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In this book the pre-eminent historian of Cromwellian England takes a fresh approach to the literary biography of the two great poets of the Puritan Revolution, John Milton and Andrew Marvell. Blair Worden reconstructs the political contexts within which Milton and Marvell wrote, and reassesses their writings against the background of volatile and dramatic changes of public mood and circumstance. Two figures are shown to have been prominent in their minds. First there is Oliver Cromwell, on whose character and decisions the future of the Puritan Revolution and of the nation rested, and whose ascent the two writers traced and assessed, in both cases with an acute ambivalence. The second is Marchamont Nedham, the pioneering journalist of the civil wars, a close friend of Milton and a man whose writings prove to be intimately linked to Marvell's. The high achievements of Milton and Marvell are shown to belong to world of pressing political debate which Nedham's ephemeral publications helped to shape. The book follows Marvell's transition from royalism to Cromwellianism. In Milton's case we explore the profound effect on his outlook brought by the execution of King Charles I in 1649; his difficult and disillusioning relationship with the successive regimes of the Interregnum; and his attempt to come to terms, in his immortal poetry of the Restoration, with the failure of Puritan rule.
The Puritan Revolution escaped the control of its creators. The parliamentarians who went to war with Charles I in 1642 did not want or expect the fundamental changes that would follow seven years later: the trial and execution of the king, the abolition of the House of Lords, and the creation of the only republic in English history. There were startling and unexpected developments, too, in religion and ideas: the spread of unorthodox doctrines; the attainment of a wide measure of liberty of conscience; and new thinking about the moral and intellectual bases of politics and society. God's Instruments centres on the principal instrument of radical change, Oliver Cromwell, and on the unfamiliar landscape of the decade he dominated, from the abolition of the monarchy in 1649 to the return of the Stuart dynasty in 1660. Its theme is the relationship between the beliefs or convictions of politicians and their decisions and actions. Blair Worden explores the biblical dimension of Puritan politics; the ways that a belief in the workings of divine providence affected political conduct; Cromwell's commitment to liberty of conscience and his search for godly reformation through educational reform; the constitutional premises of his rule and those of his opponents in the struggle for supremacy between parliamentary and military rule; and the relationship between conceptions of civil and religious liberty. The conflicts Worden reconstructs are placed in the perspective of long-term developments, of which many historians have lost sight. The final chapters turn to the guiding convictions of two writers at the heart of politics, John Milton and the royalist Edward Hyde, Earl of Clarendon. Material from previously published essays, much of it expanded and extensively revised, comes together with newly written chapters to bring fresh evidence and argument to a period of lively debate and interest.
In this book the pre-eminent historian of Cromwellian England takes a fresh approach to the literary biography of the two great poets of the Puritan Revolution, John Milton and Andrew Marvell. Blair Worden reconstructs the political contexts within which Milton and Marvell wrote, and reassesses their writings against the background of volatile and dramatic changes of public mood and circumstance. Two figures are shown to have been prominent in their minds. First there is OliverCromwell, on whose character and decisions the future of the Puritan Revolution and of the nation rested, and whose ascent the two writers traced and assessed, in both cases with an acute ambivalence. The second is Marchamont Nedham, the pioneering journalist of the civil wars, a close friend ofMilton and a man whose writings prove to be intimately linked to Marvell's. The high achievements of Milton and Marvell are shown to belong to world of pressing political debate which Nedham's ephemeral publications helped to shape. The book follows Marvell's transition from royalism to Cromwellianism. In Milton's case we explore the profound effect on his outlook brought by the execution of King Charles I in 1649; his difficult and disillusioning relationship with the successive regimes ofthe Interregnum; and his attempt to come to terms, in his immortal poetry of the Restoration, with the failure of Puritan rule.
