. Besides literary and subtle observations, there are reflections gleaned from AI and mobile-assisted language learning. Plurality of observations, diversity of themes, and myriad interpretations will divulge an immense appeal to the Indian consciousness. The book posits that the scholarly articles express the confluential cultures which undermine the dichotomies between the colonizer and the colonized, the dominator and the dominated, the native and the (im)migrant, and the national and the ethnic.
This book studies Indian overseas labour migration in the nineteenth and early twentieth centuries, which involved millions of Indians traversing the globe in the age of empire, subsequent to the abolition of slavery in 1833. This migration led to the presence of Indians and their culture being felt all over the world. This study delves deep into the lives of these indentured workers from India who called themselves girmitiyas; it is a narrative of their experiences in India and in the sugar colonies abroad. It foregrounds the alternative world view of the girmitiyas, and their socio-cultural and religious life in the colonies. In this book, the author has developed highly original insights into the experience of colonial indentured migrant labour, describing the ways in which migrants managed to survive and even flourish within the interstices of the indentured labour system and how considerably the experience of migration changed over time.
"This book is an imaginative and valuable contribution to the literature on Indian immigration. The many new insights it provides are of such importance that one hopes it will serve as a model for work on other indentured colonial populations. It is a "ground breaking work", a basic contribution to the scholarly literature on Indians in Fiji, especially because its wealth of statistical information on the origins of the immigrants and its coverage of the formal structure of the system which brought them to Fiji"--Publisher's description.
In this period of globalization, many individuals are trying to upgrade the life and for that most of them are now migrating to other lands. In the process of getting settle in new land they encounter many problems. The issue of migration and immigration brings forward the question of exile, identity, assimilation, memory, nostalgia, hopelessness, uprootedness, hybridity and so on. Indian writers have beautifully picked up experiences of such people and penned them down. Such writing is called ‘Diaspora Literature’, wherein immigrant experiences have been shared through literature. This type of literature includes expatriate stories, refugee chronicles and immigrant narratives. The present anthology Indian Diaspora Literature: A Critical Evaluation covers as many as twenty articles where the authors have discussed innumerable issues and challenges as confronted by Indian immigrants due to their distance and dislocation from their familiar homeland to the alien hostland, irrespective of what kind of exile they follow: forced or voluntary. Apart from bringing into surface the migratory problems, the anthology also sheds light on the complexities that arise out of such migration. Some of the notable Indian writers who have been given room in this book are V. S. Naipaul, Amitav Ghosh, Rohinton Mistry, Jhumpa Lahiri, Chitra Banerjee Divakaruni, Anita Desai and Kiran Desai to name a few. Authors have tried to give their best outputs to reach this anthology to its intended goal. Hopefully this book will be helpful to both students and scholars alike.
This book critically examines new perspectives on the transformations in the Indian diaspora. It studies the changing perspectives on the historical background of the diaspora and analyses fresh and emerging views in response to new configurations in diaspora relations. The volume highlights the transformation of the old Indian diaspora into a new ensemble in which economic, ideological and cultural forces predominate and interact closely. It looks at various themes including Indian indentured emigration to sugar colonies, comparisons between labour migration from India and China, the Girmitiya diaspora, the Indian diaspora in Africa and the rise of racial nationalism, India’s soft power in the Gulf region, and the repurposing of the ‘Hindutva’ idea of India for Western societies as undertaken by diaspora communities. Lucid and topical, this book will be useful for scholars and researchers of diaspora studies, migration studies, political studies, international relations, globalisation, political sociology, sociology and South Asia studies.
The present book is a collection of writeups contributed by various eminent artists and art critics on different kinds of art tetechniques. This book was first published in the year 1826.
The first in an epic trilogy, Amitav Ghosh's Sea of Poppies is "a remarkably rich saga . . . which has plenty of action and adventure à la Dumas, but moments also of Tolstoyan penetration--and a drop or two of Dickensian sentiment" (The Observer [London]). At the heart of this vibrant saga is a vast ship, the Ibis. Her destiny is a tumultuous voyage across the Indian Ocean shortly before the outbreak of the Opium Wars in China. In a time of colonial upheaval, fate has thrown together a diverse cast of Indians and Westerners on board, from a bankrupt raja to a widowed tribeswoman, from a mulatto American freedman to a free-spirited French orphan. As their old family ties are washed away, they, like their historical counterparts, come to view themselves as jahaj-bhais, or ship-brothers. The vast sweep of this historical adventure spans the lush poppy fields of the Ganges, the rolling high seas, and the exotic backstreets of Canton. With a panorama of characters whose diaspora encapsulates the vexed colonial history of the East itself, Sea of Poppies is "a storm-tossed adventure worthy of Sir Walter Scott" (Vogue).