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Originally published in 1914, this book examines the mutual influence that England and Germany had on each other in the seventeenth century, the period in which German influence on England, which had been overwhelming, begins to recede and England's influence on Germany becomes much more profound. Waterhouse examines a range of literature, from theology and poetry to satire, in order to demonstrate how the relationship two countries waxed, waned and waxed again. This book will be of value to anyone with an interest in European literary history and the relationship between Germany and England.
First available in 1886, the present volume is an attempt to lessen the obscurity of that tract of international literature in which Barclay's Ship of Fools, Marlowe's Faustus, and Decker's Gul’s Horn-booke are luminous but ‘isolated points’. To these isolated points the author has endeavoured to supply in some degree both the intervening detail and the continuous background; in other words, to give a connected and intelligible account of the phases of German literary influence upon England in the sixteenth century.
Examining seventeenth-century crises of evidence and genres of evidence on which both literary critics and historians now depend, True Relations explores the notion that we apprehend truth through other people's relations of it and that those relations, and our own relation to them, are a function of social relationships in conflict.
The British Council and Anglo-Giwk Literary Interactions, 1945-1955, In the immediate aftermath of the Second World War, and with British political influence over Greece soon to be ceded to the United States, there was a considerable degree of cultural interaction between Greek and British literati. Sponsored or assisted by the British Council, this interaction was notable for its diversity and quality alike. Indeed, the British Council in Greece made a more significant contribution to local culture in that period than at any other time, and perhaps in any other country. Many of the participants - among them Patrick Leigh Fermor, Steven Runciman, and Louis MacNeice - are well known, while others deserve to be better know n than they are today. But what has been less fully discussed, and what the volume sets out to do, is to explore the two-way relations between Greek and British literary production in which the British Council played a particularly important role until the outbreak of armed conflict in Cyprus in 1955, which rendered further contacts of this kind difficult. Close attention is paid to the variety of ways - marked by personal affinities and allegiances, but also by political tensions - in which the British Council functional an agent of interaction in a climate where a complex blend of traditional Anglophilia or Philhellenism found itself encountering a new post-war and Cold War environment. What is distinctive about the volume, beyond the inclusion of much recent archival research, is its attention to the British Council as part of the story of Greek letters, and not just as a place in which various British men and women of letter worked. The British Council found itself, sometimes more through improvisation and personal affinities than through careful planning, at the heart of some key developments, notably in terms of important periodical publications which had a lasting influence on Greek letters. Though in the cultural forum that influence was arguably to be less pervasive than that of France, with its more ambitious cultural outreach, or than that of the USA in later decades, the role of the British Council in Greece in this crucial period of Greek (and indeed European) post-war history continues to make a rich case study in cultural politics. This volume thus fills a gap in the bibliography on Anglo-Greek relations and contributes to a wider scholarly and public discussion about cultural politics. Book jacket.
The English literary tradition has been constituted as a patriarchal family. Great fathers are supposed to pass on a place to worthy sons, and the status of women's writing within the canon is contested. This book shows how kinship and mentoring relationships between writers helped to form the national tradition. Writers featured include Dryden, Congreve, Johnson, Burney, the Fieldings, the Wordsworths, and Austen.
This richly illustrated book tells the story of cultural exchange between the people of the Low Countries and England in the Middle Ages and the Early Modern period, and reveals how Anglo-Dutch connections changed the literary landscape on both sides of the North Sea.Ranging from the Norman Conquest of 1066 to the 'Glorious Revolution' of 1688, it examines how Dutch-speaking immigrants transformed English culture, and it uncovers the lasting impact of contacts and collaborations between Dutch and English speakers on historical writing, map-making, manuscript production and early printing. The literary heritage of Anglo-Dutch relations is explored and lavishly illustrated through the unique collection of manuscripts, early prints, maps and other treasures from the Bodleian Library in Oxford. The book sheds new light on the literature and art of a pivotal period in European history.
This book is a study of Anglo-Scottish literary relations in the later Middle Ages and early Renaissance. It attempts to show how those poets who have frequently been called 'Scottish Chaucerians' (James I, Henryson, Dunbar and Douglas) drew upon English writing. In the best Middle Scots poetry we see an order of invention and technical mastery that is comparable with that of Chaucer's work, and this is sometimes accompanied by shrewd commentary on Chaucer's art. Evidence of such an independent and critical view of Chaucer is strikingly absent in contemporary English poetry, and the book accounts for some of the differences between Northern and Southern poetry in the later Middle Ages. Above all, this study reveals that the poetry of the fifteenth and early sixteenth century in Scotland is a rich and extremely varied body of literature, ranging from the carefully wrought philosophical comedy of 'The Kingis Quair' to the tragic grandeur of Henryson's 'The Testament of Cresseid', from the pointed satires and grotesqueries of Dunbar to Douglas' vigorous and sensitive translation of the Aeneid.