This Handbook offers a comprehensive introduction and thirty-seven new essays by an international team of literary critics and historians on the writings generated by the tumultuous events of mid-seventeenth-century England. Unprecedented events-civil war, regicide, the abolition of monarchy, proscription of episcopacy, constitutional experiment, and finally the return of monarchy-led to an unprecedented outpouring of texts, including new and transformed literary genres and techniques. The Handbook provides up-to-date scholarship on current issues as well as historical information, textual analysis, and bibliographical tools to help readers understand and appreciate the bold and indeed revolutionary character of writing in mid-seventeenth-century England. The volume is innovative in its attention to the literary and aesthetic aspects of a wide range of political and religious writing, as well as in its demonstration of how literary texts register the political pressures of their time. Opening with essential contextual chapters on religion, politics, society, and culture, the largely chronological subsequent chapters analyse particular voices, texts, and genres as they respond to revolutionary events. Attention is given to aesthetic qualities, as well as to bold political and religious ideas, in such writers as James Harrington, Marchamont Nedham, Thomas Hobbes, Gerrard Winstanley, John Lilburne, and Abiezer Coppe. At the same time, the revolutionary political context sheds new light on such well-known literary writers as John Milton, Andrew Marvell, Robert Herrick, Henry Vaughan, William Davenant, John Dryden, Lucy Hutchinson, Margaret Cavendish, and John Bunyan. Overall, the volume provides an indispensable guide to the innovative and exciting texts of the English Revolution and reevaluates its long-term cultural impact.
This book traces the impact of the English Civil Wars and the resulting support for the royalist cause in the Dutch Republic.
A brilliant appraisal of the Civil War and its long-term consequences, by an acclaimed historian. The political upheaval of the mid-seventeenth century has no parallel in English history. Other events have changed the occupancy and the powers of the throne, but the conflict of 1640-60 was more dramatic: the monarchy and the House of Lords were abolished, to be replaced by a republic and military rule. In this wonderfully readable account, Blair Worden explores the events of this period and their origins - the war between King and Parliament, the execution of Charles I, Cromwell's rule and the Restoration - while aiming to reveal something more elusive: the motivations of contemporaries on both sides and the concerns of later generations.
A common literary language linked royal absolutism to radical religion and republicanism in seventeenth-century England. Authors from both sides of the Civil Wars, including Milton, Hobbes, Margaret Cavendish, and the Quakers, adapted the analogy between family and state to support radically different visions of political community. They used family metaphors to debate the limits of political authority, rethink gender roles, and imagine community in a period of social and political upheaval. While critical attention has focused on how the common analogy linking father and king, family and state, bolstered royal and paternal claims to authority and obedience, its meaning was in fact intensely contested. In this wide-ranging study, Su Fang Ng analyses the language and metaphors used to describe the relationship between politics and the family in both literary and political writings and offers a fresh perspective on how seventeenth-century literature reflected as well as influenced political thought.
For centuries, rumors have circulated in England that Lord Protector Oliver Cromwell did not die of natural causes. Now, in a fascinating book that reads like a historical whodunit, we have a motive, a means, a murderer (complete with his own deathbed confession), and a supporting cast that includes John Milton and Andrew Marvell. Almost from the moment of Cromwell's death in 1658, writers and biographers have dismissed suspicions of foul play as little more than the result of a powerful person's unexpected demise. They have assumed that at age fifty-nine Cromwell was in generally poor health and that his government's collapse was inevitable. But his family was generally long-lived and, contrary to royalist wishes, his government was becoming established. As the crucial first step toward the restoration of the Stuart monarchy in 1660, his death proved to be a turning point in British history. In a wide-ranging investigation that draws upon the fields of history, toxicology, medical forensics, and literature, H.F. McMains offers a fresh reading of evidence that has sat quietly in libraries and archives for more than two centuries. He examines the development of Cromwell's illness in 1658, analyzes his symptoms, and evaluates persons with motive, method, and opportunity to do him harm. The result is a reassessment of Cromwell's relationship with the English people and their government and a convincing investigation of his mysterious death.
This book charts the relationship between literary texts and their historical context from 1640-1660. Essays in the volume focus on issues of ideology and genre; the politics of the masque; lyric and devotional poetry; women's writings; attitudes towards Ireland; colonialism; madness and division; and individual writers such as Hobbes, Marvell and Milton.
The classic, bestselling biography of one of the most controversial figures in British history from 'One of the finest historians of the age' The Times Literary Supplement From Fenland farmer and humble backbencher to stalwart of the good old cause and the New Model Army, Oliver Cromwell became the key figure of the Commonwealth, and ultimately Lord Protector. In this fascinating and insightful biography, Christopher Hill reveals Cromwell's life from his beginnings in Huntingdonshire to his brutal end. Hill brings all his considerable knowledge of the period to bear on the relationships God's Englishman had with God and England, giving an unprecedented insight vital to understanding Cromwell.