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Studies literary representations of Israel and Palestine that challenge mainstream political and historical discourses This edited collection brings together discussions of literary works from Israel, the Occupied Palestinian Territories, the Palestinian and Jewish Diasporas, as well as from authors not directly involved who are seeking to unpack the conflict's complexities for a wider audience. It offers new perspectives into how the Palestine/Israel conflict is, and can be, represented after the Second Palestinian Intifada, an epochal event for both Israelis and Palestinians. The collection foregrounds the thematic concerns that link literary engagements with Palestine/Israel across the globe but also examines the role that aesthetic representation plays in framing the conflict and its power dynamics. As such, the contributors address how emergent forms of writing and representation illuminate but also re-describe conflict in the context of Israel and Palestine and how depicting this conflict has had reverberations for representing conflict and conflict zones more widely. Key Features and Benefits - Examines a range of emergent and existing literary forms that represent the Palestine/Israel conflict to a global audience. - Argues that emergent literary forms have adapted to imperatives for political witnessing, while offering scope for the re-fashioning of identity beyond restrictive nationalisms. - Discusses diverse literary works from Israel, the Palestinian Occupied Territories including Gaza, as well as Belgium, Canada, Egypt, France, Lebanon, the United Kingdom and the United States. - Brings together a geographically diverse team of literary and cultural studies researchers with depth of expertise in Palestine/Israel and Middle Eastern studies. Ned Curthoys is Senior Lecturer in English and Literary Studies at the University of Western Australia. Isabelle Hesse is Senior Lecturer in the English Department at the University of Sydney.
The history of the modern riot parallels the development of the modern novel and the modern lyric. Yet there has been no sustained attempt to trace or theorize the various ways writers over time and in different contexts have shaped cultural perceptions of the riot as a distinctive form of political and social expression. Through a focus on questions of voice, massing, and mediation, this collection is the first cross-cultural study of the interrelatedness of a prevalent mode of political and economic protest and the variable styles of writing that riots inspired. This volume will provide historical depth and cultural nuance, as well as examine more recent theoretical attempts to understand the resurgence of rioting in a time of unprecedented global uncertainty. One of the key contentions of this collection is that literature has done more than merely record riotous practices. Rather literature has, in variable ways, used them as raw material to stimulate and accelerate its own formal development and critical responsiveness. For some writers this has manifested in a move away from classical norms of propriety and accord, and toward a more openly contingent, chaotic, and unpredictable scenography and cast of dramatis personae, while others have moved towards narrative realism or, more recently, digital media platforms to manifest the crises that riots unleash. Keenly attuned to these formal variations, the essays in this collection analyse literature's fraught dialogue with the histories of violence that are bound up in the riot as an inherently volatile form of collective action.
One of the "10 Must-Read Histories of the Palestine-Israel Conflict" —Ian Black, Literary Hub, on the 100th anniversary of the Balfour Declaration The new edition of the acclaimed text that explores the issues continuing to define the Israeli-Palestinian conflict Numerous instances of competing, sometimes incompatible narratives of controversial events are found throughout history. Perhaps the starkest example of such contradictory representations is the decades-long conflict between Israel and Palestine. For over 140 years, Israelis, Palestinians, and scores of peacemakers have failed to establish a sustainable, mutually-acceptable solution. The Israel-Palestine Conflict introduces the historical basis of the dispute and explores both the tangible issues and intangible factors that have blocked a peaceful resolution. Author Neil Caplan helps readers understand the complexities and contradictions of the conflict and why the histories of Palestine and Israel are so fiercely contested. Now in its second edition, this book has been thoroughly updated to reflect the events that have transpired since its original publication. Fresh insights consider the impact of current global and regional instability and violence on the prospects of peace and reconciliation. New discussions address recent debates over two-state versus one-state solutions, growing polarization in public discourse outside of the Middle East, the role of public intellectuals, and the growing trend of merging scholarship with advocacy. Part of the Wiley-Blackwell Contested Histories series, this clear and accessible volume: Offers a balanced, non-polemic approach to current academic discussions and political debates on the Israel-Palestine conflict Highlights eleven core arguments viewed by the author as unwinnable Encourages readers to go beyond simply assigning blame in the conflict Explores the major historiographical debates arising from the dispute Includes updated references and additional maps Already a standard text for courses on the history and politics of the Middle East, The Israel-Palestine Conflict is an indispensable resource for students, scholars, and interested general readers.
