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Presents literary criticism on the works of writers of the period 1400-1800. Critical essays are selected from leading sources, including published journals, magazines, books, reviews, diaries, broadsheets, pamphlets, and scholarly papers. Criticism includes early views from the author's lifetime as well as later views, including extensive collections of contemporary analysis.
New edition of Modern American Drama completes the survey and comes up to 2000.
Turn to this authoritative international resource for complete critical coverage of the careers and works of the greatest writers and thinkers of the late Middle Ages, the Renaissance and the Restoration eras. Detailed entries offer students and other researchers access to a variety of important interpretations of historical periods, literary trends and topics, and the achievements of noteworthy individuals. Approximately 90-95% of critical essays are full text. Volumes include author, nationality, topic and title indexes; a cumulative title index to the entire series is published separately.
Although Chaucer is typically labeled as the "Father of English Literature," evidence shows that his work appealed to Europe and specifically European women. Rereading the Canterbury Tales , Thomas argues that Chaucer imagined Anne of Bohemia, wife of famed Richard II, as an ideal reader, an aspect that came to greatly affect his writing.
Excerpts from criticism of the works of novelists, poets, playwrights, short story writers and other creative writers who lived between 1800 and 1900, from the first published critical appraisals to current evaluations.
Presents literary criticism on the works of writers of the period 1400-1800. Critical essays are selected from leading sources, including published journals, magazines, books, reviews, diaries, broadsheets, pamphlets, and scholarly papers. Criticism includes early views from the author's lifetime as well as later views, including extensive collections of contemporary analysis.
An essay examining the history of literary criticism in the Renaissance, with a focus on the sixteenth century. Divided into three sections devoted to: Italian criticism from Dante to Tasso, French criticism from Du Bellay to Boileau, and English criticism from Ascham to Milton.