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New approaches to the topics of old age and becoming old depicted in a range of texts from modern literature.
This study establishes age as a category of literary history, delineating age in its interaction with gender and narrative genre. Based on the historical premise that the view of ageing as a burden emerges as a specific narrative in the late eighteenth century, the study highlights how the changing experience of ageing is shaped by that of gender. By reading the Bildungsroman as a 'coming of age' novel, the book asks how the telling of a life in time affects individual age narratives. Bringing together the different perspectives of age and disability studies, the book argues that illness is already an important issue in the Bildungsroman's narratives of ageing. This theoretical stance provides new interpretations of canonical novels, visiting authors such as Johann Wolfgang Goethe, Frances Burney, Maria Edgeworth, Jane Austen, Charles Dickens, George Eliot, Samuel Beckett, and Jonathan Franzen. Drawing on the link between age and illness in the Bildungsroman's age narratives, the genre of 'dementia narrative' is presented as one of the directions which the Bildungsroman takes after its classical period. Applying these theoretical perspectives to canonical novels of the nineteenth century and to the new genre of 'dementia narrative', the volume also provides new insights into literary and genre history. This book introduces a new theoretical approach to cultural age studies and offers a comprehensive analysis of the connection between narratology, literary theory, gender and age studies.
This timely collection engages with representations of women and ageing in literature and visual culture. Acknowledging that cultural conceptions of ageing are constructed and challenged across a variety of media and genres, the editors bring together experts in literature and visual culture to foster a dialogue across disciplines. Exploring the process of ageing in its cultural reflections, refractions and reimaginings, the contributors to Ageing Women in Literature and Visual Culture analyse how artists, writers, directors and performers challenge, and in some cases reaffirm, cultural constructions of ageing women, as well as give voice to ageing women’s subjectivities. The book concludes with an afterword by Germaine Greer which suggests possible avenues for future research.
By adding consideration of age to that of race, gender, and class, this innovative volume seeks to show how growing older affects literary creativity and psychological development and to examine how individual writing careers begin to change in middle age.
The various norms and values of aging that have been created by humans in the course of history have been largely ignored by gerontologists, who are thought to be more interested in the objective laws that govern science than in the subjective experiences that contribute to the aging process. This thought-provoking study belongs to the genre known as humanistic gerontology and it explores the attitudes toward aging as expressed by society. Outlining the cultural construction of old age and the social and psychological ramifications that are often imposed on the aged by external influences, it focuses on the status and treatment of old age and presents a portrait of aging in a cultural and historical perspective illuminated by diverse national literatures. Unlike any other book on the subject, this volume is an attempt to add to the body of knowledge that helps illustrate, explain, and bridge the dichotomy that still exists between the scientist and the humanist in the field of aging. The various contributors maintain a sensitivity to the continuing paradoxes associated with the aging condition and, using a historical framework, they analyze and interpret national literary conventions. This timely and incisive work examines the aging population as revealed in prominent national or regional literatures including Japan, China, South America, France, Russia, Germany, Austria, Great Britian, the United States, the Middle East, and samples from ancient Greek and Roman literature. Based on previous scholarly research, the volume provides a significant resource that deals with the universalities of the aging condition as expressed in diverse cultures and it extracts common themes and recurring images from the literature of those cultures. Perceptions of Aging in Literature will be read with interest by those engaged in gerontological research in the social and behavioral sciences and the humanities and it will be a welcome addition to all university libraries.
This book guides readers through the most salient theoretical and creative possibilities opened up by the shift to digital literary forms.
This volume explores the significance of old age in Greek and Latin poetry and dramatic literature, not just in relation to other textual and historical concerns, but as a cultural and intellectual reality of central importance to understanding the works themselves. The book discusses a wide range of authors, from Homer to Aristophanes, Sophocles, and Euripides; from Horace to Vergil, Ovid, and beyond. Classical scholarship on these texts is enriched by a variety of interdisciplinary perspectives drawn from such fields as anthropology, social history, literary theory, psychology, and gerontology. The contributions examine the many and complex representations of old age in classical literature: their relation to the social and psychological realities of old age, their connection with the author’s own place in the human life course, their metaphorical and symbolic capacity as poetic vehicles for social and ethical values.
The meaning of life is a common concern, but what is the meaning of midlife? With the help of illustrious writers such as Dante, Montaigne, Beauvoir, Goethe, and Beckett, The Midlife Mind sets out to answer this question. Erudite but engaging, it takes a personal approach to that most impersonal of processes, aging. From the ancients to the moderns, from poets to playwrights, writers have long meditated on how we can remain creative as we move through our middle years. There are no better guides, then, to how we have regarded middle age in the past, how we understand it in the present, and how we might make it as rewarding as possible in the future.
Later Life views older age as a valuable stage of life, argues for the centrality of self-making to its quality and explores, with the help of literary examples, factors both supporting and hindering the quality of later-life experiences.
The period between the World Wars was one of the richest and most inventive in the long history of British literature. Interwar literature stood apart by virtue of the sheer intelligence of the enquiries it undertook into the technological mediation of experience. After around 1925, literary works began to examine the sorts of behavior made possible for the first time by virtual interaction. And they began to fill up, too, with the look, sound, smell, taste, and feel of the new synthetic and semi-synthetic materials that were reshaping everyday modern life. New media and new materials gave writers a fresh opportunity to reimagine both how lives might be lived and how literature might be written. Today, such material and immaterial mediations have become even more decisive. Communications technology is an attitude before it is a machine or a set of codes. It is an idea about the prosthetic enhancement of our capacity to communicate. The writers who first woke up to this fact were not postwar, postmodern, or post-anything else: some of the best of them lived and wrote in the British Isles in the period between the World Wars.