A controversial and newsworthy story from the award-winning author of Kiss the Dust, Jake's Tower, and The Garbage King. Macmillan Children's Books is to publish at great speed a hugely topical novel by award-winning author Elizabeth Laird about the Palestinian/Israeli conflict. Written in collaboration with Palestinian author Sonia Nimr, A Little Piece of Ground tells the story of Karim, an ordinary twelve-year old boy, living in Ramallah under the occupation of Israeli troops. Editor, Marion Lloyd say, 'This is an exceptionally exciting and important book, which will give any child who is curious and confused about what they hear and see on TV an insight into a conflict that affects all our lives.'
Since the early 1990s, Israel has greatly expanded a system checkpoints, walls and other barriers in the West Bank and Gaza that restrict Palestinian movement. Israel/Palestine examines how authors and filmmakers have grappled with the spread of these borders. Focusing on the works of Elia Suleiman, Raba'i al-Madhoun, Ghassan Kanafani, Sami Michael and Sayed Kashua, it traces how political engagement in literature and film has shifted away from previously common paradigms of resistance and coexistence and has become reorganised around these now ubiquitous physical barriers. Depictions of these borders interrogate the notion that such spaces are impenetrable and unbreakable, imagine distinct forms of protest, and redefine the relationship between cultural production and political engagement.
What is good character? What are the traits of a good person? How should virtues be cultivated? How should vices be avoided? The history of Jewish literature is filled with reflection on questions of character and virtue such as these, reflecting a wide range of contexts and influences. Beginning with the Bible and culminating with twenty-first-century feminism and environmentalism, Jewish Virtue Ethics explores thirty-five influential Jewish approaches to character and virtue. Virtue ethics has been a burgeoning field of moral inquiry among academic philosophers in the postwar period. Although Jewish ethics has also flourished as an academic (and practical) field, attention to the role of virtue in Jewish thought has been underdeveloped. This volume seeks to illuminate its centrality not only for readers primarily interested in Jewish ethics but also for readers who take other approaches to virtue ethics, including within the Western virtue ethics tradition. The original essays written for this volume provide valuable sources for philosophical reflection.
Palestinian Literature and Film in Postcolonial Feminist Perspective is the first sustained study of gender-consciousness in the Palestinian creative imagination. Drawing on concepts from postcolonial feminist theory, Ball analyses a range of literary and filmic works by major creative practitioners including Michel Khleifi , Liana Badr, Annemarie Jacir, Elia Suleiman, Mona Hatoum and Suheir Hammad, and reveals a hitherto unrecognized trajectory in gender-consciousness under development in the Palestinian imagination from the start of the twentieth century. The book explores how these works resonate with questions of power, identity, nation, resistance, and self-representation in the Palestinian imagination more broadly, and asks how these gender-conscious narratives transform our understanding of Palestine's struggle for postcoloniality. Working at the cusp of postcolonial, feminist and cultural enquiry, Ball seeks to open up vital new directions in the interdisciplinary study of Palestine.
This indispensable volume, a comprehensive and wide-ranging resource on Edward Said's life and work, spans his broad legacy both within and beyond the academy. The book brings together contributions from 31 luminaries to engage Said's provocative ideas.
Exploring visual culture, design and politics in 1960s Beirut, this compelling interdisciplinary study examines a critical period in Lebanon's history.
Despite, or even because of their tumultuous history, Palestinians are renowned for being prolific cultural producers, creating many of the Arab world's most iconic works of literature. In particular, the Palestinian short story stands out for its unique interplay between literary texts and the political and historical contexts from which they emerge. Palestinian Literature in Exile is the first English language study to explore this unique genre. Joseph Farag employs an interdisciplinary approach to examine the political function of literary texts and the manner in which cultural production responds to crucial moments in Palestinian history. Drawing from the works of Samira Azzam, Ghassan Kanafani and Ibrahim Nasrallah, Farag traces developments in the short story as they relate to the pivotal events of what the Palestinians call the Nakba ('catastrophe'), Naksa ('defeat') and First Intifada ('uprising'). In analysing several as yet un-translated works, Farag makes an original contribution to the subject of exilic identity and subjectivity in Palestinian literature. This book offers the opportunity to engage with literary works as well to learn from a literary account of history.It is a subject of interest for students and scholars of both Arabic literature and Middle East studies.